Geiger Karin (42 results)

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. May contain underlining and/or highlighting. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Condition: new. Paperback. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the birth of cinema.The examination of the interrelations between cinema, literature, photography and other modes of representation, not only to each other but amid a host of other minor and major media the magic lantern, the zoetrope, the flick-book, the iPhone and the computer provides crucial insights into the development of media and their overlapping technologies and aesthetics. Cinematicity in Media History is therefore an essential resource for students and scholars in Film and Media Studies. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the birth of cinema. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema.The examination of the interrelations between cinema, literature, photography and other modes of representation, not only to each other but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick-book, the iPhone and the computer - provides crucial insights into the development of media and their overlapping technologies and aesthetics. Cinematicity in Media History is therefore an essential resource for students and scholars in Film and Media Studies.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. pp. 256 38 Illus.

Paperback. Condition: New. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema.The examination of the interrelations between cinema, literature, photography and other modes of representation, not only to each other but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick-book, the iPhone and the computer - provides crucial insights into the development of media and their overlapping technologies and aesthetics. Cinematicity in Media History is therefore an essential resource for students and scholars in Film and Media Studies.…

Taschenbuch. Condition: Gut. ca. 183 S. ; Das Buch befindet sich in einem neuwertig erhaltenen Zustand und ist noch original eingeschweißt. Sprache: Deutsch Gewicht in Gramm: 220.

Softcover. 22 x 22 cm. Pinkfarbenes Originalheft mit 32 Seiten, vielen s/w Fotos und einer farbigen Abbildung. In gutem Zustand. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Leuchtender Herbstbeginn! Wie wäre es mit einem guten Buch? Bei uns werden Sie fündig, stöbern Sie in unserem Ladengeschäft oder online. -- Wir kaufen Ihre werthaltigen Bücher! K21590-426989.…

Softcover-Großformat. Condition: Gut. 65 S. : überw. Ill. ; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Leichte altersbedingte Anbräunung des Papiers. Sprache: Deutsch Gewicht in Gramm: 400.

Paperback. Condition: New.

Condition: New. pp. 256.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. Softcover Signed by the Author with no personalization on the Title page. Includes color and b/w illustrations and Index, 79 pages. Signed by Author(s).

Condition: New. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection examines these questions by focusing on the relations of cinema to other media. Editor(s): Geiger, Jeffrey; Littau, Karin. Num Pages: 256 pages, 38 b&w illustrations. BIC Classification: JFD. Category: (G) General (US: Trade). Dimension: 236 x 156 x 18. Weight in Grams: 390. . 2015. 1st Edition. Paperback. . . . .…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

20 x 25 cm (Querformat). 65 Seiten. Mit zahlr. Fotoabbildungen. Orig.-Karton mit fotoillustr. Schutzumschlag. Erste Ausgabe. - Katalog, erschienen anläßlich einer Ausstellung der FHG und GWK im Stadtmuseum Münster. Mit Bildern von Schülerinnenen und deren Umfeld, aufgenommen an drei Schulen in Kanada und Deutschland, scheinbar unter Einfluß der Düsseldorfer Becher-Schule. - Text in deutscher und englischer Sprache. - Frisches, sauberes Exemplar. // Text in German and English. - Nice, clean copy. Sprache: Englisch.…

Condition: New. pp. 256.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection examines these questions by focusing on the relations of cinema to other media. Editor(s): Geiger, Jeffrey; Littau, Karin. Num Pages: 256 pages, 38 b&w illustrations. BIC Classification: JFD. Category: (G) General (US: Trade). Dimension: 236 x 156 x 18. Weight in Grams: 390. . 2015. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New.

1. Auflage. Erste Auflage, 304 S. Opp. 4°.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 1st edition. 256 pages. 8.75x6.00x0.50 inches. In Stock.

Guter Zustand. Softcover. Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Taschenbuch. Condition: Neu. Neuware - Highlights the complex ways in which media anticipate, interfere with and draw on one otherIn a world where change has become the only constant, how does the perpetually new relate to the old How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media This collection sets out to answer these questions by focusing on the relationships between cinema and other media, cultural productions and diverse forms of entertainment. Cinematicity in Media History highlights the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema. It examines the interrelations between cinema, literature, photography and other modes of representation not only to each other, but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick-book, the iPhone and the computer - and provides crucial insights into the development of media and their overlapping technologies and aesthetics.…

hardcover. Condition: Wie neu. 328 Seiten; Buchdeckel minimal berieben/bestossen. Innenteil tadellos - keine Risse, Knicke, Anmerkungen. ! Altersbedingt minimal nachgedunkelt! KEIN Mängelexemplar! Versand aus München V2945 Sprache: Deutsch Gewicht in Gramm: 4.

Paperback. Condition: New. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection sets out to examine these questions by focusing on the relations of cinema to other media, cultural productions and diverse forms of entertainment, demarcating their sometimes parallel and sometimes more closely conjoined histories. Cinematicity in Media History makes visible the complex ways in which media anticipate, interfere with and draw on one other, demonstrating how cinematicity makes itself felt in practices of seeing, reading, writing and thinking both before and after the 'birth' of cinema.The examination of the interrelations between cinema, literature, photography and other modes of representation, not only to each other but amid a host of other minor and major media - the magic lantern, the zoetrope, the flick-book, the iPhone and the computer - provides crucial insights into the development of media and their overlapping technologies and aesthetics. Cinematicity in Media History is therefore an essential resource for students and scholars in Film and Media Studies.…

Condition: New. In a world where change has become the only constant, how does the perpetually new relate to the old? How does cinema, itself once a new medium, relate both to previous or outmoded media and to what we now refer to as New Media? This collection examines the.