Antonio Brunetti (103 results)

Dust Jacket Condition: dj. First Edition. First edition. Softcover. Exhibition catalog for a show that ran November 19, 1999 through February 12, 2000. Features text by John Brunetti. Includes numerous color illustrations with two gatefolds, checklist, and biographical information about each artist. A near fine copy in stapled wrappers in a very good printed glassine dust jacket that has some small tears and wear.

Lievi imperfezioni XV + 607 p. in-8.

Dedica dell\'Autore al piatto anteriore 12 p. in-8.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9781849738187.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: MEDIOCRE. NOTA:Timbro Ex Libris ai due frontespizi. Dorso del primo volume parzialmente mancante. / Milano, Giuffré 2 voll. cm.17,5x25,4, pp.XVI,668, XX,664, brossura Seconda ediz.riveduta e aumentata. 2 voll.

Hardback. Condition: New. Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted.Through a series of case studies written by scientists together with art historians, archaeologists and conservators, Science and Art: The Painted Surface demonstrates how the cooperation between science and humanities can lead to an increased understanding of the history of art and to better techniques in conservation. The examples used in the book cover paintings from ancient history, Renaissance, modern, and contemporary art, belonging to the artistic expressions of world regions from the Far East to America and Europe. Topics covered include the study of polychrome surfaces from pre-Columbian and medieval manuscripts, the revelation of hidden images below the surface of Van Gogh paintings and conservation of acrylic paints in contemporary art.Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art. The book features contributions from leading institutions across the globe including the Metropolitan Museum of Art, New York; Art Institute of Chicago; Getty Conservation Institute; Opificio delle Pietre Dure, Firenze; National Gallery of London; Tate Britain; Warsaw Academy of Fine Art and the National Gallery of Denmark as well as a chapter covering the Thangka paintings by Nobel Prize winner Richard Ernst.

brossura. Condition: Poor. Copertina cartonata, sporca, ingiallita e usuruta al dorso. Tagli bruniti e irregolari. Pagine ingiallite. Volume III. 591 Mediocre (Poor) . Book.

Hardback. Condition: New. Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted.Through a series of case studies written by scientists together with art historians, archaeologists and conservators, Science and Art: The Painted Surface demonstrates how the cooperation between science and humanities can lead to an increased understanding of the history of art and to better techniques in conservation. The examples used in the book cover paintings from ancient history, Renaissance, modern, and contemporary art, belonging to the artistic expressions of world regions from the Far East to America and Europe. Topics covered include the study of polychrome surfaces from pre-Columbian and medieval manuscripts, the revelation of hidden images below the surface of Van Gogh paintings and conservation of acrylic paints in contemporary art.Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art. The book features contributions from leading institutions across the globe including the Metropolitan Museum of Art, New York; Art Institute of Chicago; Getty Conservation Institute; Opificio delle Pietre Dure, Firenze; National Gallery of London; Tate Britain; Warsaw Academy of Fine Art and the National Gallery of Denmark as well as a chapter covering the Thangka paintings by Nobel Prize winner Richard Ernst.

Condition: New.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted.Through a series of case studies written by scientists together with art historians, archaeologists and conservators, Science and Art: The Painted Surface demonstrates how the cooperation between science and humanities can lead to an increased understanding of the history of art and to better techniques in conservation. The examples used in the book cover paintings from ancient history, Renaissance, modern, and contemporary art, belonging to the artistic expressions of world regions from the Far East to America and Europe. Topics covered include the study of polychrome surfaces from pre-Columbian and medieval manuscripts, the revelation of hidden images below the surface of Van Gogh paintings and conservation of acrylic paints in contemporary art.Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art. The book features contributions from leading institutions across the globe including the Metropolitan Museum of Art, New York; Art Institute of Chicago; Getty Conservation Institute; Opificio delle Pietre Dure, Firenze; National Gallery of London; Tate Britain; Warsaw Academy of Fine Art and the National Gallery of Denmark as well as a chapter covering the Thangka paintings by Nobel Prize winner Richard Ernst. A series of case studies to show how the cooperation between science and humanities can lead to the developments in knowledge and conservation of paintings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

rilegato. Condition: Good. In copertina rigida similtela titoli in oro al dorso, impercettibili segni di uso. Agli interni caratteristica colorazione del tempo alle pagine più brunite ai margini esterni, si notano rari tratti a matita ininfluenti alla lettura, tagli minimamente irregolari bruniti, rilegatura unita, lieve allentamento della legatura alle primissime pagine. 590 Buono (Good) . Book.

rilegato. Condition: Poor.  Sovraccoperta mancante; Copertina in piena tela, sporca,  scolorita e con segni d'uso ai margini; Dorso usurato; Pagine ingiallite,con scritte e sottolineature a matita. 632 Mediocre (Poor) . Book.

rilegato. Condition: Good. In copertina rigida similtela titoli in oro al dorso, minimi segni di scaffalatura. Agli interni caratteristica colorazione del tempo alle pagine più brunite ai margini esterni, si notano rari tratti a matita ininfluenti alla lettura, tagli lievemente irregolari bruniti, rilegatura unita. 663 Buono (Good) . Book.

rilegato. Condition: Good. II^. Seconda edizione riveduta e aumentata In copertina rigida similtela titoli in oro al dorso, lievi segni di scaffalatura e di uso. Agli interni caratteristica colorazione del tempo alle pagine più brunite ai margini esterni, si notano rari tratti a matita ininfluenti alla lettura, tagli lievemente irregolari bruniti, rilegatura unita. 667 Buono (Good) . Book.

brossura. Condition: Poor. Copertina  marmorizzata con banda e titolo al dorso, sporca e ingiallita, usurata ai margini e al dorso. Tagli e pagine sporchi di polvere e bruniti. 1100 Mediocre (Poor) . Book.

brossura. Condition: Good. 1. Legatura: editoriale. Copertina in cartoncino, segni d'uso ai margini e sul dorso, colore del tempo. Taglio lievemente irregolare, brunito. Minima scritta sul margine superiore del primo sguardo. Margini delle pagine ombrati. Formato 25,50 x 18 Buono (Good) . Book.

flexi bound. Condition: Poor. 1. Legatura: editoriale. Copertina in cartoncino, segni d'uso ai margini, dorso abbastanza stanco, colore del tempo. Taglio lievemente irregolare, brunito. Minima scritta sul margine superiore del primo sguardo. Margini delle pagine e filo del dorso ombrati. Formato 25,50 x 18 Mediocre (Poor) . Book.

brossura. Condition: Poor. Copertina cartonata, sporca e ingiallita, compromessa al dorso, usurata ai margini, cucitura allentata. Tagli e pagine sporchi di polvere e bruniti con barbe.Pagine intonse. 610 Mediocre (Poor) . Book.

flexi bound. Condition: Good. 2. Legatura: editoriale. Copertina in cartoncino, segni d'uso ai margini e sul dorso, colore del tempo soprattutto sul dorso. Taglio lievemente irregolare, brunito. Minima scritta sul margine superiore del primo sguardo. Margini delle pagine e filo del dorso ombrati. Formato 25 x 18 Buono (Good) . Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

In-8° pp. 39, bross. muta recente.