Francis Knights Editor (1 results)
Early Music February 2010 / "'Fit for a king': music and iconography in Richard Beauchamp's chantry chapel " Alexandra Buckle / "Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context" Elizabeth Eva Leach / "Two 13th-century hockets on Manere recovered" Mary Wolinski and Barbara Haggh / "Early autograph manuscripts of Marin Marais" Stuart Cheney / "Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata" Michele Cabrini / "War, peace and the ballet in Le Soir" Olivia Bloechl / "New perspectives on Thomas Myriell's Tristitiae remedium and Add. Ms. 29427" Donna M. Di Grazia / "'. so beautiful that I was almost beside myself': Vivaldi and the Basel Collegium Mu
Francis Knights (Editor) / "'Fit for a king': music and iconography in Richard Beauchamp's chantry chapel " Alexandra Buckle / "Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context" Elizabeth Eva Leach / "Two 13th-century hockets on Manere recovered" Mary Wolinski and Barbara Haggh / "Early autograph manuscripts of Marin Marais" Stuart Cheney / "Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata" Michele Cabrini / "War, peace and the ballet in Le Soir" Olivia Bloechl / "New perspectives on Thomas Myriell's Tristitiae remedium and Add. Ms. 29427" Donna M. Di Grazia / "'. so beautiful that I was almost beside myself': Vivaldi and the Basel Collegium Mus
Published by Oxford University Press, 2010
- Softcover
- Magazine / Periodical
Seller: Shore Books, London, United KingdomShore Books
Contact seller5-star sellerCondition: Used - Very good
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Add to basketSoft cover. Condition: Very Good. 180 pages. Illustrated. "'Fit for a king': music and iconography in Richard Beauchamp's chantry chapel " Alexandra Buckle / "Guillaume de Machaut, royal almoner: Honte, paour (B25) and Donnez, signeurs (B26) in context" Elizabeth Eva Leach / "Two 13th-century hockets on Manere recovered" Mary Wolinski and Barbara Haggh / "Early autograph manuscripts of Marin Marais" Stuart Cheney / "Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata" Michele Cabrini / "War, peace and the ballet in Le Soir" Olivia Bloechl / "New perspectives on Thomas Myriell's Tristitiae remedium and Add. Ms. 29427" Donna M. Di Grazia / "'. so beautiful that I was almost beside myself': Vivaldi and the Basel Collegium Musicum" Robert Kintzel.…
