Senga Nengudi (69 results)

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Paperback or Softback. Condition: New. Las Vegas Ikebana: Maren Hassinger and Senga Nengudi. Book.

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Paperback. Condition: new. Paperback. Radically expanding our understanding of Senga Nengudi's art, this book publishes never-before-seen drawings, prints, photographs, performance scores and poetry, spanning five decades of her practice.When Senga Nengudi's sculptural installation RSVP debuted at Just Above Midtown in 1977, the works quickly became icons of the Black Arts movement. During her career spanning five decades, Nengudi has realised a remarkable body of work that blurs the boundaries between sculpture and performance, fine art and ritual, individual authorship and collective energy. Made of everyday materials, Nengudi's installations are at once proxies for bodies and sites for performance. Characteristic of her openness to multiplicity, the artist, born Sue Ellen Irons, has assumed pseudonyms that inflect her creative identities as sculptor (Senga Nengudi), painter (Harriet Chin), photographer (Propecia Leigh), and writer (Lily Bea Moor). The publication is devoted to all of her creative identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. A richly illustrated guide to the somatic, conceptual and conversational practice of the underrecognized artist duoSince their first encounter on the telephone in Los Angeles in 1977, artists Maren Hassinger (born 1947) and Senga Nengudi (born 1943) have formed an expansive body of collaborations, and a lifelong friendship that spans nearly five decades. While maintaining rigorous solo practices rooted in sculpture and installation, the artists first connected through a shared language of movement. Together they produced suites of dances and performances, and later videos, artist books and conceptual correspondences that vitalized their artistic practices.The artists early work in Los Angeles emerged within a milieu that included David Hammons, Franklin Parker, Houston Conwill, and Ulysses Jenkins, and the loose collective of Black artists known as Studio Z. Yet since the mid-80s, following their respective departures from the city, the two women have lived on opposite sides of the country, keeping their connection alive through a long-distance exchange. Created through an ethos of experimentation and support, Las Vegas Ikebana explores the longevity and transformative nature of the artists collaborations as they evolved across decades, geographies and media.Published in conjunction with the first-ever exhibition on the artists shared practice, Las Vegas Ikebana: Maren Hassinger and Senga Nengudi is the first monograph to survey the work of the pioneering duo. Richly illustrated, the publication assembles a plethora of never-before or rarely seen artworks and ephemera alongside images of the exhibition and a new performance titled See-See Riders, choreographed by Nengudi. Newly commissioned essays by critics, curators and artists trace the performative and conceptual working method of the two artists in distinct historical periods. The book includes a never-before-published 1987 conversation between Hassinger and Nengudi; an extensive oral history between the artists and their longstanding supporters, curators Lowery Stokes Sims and Leslie King Hammond; and original essays by the volumes editor and exhibition curator Allie Tepper, critics Kemi Adeyemi and Sampada Aranke and artist Steffani Jemisonall of whom expand upon the artists crucial system of support that persisted in periods of institutional neglect. A complete annotated chronology of the artists collaborations, as well as exhibition histories, also accompany the book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condition: New. Radically expanding our understanding of Senga Nengudi's art, this book publishes never-before-seen drawings, prints, photographs, performance scores and poetry, spanning five decades of her practice.When Senga Nengudi's sculptural installation RSVP debuted at Just Above Midtown in 1977, the works quickly became icons of the Black Arts movement. During her career spanning five decades, Nengudi has realised a remarkable body of work that blurs the boundaries between sculpture and performance, fine art and ritual, individual authorship and collective energy. Made of everyday materials, Nengudi's installations are at once proxies for bodies and sites for performance. Characteristic of her openness to multiplicity, the artist, born Sue Ellen Irons, has assumed pseudonyms that inflect her creative identities as sculptor (Senga Nengudi), painter (Harriet Chin), photographer (Propecia Leigh), and writer (Lily Bea Moor). The publication is devoted to all of her creative identities.…

Paperback. Condition: New. A richly illustrated guide to the somatic, conceptual and conversational practice of the underrecognized artist duoSince their first encounter on the telephone in Los Angeles in 1977, artists Maren Hassinger (born 1947) and Senga Nengudi (born 1943) have formed an expansive body of collaborations, and a lifelong friendship that spans nearly five decades. While maintaining rigorous solo practices rooted in sculpture and installation, the artists first connected through a shared language of movement. Together they produced suites of dances and performances, and later videos, artist books and conceptual correspondences that vitalized their artistic practices.The artists' early work in Los Angeles emerged within a milieu that included David Hammons, Franklin Parker, Houston Conwill, and Ulysses Jenkins, and the loose collective of Black artists known as Studio Z. Yet since the mid-'80s, following their respective departures from the city, the two women have lived on opposite sides of the country, keeping their connection alive through a long-distance exchange. Created through an ethos of experimentation and support, Las Vegas Ikebana explores the longevity and transformative nature of the artists' collaborations as they evolved across decades, geographies and media.Published in conjunction with the first-ever exhibition on the artists' shared practice, Las Vegas Ikebana: Maren Hassinger and Senga Nengudi is the first monograph to survey the work of the pioneering duo. Richly illustrated, the publication assembles a plethora of never-before or rarely seen artworks and ephemera alongside images of the exhibition and a new performance titled See-See Riders, choreographed by Nengudi. Newly commissioned essays by critics, curators and artists trace the performative and conceptual working method of the two artists in distinct historical periods. The book includes a never-before-published 1987 conversation between Hassinger and Nengudi; an extensive oral history between the artists and their longstanding supporters, curators Lowery Stokes Sims and Leslie King Hammond; and original essays by the volume's editor and exhibition curator Allie Tepper, critics Kemi Adeyemi and Sampada Aranke and artist Steffani Jemison-all of whom expand upon the artists' crucial system of support that persisted in periods of institutional neglect. A complete annotated chronology of the artists' collaborations, as well as exhibition histories, also accompany the book.…

