Dodds Katherine (29 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: New. Brand new.New.

Condition: Like New. Never used! Light wear to corners/edges from shelving. Wholesale pricing available via Amazon business.Never used! Light wear to corners/edges from shelving.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. Fine first edition. Fine hardback, 2013, first edition, first printing (complete number line). Fine dust jacket with price intact. 175 pages, unmarked. ; TR13-OV3; 12.20 X 9.06 X 0.24 inches; 175 pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. ex-lib w/usual markings, VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text; a clean, gently used copy. Book.

Hardcover. Condition: Near Fine. Near Fine. Canadian First. Complete number line from 1 to 5; minimal wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; very well illustrated with both black and white and colour photographs. Book.

paperback. Condition: Fine.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Canadian Edition. 176pp w glossary. Colour and bw photographs. Green endpapers. Colour photo illustrated boards are clean and without wear. Binding square and sound. Photo illustrated DJ is clean and without wear. Oblong quarto: 230 x 315mm. Published in conjunction with Utsam Witness Society, and, Hello Cool World. Bleck, Nancy (photography) (illustrator).…

SOFTCOVER. Condition: As New. 1st Edition. Square 4to in colour printed stiff card covers, 47pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condition: Very Good. Includes dust jacket. New and unread, however there is some shelf wear on cover, including creasing and small tears on edges of dust jacket Shipped from the UK within 2 business days of order being placed.

paperback. Condition: Very Good.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. This anthology of four plays written or performed between 1662 and 1677 offers a unique snapshot of the diverse nature of Restoration drama by women. Restoration Women's Drama collects four Restoration plays by women: the highly acclaimed Katherine Philips, the successful professional Aphra Behn, the confidently original Margaret Cavendish, and the obscure pioneer Frances Boothby. This anthology includes Behn's only tragedy as well as the first printed edition of Boothby's Marcelia, the first play by a woman to be professionally staged in London, demonstrating the range of early modern drama produced by women in this period. An excellent introduction, it is poised to stimulate new discussions of women's authorship, theatrical knowledge, and literary affinities. Each play has been edited afresh, and each has been modernized and annotated to facilitate reading, teaching, and performance possibilities.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Oblong, 176 pp, illus. signed by Chief Bill Williams & Nancy Bleck. Inscribed by Author(s).

Condition: New.

paperback. Condition: New.

Paperback. Condition: New. This anthology of four plays written or performed between 1662 and 1677 offers a unique snapshot of the diverse nature of Restoration drama by women. Restoration Women's Drama collects four Restoration plays by women: the highly acclaimed Katherine Philips, the successful professional Aphra Behn, the confidently original Margaret Cavendish, and the obscure pioneer Frances Boothby. This anthology includes Behn's only tragedy as well as the first printed edition of Boothby's Marcelia, the first play by a woman to be professionally staged in London, demonstrating the range of early modern drama produced by women in this period. An excellent introduction, it is poised to stimulate new discussions of women's authorship, theatrical knowledge, and literary affinities. Each play has been edited afresh, and each has been modernized and annotated to facilitate reading, teaching, and performance possibilities.…

Condition: New.

Paperback. Condition: Brand New. 408 pages. 9.00x6.00x9.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: NEW.

Condition: New.

Paperback. Condition: Brand New. 408 pages. 9.00x6.00x9.00 inches. In Stock.

Paperback. Condition: New. This anthology of four plays written or performed between 1662 and 1677 offers a unique snapshot of the diverse nature of Restoration drama by women. Restoration Women's Drama collects four Restoration plays by women: the highly acclaimed Katherine Philips, the successful professional Aphra Behn, the confidently original Margaret Cavendish, and the obscure pioneer Frances Boothby. This anthology includes Behn's only tragedy as well as the first printed edition of Boothby's Marcelia, the first play by a woman to be professionally staged in London, demonstrating the range of early modern drama produced by women in this period. An excellent introduction, it is poised to stimulate new discussions of women's authorship, theatrical knowledge, and literary affinities. Each play has been edited afresh, and each has been modernized and annotated to facilitate reading, teaching, and performance possibilities.…

Paperback. Condition: New. This anthology of four plays written or performed between 1662 and 1677 offers a unique snapshot of the diverse nature of Restoration drama by women. Restoration Women's Drama collects four Restoration plays by women: the highly acclaimed Katherine Philips, the successful professional Aphra Behn, the confidently original Margaret Cavendish, and the obscure pioneer Frances Boothby. This anthology includes Behn's only tragedy as well as the first printed edition of Boothby's Marcelia, the first play by a woman to be professionally staged in London, demonstrating the range of early modern drama produced by women in this period. An excellent introduction, it is poised to stimulate new discussions of women's authorship, theatrical knowledge, and literary affinities. Each play has been edited afresh, and each has been modernized and annotated to facilitate reading, teaching, and performance possibilities.…

Condition: New. In English.