Bona Jean (26 results)

Paperback or Softback. Condition: New. La Fille Mal �lev�e: Com�die-Vaudeville En Deux Actes. Book.

Petit in-12 ( 150x85 mm ) pleine basane brune, dos lisse, titre doré sur pièce de maroquin brun clair.412 pages.Contenant la substance de la doctrine des Saints Pères et des anciens Philosophes.Traduit en français. Religion.

Hardcover. Condition: New. 1st Edition. Brand new hardcover. 592 pages.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Gebunden. Condition: New. Constantin A. Bona, Jean-Pierre RevillardThe field of cytokine research is expanding at a rapid pace Contributions from the major leading groups in the world on the structure and biological properties of cytokine and cytokine receptors, as well as integ.

Condition: New. pp. 592.

Hardcover. Condition: Brand New. 1st edition. 575 pages. 11.00x8.75x1.50 inches. In Stock.

Condition: New. pp. 592.

Brossura. Condition: new. A cura di Ghisalberti A.Roma, 2010; br., pp. 388, ill., cm 17x24.(Opere di Gioacchino da Fiore: testi e strumenti. 23). Gli alberi e le figure geometriche di Gioacchino da Fiore sono simboli, immagini e tracciati che aprono la strada verso la storia biblica o la storia della salvezza: una chiave fondamentale per comprendere in profondità il suo pensiero. Si tratta di diagrammi elaborati in tempi diversi, composti da disegni e parole scritte, con un significato preciso attribuito alle figure come pure ai colori, alle posizioni e alle contrapposizioni, ai nessi che integrano disegno e testo scritto. Gli studi raccolti nel volume costituiscono un contributo innovativo al fine di mostrare come la raccolta del "Liber figurarum" rappresenti un elemento di rilievo nell'insieme delle opere del monaco calabrese. Libro.…

rilegatura. Condition: Very Good. I ed.: maggio 2013. Catalogo della mostra personale a cura di Danilo Eccher, Torino, GAM - Galleria Civica d'Arte Moderna e Contemporanea (Via Magenta 31), 6 giugno - 29 settembre 2013. Traduzioni: Barbara Venturi, Alessandra Gallo e Paolina Baruchello per Scriptum, Roma. IV piccolo/ 336/ rilegatura patinata con grafica a colori e con il primo piatto illustrato da un particolare di un lavoro dell'artista. Illustrazioni a colori. Crediti fotografic: Claudio Abate, Giorgio Benni, Giulio Buono, Stefano Cavallo, Giorgio Colombo, Thomas Cugini, Lucia Degonda, Angelo De Maria, Lino Di Gioia, Mario Di Paolo, Volker Döhone, Fabrice Gibert, Enrico Greco, Antonio Guerra, Studio fotografico Gonella, Riccardo Gusmaroli, Carlo Fei, Mimmo Iacopino, Enzo Lattanzio, Salvatore Licitra, Kunsthalle Basel, Kunstmueìseen Krefeld, Paolo Mussat Sartor, Michel Nguyen, Enzo Obiso, Yoshihiro Okuno, Ernani Orcorte, Paolo Pellion, Sergio Pucci, Matteo Rensi, Friedrich Rosenstiel, Stedeljik Museutelnovo.m Amsterdam, Paolo Vandrasch. Art Direcrtor: Giacomo Merli. Impaginazione: Denise Castelnovo. Ufficio iconografico: Alessandra Olivari, Silvia Sala. Indice: presentazione, Maurizio Braccialarghe, Presidente della Fondazione Torino Musei - Il segno, la poesia, il vento di Nicola De Maria; Danilo Eccher - Nicola De Maria: "chiarissime profondità dell'essere", una nota; Rudi Fuchs - La fenice di Nicola; Germano Celant - Energie che creano una sensazione di felicità; Jean-Christophe Ammann - "O alberu, proteggete questa mostra: sono uno di voi"; Jean-Christophe Ammann - Frammenti; Gerhard Storck - Porte degli occhi; Marianne Stockebrand - Direrzione Nicola; Ida Panicelli - Nel regno di Nicola De Maria; Annelie Pohlen - (Una pittura eterea, leggera, fragile.); Bob Calle - (Per Nicola De Maria); François Cheng - (I quadri fischiano); Franco Toselli - L'occhio dell'anima; Jean Frémon - Nicola De Maria e l'invocazione del bello; Ingrid Mössinger - Tredici echi per Nicola De Maria; Patrice Coternsin - Ritratto di Nicola De Maria; John Yau - Previsioni del tempo: pittura tersa e disegni sottovento; Achille Bonito Oliva - Pane degli angeli; Zeno Birolli - Questi sono colori magici e le parole di un'opera autentica; Arianna Bona. Book. …

