Language: English
Published by Indiana University Press, US, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. " . . . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century." -American Recorder This volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more.
Language: English
Published by Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by MH - Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Language: English
Published by Indiana University Press 11/9/2001, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
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Paperback or Softback. Condition: New. Georg Muffat on Performance Practice: The Texts from Florilegium Primum, Florilegium Secundum, and Auserlesene Instrumentalmusik--A New Translation wi. Book.
Language: English
Published by Indiana University Press, Bloomington, IN, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century." -American RecorderThis volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more. Suitable for enlightening on differences between French and German practice, this book treats pitch, ornamentation, bowing, and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Paperback. Condition: Brand New. 2nd edition. 122 pages. 9.75x7.00x0.50 inches. In Stock.
Language: English
Published by Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Paperback. Condition: Brand New. 2nd edition. 122 pages. 9.75x7.00x0.50 inches. In Stock.
Language: English
Published by Indiana University Press, Bloomington, IN, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: AussieBookSeller, Truganina, VIC, Australia
Paperback. Condition: new. Paperback. . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century." -American RecorderThis volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more. Suitable for enlightening on differences between French and German practice, this book treats pitch, ornamentation, bowing, and more. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: moluna, Greven, Germany
Condition: New. Suitable for enlightening on differences between French and German practice, this book treats pitch, ornamentation, bowing, and more.Über den AutorDavid K. Wilson is a Baroque violinist based in the San Francisco area. He has.
Language: English
Published by Indiana University Press, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
paperback. Condition: New. In shrink wrap. Looks like an interesting title!
Language: English
Published by Indiana University Press, US, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: Rarewaves.com UK, London, United Kingdom
Paperback. Condition: New. " . . . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century." -American Recorder This volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more.
Language: English
Published by BERTRAMS PRINT ON DEMAND Nov 2001, 2001
ISBN 10: 0253213975 ISBN 13: 9780253213976
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - ' . . . a fascinating overall impression of the day-to-day concerns and working environment of a professional musician of the late 17th century.' -American Recorder This volume presents Muffat's texts along with variants from his own editions in other languages. Wilson's highly readable supplementary materials make this a useful work for theorists, historians, and performers. The book is particularly enlightening on differences between French and German practice. Treats pitch, ornamentation, bowing, and more.