Danto Ac (29 results)

Soft cover. Condition: Fine. No markings, no underlining, cover and spine is very good condition. Clean white pages.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9780006862307.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN:0006340660.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0521072662.

paperback. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. No Earlier Edition Stated. Volume C, Number 7, Contributors include Shapiro, T.; Arntzenius, F. & tooley, Michael., previous owner's name on the cover. Used.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9789057013010.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN:

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521117524.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. With almost no library markings, In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:0521095182.

Epublication content package. Condition: New. Dust Jacket Condition: Nuevo. LIBRO.

Condition: Fair. Volume 35. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780691011738.

Epublication content package. Condition: New. Dust Jacket Condition: Nuevo. Desde su aparición en 1981, La transfiguración del lugar común se ha convertido en referencia obligada de la reflexión filosófica sobre el arte moderno. Danto responde con brillantez a la ya clásica pregunta ?Cuándo se produce el arte?? Para despejar las incógnitas que de aquí se derivan, propone la metáfora del lugar común y su paradójica aplicación al arte: por qué los objetos más banales quedan transfigurados al ser convertidos en obra de arte? En qué se diferencian a pesar de ser materialmente indiscernibles? Qué estrategia utiliza el arte de hoy para lograr estos fines? En respuesta a estas cuestiones, Danto relativiza el juicio subjetivo del gusto y nos invita a participar en los juegos de lenguaje y los ámbitos institucionales propios del arte moderno. De ellos toma toda su fuerza para abrir la posibilidad de nuevos significados en esta época de agotamiento. La interpretación artística puede que ya no vuelva a ser una tarea espontánea o cómoda, pero sí se revelará imprescindible a la hora de restituir el peculiar y enorme valor cognitivo de la experiencia estética. LIBRO.

Paperback. Condition: New.

Condition: New. pp. 224.

Condition: Nuevo. Hace un siglo, la belleza era considerada de forma unánime como meta suprema del arte y hasta como sinónimo de excelencia artística. Hoy, en cambio, algunos la contemplan como algo parecido a un delito estético. En nuestros días, determinada crítica increpa a los artistas cuando sus obras parecen aspirar a la belleza. En los últimos años, sin embargo, algunos artistas, críticos y comisarios de exposiciones han empezado a contemplar la belleza de distinta manera. A menudo el debate resulta confuso: en ocasiones los especialistas ven la belleza como una traición frente al verdadero rol del artista, mientras que en otras se esfuerzan por encontrar belleza en lo aparentemente grotesco o repulsivo. El gran crítico de arte y filósofo Arthur Danto explica en este libro cómo se gestó la revolución contra la belleza y cómo fue derrocada por la vanguardia moderna. Danto sostiene que los modernos tenían razón al negar que la belleza fuera consustancial al arte; al mismo tiempo, sin embargo, la belleza es esencial para la vida humana y no siempre debe ser desterrada del arte.

Condition: New. pp. 224.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:

