Cotton Michelle (66 results)

Condition: New. Dailey, Sharon (illustrator).

Condition: As New. Unread book in perfect condition. Dailey, Sharon (illustrator).

paperback. Condition: Very Good. No Dust Jacket. Instances of light surface wear to covers. Otherwise binding is very well preserved. Pages are clean and crisp and printing is tight and bright throughout. MB. Used.

Paperback. Condition: Like New. First Edition. A nearly new copy: firm, clean, square and tight with no underlining or splits.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New. Dailey, Sharon (illustrator).

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Condition: As New. Unread book in perfect condition. Dailey, Sharon (illustrator).

Softcover, staple-bound, 6 pages, very good condition; discoloration to covers; no internal marks.

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9783863350406.

Condition: New.

Paperback. Condition: New. A Geometricised World In 1980 Peter Halley painted his first "prisons," re-deploying the language of geometric abstraction in response to physical and bureaucratic environments. Radically deconstructing the language of abstraction, he re-imagined it not as a utopian source of liberation, but as a dystopian symbol of the regulation of physical and social space. As he wrote in 1990: "I wanted to draw attention to this geometricised, rationalised, quantified world. I saw it as a world characterised by efficiency, by regimentation of movement, bureaucracies, whether in the corporation, government, or university." Working in the era of the mass adoption of personal computers and the advent of the Internet, he developed a tightly organized system of discrete, geometric forms that he refers to as "prisons," "conduits," and "cells." Adopting non-traditional materials such as Roll- A-Tex, a paint additive that provides a readymade texture, and Day-Glo fluorescent colors, he referenced a pervasive mechanization of the human touch and technology in the postmodern environment. Set within the context of a prolific period of painting and critical writing in the 1980s, this catalogue traces the development of Halley's singular pictorial vocabulary.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condition: New.

Condition: New.

Condition: NEW.

Paperback. Condition: new. Paperback. A groundbreaking account of female artists' engagement with digital media in the decades before the World Wide WebThis historical survey focuses on female artists who were either working with computer technologies or taking up the subject of computing and cybernetics in their work in the early years of the computer revolution. It documents a lesser-known history of the inception of digital art, countering conventional narratives by focusing entirely on female figures. Comprising more than 100 works by 50 artists from 14 countries, it spans a period from the first years of integrated circuit computing in the 1960s to the "microcomputer revolution," which led to the birth of home computing in the 1980s. This extensive publication includes three new essays by Tina Rivers Ryan, Margit Rosen and the exhibition's curator, Michelle Cotton. It also features a richly illustrated timeline covering the period between 1613 and 1991 and includes 27 new interviews with artists and over 200 illustrations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Brossura. Condition: new. Edited by Cotton M.English Text.Milano, 2021; paperback, pp. 188, col. ill., cm 22x29. Post-Capital: A Reader is published as both a reader and a catalogue accompanying the exhibition Post-Capital: Art and the Economics of the Digital Age, curated by Michelle Cotton at Mudam Luxembourg. This richly illustrated volume documents works of sculpture, painting, photography, video, and performance by more than twenty artists from different parts of the world, all addressing production, consumption, and wealth. The images cohabit with excerpts from longer texts by some of today's most influential thinkers on the subject of our digital age, its consequences concerning human freedoms, and the largely invisible dynamics that are driving an evolving and unequal world order.Texts by Sarah Beaumont, James Bridle, Michelle Cotton, Heike Geissler, Clémentine Proby, Richard Seymour, Chloe Stead, Hito Steyerl, Joel Valabrega, McKenzie Wark, Lauren Wetmore, Shoshana Zuboff. Libro.…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Cotton, Michelle (ed). PETER HALLEY: Conduits. 224 pages, including 150 color plates. Folio, wraps. Berlin, Hatje Cantz, 2023. This survey revisits the first decade of Peter Halley's (born 1953) career. Assembling over 30 paintings from public and private collections, it presents iconic works alongside previously unseen drawings, sketches and notes.…

Hardcover. Condition: Brand New. 208 pages. 12.01x0.83x9.09 inches. In Stock.