Fernandez Catherine A (43 results)

Hardcover. Condition: New. Dust Jacket Condition: New. 112 pages. Black cloth boards with gold stamped lettering on front board and spine. 11 1/4 x 8 3/4 in. Inv. DD00150.

Condition: New.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: As New. Never read, no marks or highlighting in the book. Our copy is hardback with a dust jacket, showing light shelf-wear. Heavier book requiring additional postage to locations outside US.

Condition: new.

Hardback. Condition: New. This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume's case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.…

hardcover. Condition: Fine.

Condition: Fine. 249 pp., Paperback, LIKE NEW. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condition: new. Hardcover. This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volumes case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears. A collection of essays by leading medievalists assessing the challenges, and potential, of current approaches to iconography and iconology. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: Brand New. sew edition. 240 pages. 10.00x8.00x0.92 inches. In Stock.

Condition: New. In English.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

hardcover. Condition: Very Good. Cover and edges may have some wear.

Condition: New. 1st edition NO-PA16APR2015-KAP.

Paperback. Condition: new. Paperback. This book constitutes the thoroughly refereed post-conference proceedings of the 7th International Workshop on Security and Trust Management, STM 2011, held in Copenhagen, Denmark, in June 2011 - co-located with IFIPTM 2011, the 5th IFIP International Conference on Trust Management. The 12 revised full papers presented together with 4 invited papers were carefully reviewed and selected from 33 submissions. Focusing on high-quality original unpublished research, case studies, and implementation experiences, STM 2011 features submissions from academia, industry, and government presenting novel research on all theoretical and practical aspects of security and trust in information and communication technologies. This book constitutes the thoroughly refereed post-conference proceedings of the 7th International Workshop on Security and Trust Management, STM 2011, held in Copenhagen, Denmark, in June 2011 - co-located with IFIPTM 2011, the 5th IFIP International Conference on Trust Management. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New. 2022. Hardback. . . . . .

Condition: New. 2022. Hardback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. sew edition. 240 pages. 10.00x8.00x0.92 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. revised edition. 238 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: New.

Hardcover. Condition: new. Hardcover. This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volumes case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears. A collection of essays by leading medievalists assessing the challenges, and potential, of current approaches to iconography and iconology. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. Neuware.

Hardback. Condition: New. This volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume's case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.…