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Paperback. Condition: New. A richly illustrated guide to the somatic, conceptual and conversational practice of the underrecognized artist duoSince their first encounter on the telephone in Los Angeles in 1977, artists Maren Hassinger (born 1947) and Senga Nengudi (born 1943) have formed an expansive body of collaborations, and a lifelong friendship that spans nearly five decades. While maintaining rigorous solo practices rooted in sculpture and installation, the artists first connected through a shared language of movement. Together they produced suites of dances and performances, and later videos, artist books and conceptual correspondences that vitalized their artistic practices.The artists' early work in Los Angeles emerged within a milieu that included David Hammons, Franklin Parker, Houston Conwill, and Ulysses Jenkins, and the loose collective of Black artists known as Studio Z. Yet since the mid-'80s, following their respective departures from the city, the two women have lived on opposite sides of the country, keeping their connection alive through a long-distance exchange. Created through an ethos of experimentation and support, Las Vegas Ikebana explores the longevity and transformative nature of the artists' collaborations as they evolved across decades, geographies and media.Published in conjunction with the first-ever exhibition on the artists' shared practice, Las Vegas Ikebana: Maren Hassinger and Senga Nengudi is the first monograph to survey the work of the pioneering duo. Richly illustrated, the publication assembles a plethora of never-before or rarely seen artworks and ephemera alongside images of the exhibition and a new performance titled See-See Riders, choreographed by Nengudi. Newly commissioned essays by critics, curators and artists trace the performative and conceptual working method of the two artists in distinct historical periods. The book includes a never-before-published 1987 conversation between Hassinger and Nengudi; an extensive oral history between the artists and their longstanding supporters, curators Lowery Stokes Sims and Leslie King Hammond; and original essays by the volume's editor and exhibition curator Allie Tepper, critics Kemi Adeyemi and Sampada Aranke and artist Steffani Jemison-all of whom expand upon the artists' crucial system of support that persisted in periods of institutional neglect. A complete annotated chronology of the artists' collaborations, as well as exhibition histories, also accompany the book.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condition: Brand New. 256 pages. 10.50x7.75x9.65 inches. In Stock.

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Taschenbuch. Condition: Neu. Neuware -Die wegweisende Künstlerin afroamerikanischer Avantgarde Senga Nengudi ist eine Legende. Die Publikation veröffentlicht teils nie zuvor gezeigte Zeichnungen, Drucke, Fotografien, Performances und Gedichte aus fünf Jahrzehnten ihres Schaffens und erweitert das Verständnis ihres umfassenden uvres grundlegend. Eine 50 Jahre umspannende Karriere und ein Werk, das die Grenzen zwischen Skulptur und Performance, bildender Kunst und Ritual auslotet und durchbricht. Schon 1977 wurde Senga Nengudi zur Ikone der amerikanischen Black-Arts-Bewegung. Mit bürgerlichem Namen Sue Ellen Irons nimmt die Künstlerin für Ihre Werke je nach Medium andere Identitäten an. Diese Publikation widmet sich all ihren kreativen Personas: der Skulpteurin Senga Nengudi, der Malerin Harriet Chin, der Fotografin Propecia Leigh und der Schriftstellerin Lily Bea Moor. 256 pp. Englisch.…

Taschenbuch. Condition: Neu. Neuware -Die wegweisende Künstlerin afroamerikanischer Avantgarde Senga Nengudi ist eine Legende. Die Publikation veröffentlicht teils nie zuvor gezeigte Zeichnungen, Drucke, Fotografien, Performances und Gedichte aus fünf Jahrzehnten ihres Schaffens und erweitert das Verständnis ihres umfassenden uvres grundlegend. Eine 50 Jahre umspannende Karriere und ein Werk, das die Grenzen zwischen Skulptur und Performance, bildender Kunst und Ritual auslotet und durchbricht. Schon 1977 wurde Senga Nengudi zur Ikone der amerikanischen Black-Arts-Bewegung. Mit bürgerlichem Namen Sue Ellen Irons nimmt die Künstlerin für Ihre Werke je nach Medium andere Identitäten an. Diese Publikation widmet sich all ihren kreativen Personas: der Skulpteurin Senga Nengudi, der Malerin Harriet Chin, der Fotografin Propecia Leigh und der Schriftstellerin Lily Bea Moor. 256 pp. Englisch.…