First edition, number 144 of 200 copies. Excerpts from the French philosopher Jean Grenier's forthcoming autobiography (Gallimard, 1957) published for the 'Chemin des Sources' series by the Librairie Franco-Egyptienne in Cairo. It includes two small vignettes by Bona de Mandiargues (née Tibertelli), one a flying bird, the other a surrealist crouching fish-woman. Grenier is perhaps best remembered as mentor to the young Albert Camus at the Grand Lycée of Algiers. At the time of publication Bona was married to poet Pierre de Mandiargues, and was integrated into the surrealist circle around André Breton.Bona de Mandiargues, or simply 'Bona' (1926-2000) remains one of the most intriguing women of the French Surrealist movement. Best known for her fabric collages (she cut up her husband's clothes and called them ragarts) she also illustrated a number of books, including several with etched plates issued in limited editions. A frank memoir of Bona's childhood in an Italian villa, Vivre en Herbe (Gallimard, 2001), recalls the early inspiration of her flamboyant artist uncle, Filippo de Pisis, but also episodes of disturbing abuse and the terrors of the Second World War. In Paris in the 1940s she met the poet Pierre de Mandiargues (she married him, twice) and was drawn into the circle of André Breton. Taking inspiration from journeys to Mexico, the world of the Surrealists and her own 'inner eye', she pursued a singular artistic vision. She notably took the motif of the snail as an emblem (admiring its wholeness, its hermaphroditism and its self-sufficiency). Though her work was exhibited regularly, her first institutional retrospective was held at the Nivola Museum in Sardinia (2022). 16mo (200 × 145 mm), pp. 23, [1]. Original printed tan wrappers. Vignettes by Bona to upper cover and colophon. Presentation letter (dated 1 February 1957), signed, from the author to Jacques Brunner loosely inserted. An excellent copy. [Rare: Worldcat lists the Bn and Bibliothèque Jerôme Doucet copies in France, the Harvard copy in the US and another at the American University, Cairo.]. …

Parisiis [Paris], apud Joannem de Nully, 1707. Un vol. au format in-16 (132 x 83 mm) de 4 ff. n.fol. et 166 pp. Reliure de l'époque de plein veau marbré havane, plats jansénistes, dos à nerfs orné de filets gras à froid, caissons d'encadrement en pointillés dorés, fleurons dorés, semis de pointillés dorés, titre doré, roulette dorée sur les coupes, tranches mouchetées. L'ouvrage s'agrémente de jolis ornements typographiques. ''Peu de temps après son ordination, Bona recueillit certains des plus beaux passages des Pères sur la messe et les publia dans un livret qui devint son De Sacrificio Missæ.'' Un angle émoussé. Coiffes arasées. Dos légèrement passé. Condition intérieure satisfaisante ; n'excluant toutefois pas quelques marques d'usage éparses.…

Editions Jean-Jacques Pauvert / Revue Trimestrielle n° 3 de l'automne 1957. In-8 broché carré de 96 pages au format 19,5 x 19,5 cm. Superbe couverture illustrée par un détail du tableau de Gabriel Max ( reproduit en page 71 ). Dos carré. Plats et intérieur frais. Tirage sur couché du troisième numéro de cette revue dirigée par André Breton qui n'en compta que 5. Textes inédits de : André Breton, Gérard Legrand, Joyce Mansour, Flora Tristan, Octavio Paz, E.L.T Mesens, Robert Lebel, Jean Schuster, etc. Avec des illustrations de Bona, Marcel Duchamp, Yves Elléouët, Jean-Jacques Lebel, Maréchal, Gabriel Max, ainsi que des photographies. Très bel état général. Edition originale, peu courante.…

