Fozi Shirin (26 results)

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Hardcover. Condition: As New. Dust Jacket Condition: As New. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 264 pages.

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Condition: New. 2021. Hardcover. . . . . .

Hardback. Condition: New. Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition.In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world.Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.…

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition.In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world.Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies. Studies Romanesque effigies as a distinctive form of medieval sculpture, emphasizing the early twelfth century as a time of rapid change in the art, culture, and politics of northern Europe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardcover. Condition: Brand New. sew edition. 240 pages. 10.00x8.00x0.92 inches. In Stock.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Brand New. sew edition. 240 pages. 10.00x8.00x0.92 inches. In Stock.

Gebunden. Condition: New. Studies Romanesque effigies as a distinctive form of medieval sculpture, emphasizing the early twelfth century as a time of rapid change in the art, culture, and politics of northern Europe.&Uumlber den Autor Shirin Fozi.

Hardback. Condition: New. Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition.In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world.Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.…

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Buch. Condition: Neu. Neuware - Studies Romanesque effigies as a distinctive form of medieval sculpture, emphasizing the early twelfth century as a time of rapid change in the art, culture, and politics of northern Europe.

hardcover. Condition: New. 1st.

Hardcover. Condition: Brand New. 01 edition. 456 pages. 11.00x9.25x1.25 inches. In Stock.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Condition: New. 2020. Hardcover. . . . . .

Condition: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: gut. Christ on the Cross, The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970-1200 In deutscher Sprache. pages.