121 pp.; 27.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 288 of Galeries Magazine, edited by Francisco Asís Cabrero. Contents include: "Je vous salue Marie," by Luis Moreno Mansilla; "The Role of Journals," by Pedro Urzaiz/Carlos Perez-Pla; "They Fall from Inconceivable Heights," by Félix de Azúa; "Spanish Pavillion Expo 92," by E. Torres/J.A. Martínez Lapeña/A. Cruz/A. Ortiz; "Pieces for a Collection," by A.C.B.; "3 Masterpieces of the Late-twentieth-century Design Theory," by Jeff Kipnis; "Abide/Abode," by Arthur C. Danto; "Alfonso Guerra, General Vice-.," by El País; "Donald Judd, Architect of the Chinati Foundation," by Emilio Tuñón/Luis Feduchi; "The Giants of El Despoblado," by Luis Feduchi; "Six Notes in Response to the Book 'Donald Judd - Architektur," by Emilio Tuñón; "The Chinati Foundation: Photographs," by Luis Asín of 'Fifteen Concrete Works,' 'Artillery Sheds,' 'Arena,' 'Chamberlain Building'"; "The Decadence of Ideas or the Triumph of Materials," by Horacio Fernández; "Hannes Meyer: 1926 - 1930," by Federico Soriano; "Bauen," by Federico Soriano; "The New World," by Hannes Meyer; "petersschule, basel," by Hannes Meyer/Hans Wittwer; "league of nations building, geneva," by Hannes Meyer/Hans Wittwer; "Federal school in Bernau, Berlin Architect Hannes Meyer," by Adolf Behne; "ADGB Federal School, Bernau," by Hannes Meyer; "Works: Becerril/Corrales, Martínez Castillo/Matos, Mangado;" "Aluche Sports Center Extension," by Esteban Becerril / Mateo Corrales; "The Metaphor of the Mirror," by José González Gallegos; "Industrial Building. Hijos de Juan Garay, S.A. Oñate," by A. Martínez Catillo/B. Matos; "Two Housing Competitions," by A. Martínez Catillo/B. Matos; "Marco Real's Cellar, Olite," by Francisco J. Mangado; "Hospice, Obanos," by Francisco J. Mangado; "Misericordia's Complex," by Francisco J. Mangado; "Readings;" "Three Beginnings and Three Endings for an Essay on Richard Long and Hamish Fulton," by Agustín Tena; "On Explaining to a Dead Hare We Saw the El Lissitsky Exhibition in Madrid," by José María Lapuerta; "Cities of Desire / Boundaries of Cities," by Kate Nesbitt and "A Whirlwind where Turbulence is Normal," by Eduardo Belzunce. Cover: a photograph of Chinati, Marfa, TX taken by Luis Asin. Good. Light bumping with curl to bottom right corner of magazine, 4.8 cm. dog-ear to top left corner of verso with a 3 mm. tear. Rubbing of cover edges and of covers at spine with light surface tearing near spine edges. Light yellowing of pages, contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

303pp. pale green paperback.

Condition: New. Danto argues that recent developments in art-in particular the production of works that cannot be told from ordinary things-make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that ho.

illustr.Orig.Kart. geb.4° Quer (guter frischer Zustand) 248 S. mit ca. 300 s/w u. farbigen Abb. (Zeichnungen, Gemälde, Fotos).

Broschiert, 303 Seiten, das Buch ist gut erhalten. Shipping to abroad insured with tracking number.

Cambridge, UP, 1973. (XII) 226 pp. Cloth + dustjacket. *a few underlinings in pencil and pen on endpaper and in the text, otherwise in good condition*.

Suhrkamp, Frankfurt am Main, 1980. 503p. Pocketbook. Paper bit yellowed. Series: Wissenschaft, 328.

paperback. Condition: Buono (Good). SC667Brossura editorialevolume in buone condizioni, segni di usura causati dal fattore tempo sulla copertina, dedica autografata all'interno, legatura salda, testo in inglese212 pagine circaCopertina come da foto.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition 2002,1st printing. Published in conjunction with the exhibition by Centro Cultural Banco do BrasiL / The Gilbert and Lila Silverman Fluxus Collection. English and Portuguese languages. Hardcover in full cloth with DJ in original slipcase. Condition new, square tight and crisp book, no edgewear, corners not bumped, no names, no underlinings, no highlights, no bent page corners, not a reminder. DJ new, bright, no edgewear, no tears, no chips, not clipped. Slipcase as new, no tears, no edgewear. Folio, 272 pages, illustrated throughout, historic texts by Fluxux artists. Heavy book will require additional postage for international orders. Uncommon book.

2002, 272 pp, hardcover cloth binding with dust jacket, book is in fine condition, initials in pen on front page, otherwise clean and neat copy, dust jacket is a little bit smudgy, and shows minor shelf wear. Pictures on request. Bilingual, text.