Picturing Science Producing Art (32 results)

Condition: good. Ex library book with stickers and stamps.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Soft cover. Condition: Very good. No jacket. Light shelf wear. Cover and inside pages are clean and unmarked.

Softcover. Silver wraps, black illustration and lettering; x, 518 pp; bw illustrations. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer. Contents: Style as inclusion, style as exclusion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary. Good+ (Ex-library with stamps and labels on spine, inside front and rear covers, ffep. Light shelfwear to wraps and block. Binding is tight and pages are otherwise clear.).…

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780415919128. …

[0-415-91912-6] 1998. (Mass market paperback) Very good. viii, 518pp. 4to. Clean, bright copy. Various contributors who include but are not limied to: Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer. Cover shows light wear, as may be anticipated.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: New.

Soft cover. Condition: Very Good. Soft cover book in very good condition. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.…

Condition: New.

Paperback. Condition: Good. Paperback Small Quarto. wraps, 518 pp front cover creased on the bottom right corner.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 530.

Condition: New. This text looks into the growing field of inquiry into what science and art share as image-making and knowledge-producing activities. It utilizes disciplinary perspectives that range from art to sociology, gender studies, history and philosophy. Editor(s): Jones, Caroline A.; Galison, Peter. Num Pages: 608 pages, 70 b&w illustrations. BIC Classification: ABA; PDA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 253 x 179 x 29. Weight in Grams: 934. . 1998. 1st Edition. paperback. . . . . …

Condition: New. pp. 530.

Paperback. Condition: New. Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.…

Soft cover. Condition: Very Good. 518 pages in very good condition. Some pages have some underlining in pen. Pages are otherwise clean and white, with some illustrations throughout. Page edges are lightly scuffed and smudged. Reflective silver card covers with blue on the spine. Lightly stained. Bumped around the edges and corners. VG/- - Size: 7 x 10. Book. …

Condition: New. This text looks into the growing field of inquiry into what science and art share as image-making and knowledge-producing activities. It utilizes disciplinary perspectives that range from art to sociology, gender studies, history and philosophy. Editor(s): Jones, Caroline A.; Galison, Peter. Num Pages: 608 pages, 70 b&w illustrations. BIC Classification: ABA; PDA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 253 x 179 x 29. Weight in Grams: 934. . 1998. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condition: Brand New. 1st edition. 528 pages. 10.25x7.25x1.25 inches. In Stock.

Paperback. Condition: New. Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer.…

Condition: New. pp. 530 66:B&W 7 x 10 in or 254 x 178 mm Perfect Bound on White w/Gloss Lam This item is printed on demand.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 966.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Caroline A. Jones teaches contemporary art and criticism and directs the Museum Studies Program in the Art History Department at Boston University. Her most recent exhibition is Painting Machines (1997), and her books include.…