Klee by Read Herbert (43 results)

Soft cover. Condition: Very Good+. Later Printing. Squarish softcover in very good plus condition: slight edge and fold wear. Size: 12mo - over 6¾ - 7¾" tall. Book.

Soft cover. Condition: Very Good+. Later Printing. Squarish softcover in fine condition: slight scratches to cover. Size: 12mo - over 6¾ - 7¾" tall. Book.

Soft cover. Condition: Very Good. Staple bound paperback. Minor age toning to wrappers, otherwise very good.

Soft cover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Beige Dust Jacket with color Klee to front. Mylar protected. With an introduction and notes by Herbert Read, Tipped-in color plates. DJ has top of spine losses. One page has closed tear. Overall a desirable vintage copy.

paperback. Condition: Good. Dust Jacket Condition: Acceptable. Clean, unmarked pages with the exception of some markings and soiling on the endpapers and flyleaves. There are two small holes throughout all of the pages. The dust jacket is heavily worn with wear, chipping, tears, tape repairs. There are small pencil markings on the front cover along with some soiling and water damage on the dust jacket.

Paperback. Condition: Good. Dust Jacket Condition: No Dustjacket. First Edition. ISBN 9780571066827. Trade Paperback. No statement of later printing on copyright page. Slight roll to outer edge of book; slight wear to corners and edges; slight dustsoiling and browning over all; otherwise tight, sound and unmarked in Good condition. No Signature.

HARDCOVER. Condition: Fair. Illustrated by Tipped in Color Plates (illustrator). FAIR EX LIBRARY CONDITION, Stamped 'Wiithdrawn" .Color plate glued to cover with blue titles,Black cloth spine strip with library name & numbers.PLATE 2 SUN & MOON FLOWERS.is GONE MISSING from inside book ; .OTHER 11 PLATES ARE TIPPED INTO TEXT & VERY NICE, NOT MARKED UP, NOT FOLDED. COVER HAS color ilust WITH THE SETTING SUN.Possibly afixed by the Library.It is solundly glued down TO COVER BOARD; 24pg thin pages; Traces artists career, ranging over entire creative life. Greatest & most provocative works. Extensive Notes, Intro.

Tapa Blanda. Condition: Con signos de uso.

Soft cover. Condition: Good. Good book. 56pp with b/w illustrations.

Soft cover. Condition: Good ++. Reprint. 55 pages. Lightly browned white/cream background soft covers with light wear to covers' corners and spine-ends. B&W illustrations throughout. Four green ink letters to top of flyleaf o/w pages clean.

Condition: Good. 1948. Paperback. Clean copy in original wrappers. Wrappers torn at spine and with minor nicks and light spotting. All plates present and in fine condition. Remains a good copy. . . . . Books ship from the US and Ireland.

Soft cover. Condition: Very Good. Large format approx. 12 x 9.5 inches color pictorial stiff paper covers 24 pages, with 9 tipped-in color plates, Very Good+ condition.

Hardcover with price-clipped dustjacket, 56 pages; in German; very good condition except dj browned at spine and edges; no internal marks. Foreign shipping may be extra.

SOFTCOVER. Condition: Fine. Reprint. Square 4to in stiff card covers, 55pp, illustrations in text . [CONDITION: A well preserved FINE very clean and tight unmarked copy (covers slightly tanned) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Oblong imperial octavo hardcover (VG-) in d/w (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

brosch. Condition: Akzeptabel. 55 S., 18,5 x 18,5 cm (= Faber Paper Covered Editions) Lese- und Alterungsspuren. Buch gebräunt. Einband bestoßen und berieben. Deutliche Flecken auf den letzten Seite und Schnitt. Akzeptables Exemplar (Kst.) A/Z 39887 Kst. A/Z Sprache: Englisch Gewicht in Gramm: 550.

Condition: Good. 1948. Paperback. Clean copy in original wrappers. Wrappers torn at spine and with minor nicks and light spotting. All plates present and in fine condition. Remains a good copy. . . . .

Soft cover. Condition: Near Fine. Tight copy. No inscriptions.

Couverture souple. Condition: Assez bon. Anglais.Gravures couleur contrecollees.Legeres rousseurs dans le texte en debut et fin d'ouvrage.22 p.Poids 300 gr.Format 31,5 x 24 cm.