Parisiis, apud Robertum Pépié, 1692. Un vol. au format gd in-16 (146 x 83 mm) de 1 f. bl., 3 ff. n.fol., 214 pp. et 1 f. bl. Reliure - sans doute XVIIIème - de plein maroquin ébène, filet et jeu de petits filets dorés encadrant les plats, dos à nerfs orné de filets gras à froid, cassons d'encadrement dorés agrémentés de jeux de petits filets dorés, titre doré, filets dorés sur les coupes, tranches dorées. Exemplaire - entièrement réglé - revêtu d'une délicate reliure de plein maroquin. Il s'ouvre sur la large marque gravée de l'imprimeur et recèle en outre une jolie lettrine ainsi qu'un joli bandeau figuratif. ''Le Manuductio fut souvent comparé à L'Imitation de Jésus-Christ, tant pour sa popularité que pour la simplicité de son style.'' Quérard I, La France littéraire, p. 392 (citant la traduction de 1738 du présent ouvrage sous le titre Le Chemin du ciel). Angles élimés. Petit défaut affectant chacune des coiffes. Infime abrasion en page de titre. Très rares rousseurs dans le texte. Du reste, belle condition.…

Volume in-4, reliure plein vein veau de l'époque, dos à quatre nerfs et à caissons fleuronnés, pièce de titre, titre doré, plats encadrés d'un double filet noir, tranches jaspées, [10]-1006-[2 blanc]-70-[2] p. Frontispice signé du graveur Romanus de Hooghe et portrait armorié gravé. Index tractatuum : Manductio ad Caelum / Principia & documenta vitae Christianae / Via compendii ad Deum / Tractatus asceticus de Sacrifio Missae / De discretione spirituum / De rebus lyturgicis / De divina psalmodia / Testamentum / ajout manuscrit "Horologium asceticum. post. pag. 1006", texte posthume paru en 1676. Texte sur deux colonnes. In fine, "Notitia auctorum et librorum qui in hoc opere citantur." et "Index generalis rerum et verborum". Première édition des oeuvres complètes du Cardinal Bona (Mondovi, 1609 - Rome, 1674), de la congrégation cistercienne des Feuillants d'Italie. L'ordre des Feuillants ou "Congrégation de Marie" créé en 1577 est un ordre de la Contre-Réforme. Il prospéra notamment dans le Piémont à la fin du XVIe et au début du XVIIe siècle avec l'appui des duc de Savoie, et redonna une nouvelle jeunesse aux vieux monastères bénédictins de la région. La carrière de Giovanni Bona en témoigne. Il entre à l'abbaye Sainte-Marie de Pignerol, étudie à Turin, devint prieur à Montegrosso d'Asti, puis abbé de Vicoforte, près de Mondovi, et enfin général de l'ordre en 1651 à Rome. Il est créé cardinal en 1669. Grand érudit en matière de liturgie et de spiritualité, son oeuvre est une synthèse moderne de la théologie mystique, "ars meditandi", à partir de sa grande pratique des Pères de l'Eglises et des auteurs médiévaux, ainsi que sa connaissance des modernes comme Saint François de Sales ou Saint Ignace de Loyola. Reliure et intérieur en bon état. Bon exemplaire. (EvB15) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST Size: 18 x 23. Livre.…

traduit du latin par Robert-François-Joseph Lemaire. In-12 de XXI pp., 225 pp., (1) f. : maroquin rouge, dos lisse orné, dentelle dorée encadrant les plats, coupes et coiffes décorées (reliure de l'époque). Rare impression de Douai. L'ouvrage du cardinal Bona parut pour la première fois à Paris, en 1664, sous le titre "Manuduction ad coelum". Une figure hors texte annonce en fin d'ouvrage le décès du traducteur. Bel exemplaire en maroquin décoré de l'époque. Trace de mouillure aux deux derniers feuillets.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1810 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 248 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 248 Language: Latin.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1755 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 447 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 447.…

Leather Bound. Condition: New. Language: Latin. Language: Latin. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1810. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Latin, Pages: - 246, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 246 246.…

