Cavendish Philip (92 results)
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Hardcover
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hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Hardcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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hardcover. Condition: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.World of Books (was SecondSale)
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The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Softcover
Seller: Books From California, Simi Valley, CA, U.S.A.Books From California
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paperback. Condition: Good.
The Greville Diary; Including Passages Hitherto Withheld from Publication, Vol. I.
Wilson, Philip Whitwell, Ed.; [Charles Cavendish Fulke Greville]
Published by Doubleday, Page, 1927
- Hardcover
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Add to basketHardcover. Condition: Very Good. No Jacket. Lg. 8vo. Dk. green cl., gilt lettering, crest, lines. Frontis. Illus. Xiv, 568pp., page tops gilt edged.
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Softcover
Seller: Globus Books, San Francisco, CA, U.S.A.Globus Books
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More images- Hardcover
- Signed
Seller: Arundel Books, Seattle, WA, U.S.A.Arundel Books
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Hardcover. Condition: Near Fine. Dust Jacket Condition: No Jacket (As Issued). Inscribed by author on the ffep. Near Fine hardcover in semi-glossy boards; tight and clean, just a touch of shelfwear. 8vo. - over 7¾ in. - 9¾ in., 342pp. Signed & Inscribed By Author.
- Softcover
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Language: English
Published by Faculty of Arts and Humanities, University College London, GB, 2010
- Softcover
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- Softcover
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Condition: As New. Unread book in perfect condition.
- Softcover
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- Softcover
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- Softcover
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- Softcover
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Paperback. Condition: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera…operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera…operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Softcover
- First Edition
Seller: zenosbooks, San Francisco, CA, U.S.A.zenosbooks
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paperback. Condition: Very Good in Wrappers. No Jacket. First Edition. New York. 2016. May 2014. Berghahn Books. 1st Paperback Edition. Very Good in Wrappers. 9781785331947. 362 pages. paperback. keywords: Film Russia Soviet Union History. DESCRIPTION - Unlike previous studies of the Soviet avant-garde during the silent era, whi…ch have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. inventory #42646.
Language: English
Published by Faculty of Arts and Humanities, University College London, GB, 2008
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New.
- Softcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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Paperback. Condition: new. Paperback. Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role… of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts. The second scholarly study in English to consider the creative role of the camera operator in the film-making processRepresents the first scholarly study to offer a detailed analysis of the films of the Soviet avant-garde in their totalityCrosses disciplinary boundaries and examines the relationship between cinema and the visual arts Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by London : Oxford University Press, 1978., 1978
- Softcover
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.Joseph Valles - Books
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Soft cover. Condition: Poor. score (403 pp.), [1] pp. ; 22 cm. ; ISBN: 0193436647; 9780193436640; LCCN: 79-770662 ; Contents: All creatures now / John Bennet -- Adieu,sweet Amaryllis / John Wilbye -- Adieu, ye city-prisoning towers / Thomas Tomkins -- Ah, dear heart / Orlando G ibbons -- April is in my mistress' face / Thomas Mo…rley -- As Vesta was / Thomas Weelkes -- Come away, sweet love / Thomas Greaves -- Come, gentle swains / Michael Cavendish -- Come, sable night / John Ward -- Consture my meaning / Giles Farnaby -- Come, sirrah Jack, ho! / Weelkes -- Dainty fine bird / Gibbons -- Draw on, sweet night / Wilbye -- Fair nymphs, I heard one telling / John Farmer -- Flora gave me fairest flowers / Wilbye -- Fair Phyllis l saw / Farmer -- Fyer, fyer! ; Hard by a cry stal fountain / Morley -- Hark, all ye lovely saints / Weelkes -- Lady, when I behold / Wilbye -- I love, alas, I love thee ; Leave, alas, this tormenting / Morley -- Lullaby, my sweet little baby / William Byrd -- Mother, I will have a husband / Thomas Vautor -- Music divine / Tomkins -- My bonny lass she smileth ; Now is the month of maying / Morley -- O care, thou wilt despatch me ; Hence, care, thou art too cruel / Weelkes -- Out from the vale / Ward -- O what shall I do? / Wilbye -- O yes ! Has any found a lad? / Tomkins -- O that the learned poets / Gibbons -- Poor is the life ; Quick, quick, away, dispatch! ; No haste but good! / Michael East -- See, see the shepherds' queen / Tomkins -- Since Robin Hood / Weelkes -- See what a maze of error / George Kirbye -- Sing we and chant it / Morley -- Strike it up, tabor ; Sing we at pleasure / Weelkes -- Sleep, fleshly birth / Robert Ramsey -- Sweet honey-sucking bees ; Yet, sweet, take heed / Wilbye -- Sweet Suffolk owl / Vautor -- The silver swan / Gibbons -- This sweet and merry month of May ; Though Amaryllis dance / Byrd -- Though Philomela lost her love / Morley -- Those sweet delightful lilies / Thomas Bateson -- Thule, the period of cosmography ; The Andalusian merchant ; Thus sings my dearest jewel / Weelkes -- Too much I once lamented / Tomkins -- Trust not too much, fair youth / Gibbons -- Weep, O mine eyes / Bennet -- Weep, weep, mine eyes / Wilbye -- What is our life? / Gibbons -- Whither away so fast? / Morley. ; original covers and title page replaced with library boards ; performing copy ; READING COPY only. Book.
- Softcover
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Paperback or Softback. Condition: New. The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s. Book.
- Softcover
Seller: AwesomeBooks, Wallingford, United KingdomAwesomeBooks
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Paperback. Condition: Very Good. Soviet Mainstream Cinematography. the Silent Era This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looke…d after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
- Softcover
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Paperback. Condition: New.
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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- Softcover
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Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
- Softcover
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Hardcover
Seller: Academybookshop, Long Island City, NY, U.S.A.Academybookshop
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Hardcover. Condition: New.
The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
- Softcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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Condition: New. pp. 362.
