Sacred Secular Intersections Music (32 results)
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Paperback. Condition: New. Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic…attribute that applies only to music written for and performed in a religious ritual. Rather, the "sacred" is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
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Paperback. Condition: New. Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic…attribute that applies only to music written for and performed in a religious ritual. Rather, the "sacred" is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
Sacred and Secular Intersections in Music of the Long Nineteenth Century : Church, Stage, and Concert Hall
Papanikolaou, Eftychia (EDT); Rathey, Markus (EDT); Bertoglio, Chiara (CON); Blackmore, Callum (CON); Davis, James A. (CON)
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Sacred and Secular Intersections in Music of the Long Nineteenth Century : Church, Stage, and Concert Hall
Papanikolaou, Eftychia (EDT); Rathey, Markus (EDT); Bertoglio, Chiara (CON); Blackmore, Callum (CON); Davis, James A. (CON)
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Sacred and Secular Intersections in Music of the Long Nineteenth Century : Church, Stage, and Concert Hall
Papanikolaou, Eftychia (EDT); Rathey, Markus (EDT); Bertoglio, Chiara (CON); Blackmore, Callum (CON); Davis, James A. (CON)
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Sacred and Secular Intersections in Music of the Long Nineteenth Century : Church, Stage, and Concert Hall
Papanikolaou, Eftychia (EDT); Rathey, Markus (EDT); Bertoglio, Chiara (CON); Blackmore, Callum (CON); Davis, James A. (CON)
- Hardcover
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Paperback. Condition: new. Paperback. Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a…monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the sacred is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles. The book explores interconnections of the sacred and the secular in music of the long nineteenth century. It investigates manifestations of religion in music not primarily intended for liturgical performance and assesses compositions that originated in a liturgical context but then migrated in their performance into a non-liturgical sphere. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Condition: new. Paperback. Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a…monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the sacred is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles. The book explores interconnections of the sacred and the secular in music of the long nineteenth century. It investigates manifestations of religion in music not primarily intended for liturgical performance and assesses compositions that originated in a liturgical context but then migrated in their performance into a non-liturgical sphere. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Taschenbuch. Condition: Neu. Sacred and Secular Intersections in Music of the Long Nineteenth Century | Church, Stage, and Concert Hall | Eftychia Papanikolaou (u. a.) | Taschenbuch | Englisch | 2024 | Lexington Books | EAN 9781666906066 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]…libri[dot]de | Anbieter: preigu Print on Demand.
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Hardcover. Condition: new. Hardcover. Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a…monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the sacred is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles. The book explores interconnections of the sacred and the secular in music of the long nineteenth century. It investigates manifestations of religion in music not primarily intended for liturgical performance and assesses compositions that originated in a liturgical context but then migrated in their performance into a non-liturgical sphere. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Condition: new. Hardcover. Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a…monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the sacred is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles. The book explores interconnections of the sacred and the secular in music of the long nineteenth century. It investigates manifestations of religion in music not primarily intended for liturgical performance and assesses compositions that originated in a liturgical context but then migrated in their performance into a non-liturgical sphere. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