Please email for Photographs or further information. Good - 8vo (170 × 100 mm). Vellum modestly soiled and creased; yapp edges worn; manuscript spine titling legible; text-block sound; faint marginal tide mark to prelims; scattered foxing; deckle edges. No worming. Early scholasticate stamp "Scolasticat Soc. de Marie" to title; small early shelf label "E.P." to pastedown. A solid, complete, and pleasing example. Complete as issued. Graesse I, 498 (Bona) Barbier, Dictionnaire des ouvrages anonymes Hurter, Nomenclator, III, 1834 (Bona's mystico-ascetical corpus) Backer-Sommervogel II, 1716 (Jesuit reception) Collation: I. De Discretione Spirituum: [2] blanks, Title 1f., [1]; Index a2-a4: pp. 510; Text pp. 1360. II. Via Compendii ad Deum: Title 1f., [1]; Praefatio A2A4; Index A4A7; Text pp. 6230; [2] terminal blanks. Please see Photos as part of condition report. 1742 DE DISCRETIONE SPIRITUUM LIBER UNUS By Cardinal Jean Bona Format: Vellum, Small/Crown octavo (8vo 5 3?8 × 8 in 137 × 203 mm ) Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary. Language: Latin Published By: Jo: Mariam Lazzaroni, Venice Condition Report: Dust Jacket: No Jacket, Dust Jacket Condition: No Jacket Good - 8vo (170 × 100 mm). Vellum modestly soiled and creased; yapp edges worn; manuscript spine titling legible; text-block sound; faint marginal tide mark to prelims; scattered foxing; deckle edges. No worming. Early scholasticate stamp "Scolasticat Soc. de Marie" to title; small early shelf label "E.P." to pastedown. A solid, complete, and pleasing example. Complete as issued. Graesse I, 498 (Bona) Barbier, Dictionnaire des ouvrages anonymes Hurter, Nomenclator, III, 1834 (Bona's mystico-ascetical corpus) Backer-Sommervogel II, 1716 (Jesuit reception) Collation: I. De Discretione Spirituum: [2] blanks, Title 1f., [1]; Index a2-a4: pp. 510; Text pp. 1360. II. Via Compendii ad Deum: Title 1f., [1]; Praefatio A2A4; Index A4A7; Text pp. 6230; [2] terminal blanks. Please see Photos as part of condition report. Author Bio: Giovanni Bona (16091674), a Cistercian and later Cardinal, was among the great systematisers of early-modern Catholic spirituality. De Discretione Spirituum is his most sought-after mystical-theological text: a careful attempt to distinguish divine promptings from natural impulses or demonic deception deeply influential in later Benedictine, Jesuit, and French school spiritual traditions. Bound here, as issued, with his concise mystical theology manual Via Compendii ad Deum. Synopsis: A desirable Venetian printing of Bona's classic treatises on mystical theology and the discernment of spirits, in its original limp vellum binding with manuscript spine title and surviving tie remnants. A compact and handsome devotional volume intended for spiritual directors, monastic houses, and those practised in ascetic theology. Part 1 De Discretione Spirituum, Liber Unus Part 2 Via Compendii ad Deum. DE DISCRETIONE SPIRITUUM LIBER UNUS [DISCERNMENT OF SPIRITS] - discernment supposes the principle that two spirits may possess man, the spirit of good [Angels] and the spirit of evil [Demons] - one of the earliest and most influential Catholic systematic texts on spiritual discernment later referenced in Jesuit and mystical literature. Roman Catholic The book concerns: Recognizing authentic divine inspiration vs. imagination, emotion, or deception Spiritual psychology and mystical theology The role of grace, prayer, humility, and asceticism Criteria for discernment derived from Church Fathers, especially St. Bernard Practical instruction for monks, confessors, and theologians Index (table of contents) highlights: Difficulty & necessity of discernment Types of grace Classification of spirits Interior vs exterior inspiration Dangers of false spiritual impulses Essentially: how to judge spiritual experiences - For full description please contact the seller 2 Small/Crown octavo (8v.…

Condition: New. pp. 592 This item is printed on demand.