Bloechl Olivia A (41 results)

Soft cover. Condition: Very Good. 180 pages. Illustrated. "'Fit for a king': music and iconography in Richard Beauchamp's chantry chapel " Alexandra Buckle / "Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context" Elizabeth Eva Leach / "Two 13th-century hockets on Manere recovered" Mary Wolinski and Barbara Haggh / "Early autograph manuscripts of Marin Marais" Stuart Cheney / "Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata" Michele Cabrini / "War, peace and the ballet in Le Soir" Olivia Bloechl / "New perspectives on Thomas Myriell's Tristitiae remedium and Add. Ms. 29427" Donna M. Di Grazia / "'. so beautiful that I was almost beside myself': Vivaldi and the Basel Collegium Musicum" Robert Kintzel.…

Paperback. Condition: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Just a few hardly noticeable rubs or very mild bumps. Hence a non-text page shows a small 'damaged' stamp. Despite such this book looks and feels unread. Thus the contents are crisp, fresh and tight. And so a very nice book in great condition, now offered for sale at a reasonable price.…

Condition: New.

Paperback or Softback. Condition: New. Native American Song at the Frontiers of Early Modern Music. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.…

hardcover. Condition: Very Good.

Condition: New.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: New. In English.

hardcover. Condition: Like New. Dust Jacket Condition: Fine. Black cloth. Square Tight Binding. Clean interior. Dust jacket Fine. Presents handsomely in archival mylar. A superior edition.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover with dust jacket. Pages unmarked, modest wear.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 301.

Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Book.

Paperback. Condition: New. Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.…

Condition: New.

Condition: New. A study of how Native American music changed the course of European music history. Series: New Perspectives in Music History and Criticism. Num Pages: 302 pages, 12 b/w illus. 3 tables 23 music examples. BIC Classification: 1KBB; AVG; JFSL9. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 17. Weight in Grams: 570. . 2008. Illustrated. hardcover. . . . . …

Condition: New. In English.

Condition: New. A study of how Native American music changed the course of European music history. Series: New Perspectives in Music History and Criticism. Num Pages: 302 pages, 12 b/w illus. 3 tables 23 music examples. BIC Classification: 1KBB; AVG; JFSL9. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 17. Weight in Grams: 570. . 2008. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Condition: New. pp. xxi + 279.

Hardcover. Condition: Brand New. 1st edition. 279 pages. 9.00x6.25x1.00 inches. In Stock.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.…

Black mark on top edge else VG bright copy in publishers cloth in like dustjacket. 1st edition. Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world. ISBN 0521866057.…

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand pp. 301.