Cabrita Joel (118 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Paper Back. Condition: Used.

Paperback or Softback. Condition: New. Imprint Africa: Conversations with African Women Publishers. Book.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Condition: new.

Paperback. Condition: New. Systemic racism and sexism caused one of South Africa's most important writers to disappear from public consciousness. Is it possible to justly restore her historical presence? Regina Gelana Twala, a Black South African woman who died in 1968 in Swaziland (now Eswatini), was an extraordinarily prolific writer of books, columns, articles, and letters. Yet today Twala's name is largely unknown. Her literary achievements are forgotten. Her books are unpublished. Her letters languish in the dusty study of a deceased South African academic. Her articles are buried in discontinued publications. Joel Cabrita asserts that Twala's posthumous obscurity has not developed accidentally as she exposes the ways prejudices around race and gender blocked Black African women like Twala from establishing themselves as successful writers. Drawing upon Twala's family papers, interviews, newspapers, and archival records from Pretoria, Uppsala, and Los Angeles, Cabrita argues that an entire cast of characters-censorious editors, territorial White academics, apartheid officials, and male African politicians whose politics were at odds with her own-conspired to erase Twala's legacy. Through her unique documentary output, Twala marked herself as a radical voice on issues of gender, race, and class. The literary gatekeepers of the racist and sexist society of twentieth-century southern Africa clamped down by literally writing her out of the region's history. Written Out also scrutinizes the troubled racial politics of African history as a discipline that has been historically dominated by White academics, a situation that many people within the field are now examining critically. Inspired by this recent movement, Cabrita interrogates what it means for her-a White historian based in the Northern Hemisphere-to tell the story of a Black African woman. Far from a laudable "recovery" of an important lost figure, Cabrita acknowledges that her biography inevitably reproduces old dynamics of White scholarly privilege and dominance. Cabrita's narration of Twala's career resurrects it but also reminds us that Twala, tragically, is still not the author of her own life story. …

paperback. Condition: Fine. Unread and like new.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Like New. Reprint. A bright, clean hardback, firm and square with strong joints, just a few very minor rubs. Hence a non-text page is stamped 'damaged'. Despite such this book is actually nearly new condition. Thus it looks and feels unread with contents that are crisp, fresh and tight. Now offered for sale at a special bargain price.…

Paperback. Condition: new. Paperback. Systemic racism and sexism caused one of South Africa's most important writers to disappear from public consciousness. Is it possible to justly restore her historical presence?Regina Gelana Twala, a Black South African woman who died in 1968 in Swaziland (now Eswatini), was an extraordinarily prolific writer of books, columns, articles, and letters. Yet today Twala's name is largely unknown. Her literary achievements are forgotten. Her books are unpublished. Her letters languish in the dusty study of a deceased South African academic. Her articles are buried in discontinued publications. Joel Cabrita argues that Twala's posthumous obscurity has not developed accidentally as she exposes the ways prejudices around race and gender blocked Black African women like Twala from establishing themselves as successful writers. Drawing upon Twala's family papers, interviews, newspapers, and archival records from Pretoria, Uppsala, and Los Angeles, Cabrita argues that an entire cast of characters--censorious editors, territorial White academics, apartheid officials, and male African politicians whose politics were at odds with her own--conspired to erase Twala's legacy. Through her unique documentary output, Twala marked herself as a radical voice on issues of gender, race, and class. The literary gatekeepers of the racist and sexist society of twentieth-century southern Africa clamped down by literally writing her out of the region's history. Written Out also scrutinizes the troubled racial politics of African history as a discipline that has been historically dominated by White academics, a situation that many people within the field are now examining critically. Inspired by this recent movement, Cabrita interrogates what it means for her--a White historian based in the Northern Hemisphere--to tell the story of a Black African woman. Far from a laudable "recovery" of an important lost figure, Cabrita acknowledges that her biography inevitably reproduces old dynamics of White scholarly privilege and dominance. Cabrita's narration of Twala's career resurrects it but also reminds us that Twala, tragically, is still not the author of her own life story. This biography of Twala, an unjustly neglected Black African literary figure in apartheid South Africa and colonial Swaziland (now Eswatini) shows that her posthumous obscurity has been no accident. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 344 pages. 8.50x5.50x1.00 inches. In Stock.

Soft cover. 8vo. pp: xx, 351. Original publisher's red, blue and white photo illustrated paper covers. Illustrated in black and white.ISBN: 9780821425077 Some minor shelfwear. Bottom of spine slightly bumped. Otherwise perfectly tight, clean and unread book. Very good indeed.

Condition: New.

Condition: New. 2023. 1st Edition. Paperback. . . . . .

Condition: New.

Hardcover. Condition: Fine. No Jacket. 1st Edition. Fine in hardcover. 320pp 8vo.

Paperback. Condition: New.

Hardcover. Condition: Fine. 1st Edition. xvii + 400p. inscribed by author to JDY Peel. Inscribed by Author(s).

Soft cover. Condition: New. Summary:Text and Authority in the South African Nazaretha Church tells the story of one of the largest African churches in South Africa, Ibandla lamaNazaretha, or Church of the Nazaretha. Founded in 1910 by charismatic faith-healer Isaiah Shembe, the Nazaretha church, with over four million members, has become an influential social and political player in the region. Deeply influenced by a transnational evangelical literary culture, Nazaretha believers have patterned their lives upon the Christian Bible. They cast themselves as actors who enact scriptural drama upon African soil. But Nazaretha believers also believe the existing Christian Bible to be in need of updating and revision. For this reason, they have written further scriptures - a new 'Bible' - which testify to the miraculous work of their founding prophet, Shembe. Joel Cabrita's book charts the key role that these sacred texts play in making, breaking and contesting social power and authority, both within the church and more broadly in South African public life. …

Condition: new.

Condition: New.