Hardcover. Condition: Good. Dust Jacket Included. Hbk, 1st thus, oblong 8vo, 55pp, illustr in b+w throughout, lacks dj, purple cloth with red titles, spine and extremities mildly faded, else crisp and clean and now in suctom acetate jacket, otherwise internally a very good, clean, tight and unmarked text, becoming harder to find.

Soft Cover. Condition: Very Good. Dust Jacket Condition: Good. Paperback with protected dust-wrapper. 31.5cm x 25cm. 24pp. Complete with 11 colour tipped in plates. Reprinted 1952. D/w a little marked. A pleasing copy. (ar13).

Rústica. 15'5x 23 cm. 157 p. Biblioteca de Diseño y Artes Visuales, 11. Lomo rozado. Papel tostado. Buen estado. Arte. Libro Lomo rozado. Papel tostado. Buen estado.

Square octavo hardcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Hardcover. Condition: Very Good. This book is hard-bound in light purple cloth with red stamping to the upper cover and spine. The dust jacket is worn and torn, with some loss, laid-in at the rear. The covers show some faint foxing and light sunning to the cover edges and spine. The binding is solid. The contents are bright and clean, with illustrations.

Paperback. Condition: VG. Dust Jacket Condition: VG DW. Third Impression. In a loose polythene protector. Book and dustwrapper/dustjacket are in very good condition with minor signs of wear and/or age.

Hardcover. Small Square Quarto. Hardcover. Purple boards with red titles in grey/red titled jacket. 55 pages : illustrations ; 22 x 23 cm. G/G. Jacket has a good bit of toning, general wear around the edges including numerous chips and closed tears ranging in size from 1/4 of an inch to two inches, and one larger one at the center of the top edge of the front jacket panel. Book has some light edge wear, toning/foxing to early pages.

Hardcover. Condition: Good. Book measures 21x22cm, 55pp. Bound in original publishers cloth, with red title lettering on spine and top board. Binding with minor shelf wear, scuffed corners, light dust dirt marking. Binding in good clean condition. Internally, owners inscription on free end paper, otherwise pages clean. A very good clean copy.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. 3rd Edition. Jacket is missing spine, 3rd impression.

Condition: Good. 8vo. Soft cover. Good, with some rust. 55 pp. B&W plates.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Good. B/W Drawings (illustrator). 1st Edition. 55 Pp. Violet Cloth Lettered In Red. Second Printing Indicated. Near Fine, Lettering Strong, No Fraying, Two Vertical Creases On Final Blank Page. Ownership Signature Of Jack Cutting. Dust Jacket Priced 8S6d, Wear, Small Losses At Edges, Browning. Per Wikipedia, Jack A. Cutting (1908 -1988) Was An American International Content Supervisor And Animator For Walt Disney Animation Studios, Where He Worked For 46 Years. Cutting Attended The Otis College Of Art And Design, Where He Met Tyrus Wong, Wilfred Jackson, And John Hench And Graduated In 1929. A Friend Referred Him To The Fledgling Walt Disney Studios, Where He Was Hired To A Group Of 19 Animators In August/September 1929. He Worked Alongside Walt Disney Himself And Made $18.00 A Week, Oftentimes Working Overtime Without Pay. He Worked In Several Different Departments, Starting As An Animator, Moving Up To Director, Then To Assistant Director; He Was Also Dave Hand's Assistant. When The United States Entered World War Ii, Disney Submitted The Necessary Paperwork To Waive His Employees Of Their Service So The Company Could Direct Training Films For The Army. Cutting Headed The Editorial Department For A Year During The War. Cutting Was One Of The Several Employees Who Played Polo With Walt Disney; He Also Was Sent To "Scout For Merry-Go-Rounds In Europe" After Disney Had The Idea For A Theme Park. In 1939, His Film The Ugly Duckling Won The 1940 Oscar In Best Short Subject (Cartoons). After Snow White And The Seven Dwarfs Was Released, Cutting Convinced Roy Disney To Let Him Work With The Man Hired To Dub The Film; He Quickly Became A Dubbing Assistant And By 1938 Was Head Of The Foreign Department At Disney. In This Role, He Supervised Translation And Dubbing Efforts All Over The World, Traveling Often To Work With Different Teams. He Oversaw The Dubbing Of And Found Voice Actors For The Swedish Dumbo, The French Mary Poppins, And The Japanese One Hundred And One Dalmatians In Japanese. He Was Among The Frontrunners For Synchronizing Sound And Image. He Held His Position In The Foreign Department Until His Retirement In 1975. Cutting And His Wife Camille Lived In Paris While Cutting Worked With European Markets.