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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Condition: As New. Unread book in perfect condition.
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Language: English
Published by Mimesis International, IT, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Seller rating 5 out of 5 stars
Paperback. Condition: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Condition: New.
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Language: English
Published by Mimesis International, IT, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Paperback. Condition: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CIN?MAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
Seller rating 5 out of 5 stars
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
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TO EACH THEIR OWN POP
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Condition: NEW.
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CINMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 (Paperback)
Language: English
Published by Mimesis International, MI, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Paperback. Condition: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Paperback. Condition: Brand New. 160 pages. 9.25x6.50x0.25 inches. In Stock.
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CIN?MA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Seller rating 5 out of 5 stars
Condition: New. 2019. Paperback. . . . . .
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CINïż½MA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International 2019-06-30, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Paperback. Condition: New.
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To Each Their Own Pop: The Mediatization of Popular Music in Europe (1960-1979) (CINÉMA&CIE: International Film Studies Journal) (Volume XIX)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
Condition: New. In.
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CINÉMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.
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Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
-
Cinéma&CIE, Fall 2018 : To Each Their Own Pop. the Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: As New. Unread book in perfect condition.
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Pink Floyd 1965-2005
Language: Italian
Published by Editori Riuniti, Roma, 2005
ISBN 10: 8835956676 ISBN 13: 9788835956679
First Edition
brossura. Condition: in ottime condizioni. prima edizione. 40 anni di suoni e visioni. Collana Momenti Rock. Illustrazioni in nero. Copertina morbida. Formato in.8 (14x21 cm). Pagg. 253, 1. Ottimo stato.
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L' arte multimediale dei Pink Floyd. itinerari tra cultura, immagini e suono dagli anni sessanta a oggi.
Language: Italian
Published by Silva Editore, Parma,, 2008
ISBN 10: 8877651474 ISBN 13: 9788877651471
Condition: NUOVO. Parma, Silva Editore cm.21,5x21,5, pp.168, numerose ill.a col.nt., brossura, cop.fig.a col.con bandelle.
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TO EACH THEIR OWN POP
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Condition: NEW.
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Language: English
Published by Mimesis International, IT, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Paperback. Condition: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CINMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 (Paperback)
Language: English
Published by Mimesis International, MI, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Paperback. Condition: new. Paperback. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the mediatization of pop music. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. The book aims to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Condition: New.
-
CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 : To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International Jun 2019, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Taschenbuch. Condition: Neu. Neuware - Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organizations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CINÉMAandCIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018
Language: English
Published by Mimesis International, IT, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Paperback. Condition: New. Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the 'mediatization of pop music'. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 | To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Taschenbuch. Condition: Neu. CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 | To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979) | Alessandro Bratus (u. a.) | Taschenbuch | CINEMA&CIE, International Film Studies Journal | Kartoniert / Broschiert | Englisch | 2019 | Mimesis International | EAN 9788869772320 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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CINEMA&CIE, INTERNATIONAL FILM STUDIES JOURNAL, VOL. XIX, no. 31, FALL 2018 : To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Language: English
Published by Mimesis International, 2019
ISBN 10: 8869772322 ISBN 13: 9788869772320
Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Pop music meets the media. This issue is dedicated to a social and cultural phenomenon that we could call the żmediatization of pop musicż. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.
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Condition: As New. Unread book in perfect condition.
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Mediatization in Popular Music Recorded Artifacts: Performance on Record and on Screen
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Seller rating 5 out of 5 stars
£ 96.16
£ 11.98 shipping
Ships from United Kingdom to U.S.A.Quantity: Over 20 available
Add to basketCondition: New. In.
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Mediatization in Popular Music Recorded Artifacts : Performance on Record and on Screen
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Seller rating 5 out of 5 stars
Condition: New.
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Condition: Sehr gut. Zustand: Sehr gut | Seiten: 280 | Sprache: Englisch | Produktart: Bücher | This book investigates the relationship between performance, technological mediation, and the sense of live presence through a series of case studies related to popular music products. Bratus explores the crucial significance of live performance for the construction of a personal, intimate relationship between performers and audiences.
