Davoli Silvia (43 results)

Paperback. Condition: Very Good. Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole's Collection This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. Condition: new. Hardcover. Adrian Ghenie (born 1977) experiments with color in ten paintings inspired by Dutch painter Pieter Bruegel the Elder's Battle between Carnival and Lent, produced specifically for an exhibition at the Palazzo Cini in Venice. Here, Ghenie's expressive paintings are presented alongside an essay by art historian Luca Massimo Barbero. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: Very good. From the Library of Tim Llewellyn, OBE.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

1st edition. Very good paperback copy; edges slightly dust-toned and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: 112 pages : illustrations (chiefly color), portraits, plans ; 25 cm. Subjects: Walpole, Horace 1717-1797 Art collections ; Exhibitions; Walpole, Horace Art collections. 1 Kg. …

Condition: good. Photo non contractuelle. Envoi rapide et soigné.

1st edition. Very good paperback copy; edges slightly dust-toned and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: 112 pages : illustrations (chiefly color), portraits, plans ; 25 cm. Subjects: Walpole, Horace 1717-1797 Art collections ; Exhibitions; Walpole, Horace Art collections. 1 Kg. …

Condition: Very Good. Light scuffs & scratches to the softcover. Content is in very good, clean condition.

Paperback. Condition: Fine. 1st Edition. Small Qto., 112 pages, colour illustrated. Unused, a Fine copy.

Hardcover. Condition: New. Special order direct from the distributor.

Hardcover. Condition: Brand New. 48 pages. 11.25x9.25x0.75 inches. In Stock.

Hardcover. Condition: Brand New. bilingual edition. 115 pages. 12.00x9.75x0.75 inches. In Stock.

Hardcover. Condition: VG. used hardcover copy, lacking a dust jacket (as issued). light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight, and tight. there are no marks to the text or other serious flaws.

Soft cover. Condition: Fine. Book is in fine condition, excellent. 112pp with colour photographs.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2018. 1 Volume/1. -- Comme Neuf / As New -- Reliure éditeur cartonnée illustrée // Hardback 31,5 x 24 (gr ). ------ 123 pages. 62 coloured illustrations. ****************** "" "" ***********************.

Couverture rigide. Condition: Comme neuf. Paris 2019j. 1 Volume/1. -- New // Nuovo . Hardback // Cartonato editorial . Quarto size 28,7 x 23,7 cm )( 498 gr ). ------- 54 pages. ******************* " The Battle Between Carnival and Feast presents recent paintings, a number painted specifically for this exhibition. On one hand they reflect the rich maritime history of the city with its many waterways, and on the other the conflict and turmoil caused by today s geo-political issues. The theme of water unites these works, which are painted in an aqueous palette of deep-sea greens, vivid blues and shimmering greys. Painting is still an extremely vital force, able to express the great complexity of our time, and in Ghenie s work it is the medium for a powerful synthesis of contemporaneity, history, beauty and the grotesque, comments Luca Massimo Barbero, Director of the Fondazione Cini Institute of Art History. The largest painting in the group is a vast Neo-Baroque composition that reveals a floating life raft surmounted by a mass of vulnerable, naked legs and feet, set against a tumultuous sea and sky. The painting is reminiscent of the harrowing images we see in today s news, showing the perilous journeys that refugees are forced to make to flee conflict. It can also be viewed as a contemporary analogue to The Raft of the Medusa (1818 19) by the French Romantic painter Théodore Géricault, which depicts the survivors of the wrecked naval frigate Méduse clinging to a raft after their ship ran aground in 1816. ************** ref.…

Condition: new.

paperback. Condition: New. Catalogo della mostra di Monza, Serrone della Villa Reale, 2 dicermbre 2005 - 19 febbraio 2006. Brossura originale, 119 pagine con numerose illustrazioni a colori nel testo. Libro in condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine. Book.

Condition: New. 2025. hardcover. . . . . .

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. Before the tragedy of the Holocaust, many of the leading art and antiques dealers across Europe were Jewish, establishing dynamic cross-Channel, international and transatlantic networks. Aside from a few famous examples, however, we are only at the beginning of exploring the diversity of Jewish dealers' commercial and cultural worlds, and reflecting on the particular conditions that made possible their dramatic expansion within the profession.Adopting a wider geography than any previous study, this book brings together a team of distinguished international contributors to consider Jewish art dealers as an interconnected cohort, tied together by common strategies and a shared vulnerability. After an extended historiographical introduction, the volume presents case studies and trends from 1860-1940, including: Jewish family businesses in Western Europe; the role of Jews as mediators of art from East Asia; the antisemitism and suspicion faced by Jewish dealers; Jews as theorists, exhibition makers and promoters of modern art ; and the geographical mobility and professional reinvention of Jewish dealers in times of economic and political crisis.With a wide variety of illustrations, including paintings, decorative arts, historic photographs and archival material, the volume adopts a mix of methodological approaches to analyse a key chapter in Jewish cultural history and in the history of the international art market.Includes Afterword by Charles Dellheim, author of Belonging and Betrayal: How Jews Made the Art World Modern (2021).…

Hardcover. Condition: new. Hardcover. Before the tragedy of the Holocaust, many of the leading art and antiques dealers across Europe were Jewish, establishing dynamic cross-Channel, international and transatlantic networks. Aside from a few famous examples, however, we are only at the beginning of exploring the diversity of Jewish dealers' commercial and cultural worlds, and reflecting on the particular conditions that made possible their dramatic expansion within the profession.Adopting a wider geography than any previous study, this book brings together a team of distinguished international contributors to consider Jewish art dealers as an interconnected cohort, tied together by common strategies and a shared vulnerability. After an extended historiographical introduction, the volume presents case studies and trends from 1860-1940, including: Jewish family businesses in Western Europe; the role of Jews as mediators of art from East Asia; the antisemitism and suspicion faced by Jewish dealers; Jews as theorists, exhibition makers and promoters of modern art ; and the geographical mobility and professional reinvention of Jewish dealers in times of economic and political crisis.With a wide variety of illustrations, including paintings, decorative arts, historic photographs and archival material, the volume adopts a mix of methodological approaches to analyse a key chapter in Jewish cultural history and in the history of the international art market.Includes Afterword by Charles Dellheim, author of Belonging and Betrayal: How Jews Made the Art World Modern (2021). Collected essays from across disciplines exploring the phenomenon of Jewish art and antique dealers in modern European cultural history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.