Carrie Levy (70 results)

Hardcover. Condition: VG. No Jacket. used hardcover copy in illustrated boards, no jacket, as issued. light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Condition: as new. Wie neu/Like new.

Condition: New. In English.

Hardcover. Condition: New.

Paperback. Condition: Brand New. 190 pages. 5.00x0.43x8.00 inches. In Stock.

Paperback. First edition. Fine paperback. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The fourth issue of the magazine Trolley (Spring 2005/Issue 4), published by Trolley, the art and photography book publishing house. It's part catalogue of upcoming releases with an essay devoted to each book and many images reproduced and part original material. This issue includes work by Philip Jones Griffiths, Ilkka Uimonen, Nick Waplington, Jarret Schecter, Carrie Levy, and others. Introduction and text by Thomas Rees. Sewn signatures, glued open spine, as issued; 80 pages; color and b&w illustrations throughout; 6.25 x 9.75 inches.…

Paperback. First edition. Fine paperback with a hint of rubbing at the edges. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The second issue of the magazine Trolley (Spring 2004/Issue 2), published by Trolley, the art and photography book publishing house. It's essentially a catalogue of upcoming releases with an essay devoted to each book and many images reproduced. This issue includes work by Werner Bischof, Amanda Tetrault, Joan Liftin, Carrie Levy, and Chris Steele-Perkins. Introduction and text by Thomas Rees. Sewn signatures, glued open spine, as issued; 56 pages; color and b&w illustrations throughout; 6.25 x 9.75 inches.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: New.

Hardback. Condition: New. 1st. A daughter documents the absence of her father at home, after he is in prison for 51 Months.On her 15th birthday Carrie Levy was waiting at home in hope for her father's return. He didn't make it. At the time he was being sentenced to prison for four years. Here she charts the years of his absence from their lives through her camera, as the void he left is filled with memories and reminders of him, compounded by his absence, from the empty garden, to the road trip to the prison five hours away. It took a year for Carrie Levy to grasp the consequences, the significance, of that day. At school her story was a jewel of gossip - the sidelong glances, the whispers, the outright glares. But she worked hard, and left a half a year early to escape her own prison. She picked up her camera. With the glimmering dark glass between her and her life, she began to photograph the empty spaces in her home, on the road, outside the prison (her mother would make the 10-hour round trip almost every weekend), in her pointless garden. But it was not pointless. These pictures are redolent of loss, of vacant landscapes and interiors that appear to be meaningless but as a whole sing a narrative song of those four years, like Carson McCullers's sentences which, when dissected, add up to no more than nouns, verbs and adjectives, or the brushstrokes of Impressionist painting. It is a singular story, and one that stopped when her father came home in March, 2000. She spoke to her father for 15 minutes about his crime. It has not been mentioned since. Four months later, in June, Carrie Levy closed the lid of the suitcase under her bed that contained the 500 images she had taken.…

Hardcover. Condition: new. Hardcover. A daughter documents the absence of her father at home, after he is in prison for 51 Months.On her 15th birthday Carrie Levy was waiting at home in hope for her father's return. He didn't make it. At the time he was being sentenced to prison for four years. Here she charts the years of his absence from their lives through her camera, as the void he left is filled with memories and reminders of him, compounded by his absence, from the empty garden, to the road trip to the prison five hours away. It took a year for Carrie Levy to grasp the consequences, the significance, of that day. At school her story was a jewel of gossip the sidelong glances, the whispers, the outright glares. But she worked hard, and left a half a year early to escape her own prison. She picked up her camera. With the glimmering dark glass between her and her life, she began to photograph the empty spaces in her home, on the road, outside the prison (her mother would make the 10-hour round trip almost every weekend), in her pointless garden. But it was not pointless. These pictures are redolent of loss, of vacant landscapes and interiors that appear to be meaningless but as a whole sing a narrative song of those four years, like Carson McCullerss sentences which, when dissected, add up to no more than nouns, verbs and adjectives, or the brushstrokes of Impressionist painting. It is a singular story, and one that stopped when her father came home in March, 2000. She spoke to her father for 15 minutes about his crime. It has not been mentioned since. Four months later, in June, Carrie Levy closed the lid of the suitcase under her bed that contained the 500 images she had taken. On Carrie Levy's 16th birthday, her father was sentenced to four years in prison. Levy soon grasped the consequences: people's sidelong glances, and the whispers and stares at her school, which she left early in order to escape her own prison. Then she picked up her camera and started to photograph the empty spaces in her home, on the road, her garden, and outside the prison. The touching images in 51 Months are redolent of loss, of vacant lanscapes that for Levy were filled with painful meaning. Levy's singular story ended when her father came home, four years later, and she tucked her container of 500 photographs under her bed where they remained a hidden visual narrative—until now. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: new.

Condition: As New.

Hardcover. Condition: Brand New. 160 pages. 11.50x8.75x0.50 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: As New. Unread book in perfect condition.

Couverture rigide. Condition: Bon. Ex-libris collé(s) sur une feuille cartonnée 21*27cm. Ex-libris (129*84mm) avec une devise en Allemand « Wunderlichstes Buch der Bücher ist das Buch der Liebe », tirée de Goethe. Par Z Wassiliew, 1903.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New.

Condition: New.

Condition: New.

Condition: very_good. Crisp copy with a sturdy binding and light shelf wear. Used copies may not include access codes or CDs.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New.

Buch. Condition: Neu. Neuware.