Flow by Groys Boris (33 results)
- Hardcover
Seller: Open Books, Chicago, IL, U.S.A.Open Books
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hardcover. Condition: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books.
- Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
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Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condition: New.
- Softcover
Seller: Lakeside Books, Benton Harbor, MI, U.S.A.Lakeside Books
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Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.
- Softcover
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.BargainBookStores
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£ 18.51
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Paperback or Softback. Condition: New. In the Flow. Book.
- Softcover
Seller: California Books, Miami, FL, U.S.A.California Books
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£ 19.43
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Condition: New.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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£ 17.89
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Condition: As New. Unread book in perfect condition.
- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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£ 20.44
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Paperback. Condition: New. In the early 20th century, art and its institutions came under critique from a new democratic and egalitarian spirit. In an age of secularism and materialism, artworks would be understood as merely things among other things. This meant an attack on the techniques of realism, and the traditional mission… of the museum, both designed shield a small class of objects from the entropic fate awaiting everything else-and the development of an approach that Boris Groys calls "direct realism": an art that would not produce objects, but practices that could enter the flow of time to live and die like the rest of us. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys, one of the world's leading art theorists, charts the paradoxes produced by this tension, which continues to structure the production and reception of new art. The internet, the latest medium through which artists have attempted to disavow this special status, inverts the most notorious consequence of early modernist developments. If the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
- Softcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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£ 17.35
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Condition: New. Reprint edition NO-PA16APR2015-KAP.
- Hardcover
- First Edition
Seller: Benjamin Books, Ottawa, ON, CanadaBenjamin Books
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£ 13.99
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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£ 23.76
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Paperback. Condition: New. In the early 20th century, art and its institutions came under critique from a new democratic and egalitarian spirit. In an age of secularism and materialism, artworks would be understood as merely things among other things. This meant an attack on the techniques of realism, and the traditional mission… of the museum, both designed shield a small class of objects from the entropic fate awaiting everything else-and the development of an approach that Boris Groys calls "direct realism": an art that would not produce objects, but practices that could enter the flow of time to live and die like the rest of us. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys, one of the world's leading art theorists, charts the paradoxes produced by this tension, which continues to structure the production and reception of new art. The internet, the latest medium through which artists have attempted to disavow this special status, inverts the most notorious consequence of early modernist developments. If the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 22.92
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Paperback. Condition: Brand New. reprint edition. 208 pages. 7.75x5.00x0.75 inches. In Stock.
- Softcover
Seller: WorldofBooks, Goring-By-Sea, WS, United KingdomWorldofBooks
Contact seller5-star sellerCondition: Used - Very good
£ 30.00
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Paperback. Condition: Very Good. In the early twentieth century, art and its institutions came under critique from a new democratic and egalitarian spirit. The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the tradit…ional preservative mission of the museum. Acclaimed art theorist Boris Groys argues this led to the development of "direct realism": an art that would not produce objects, but practices (from performance art to relational aesthetics) that would not survive. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys charts the paradoxes produced by this tension, and explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
£ 20.66
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Condition: New.
Published by Verso 2016, 2016
- Hardcover
- First Edition
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New ZealandHard to Find Books NZ (Internet) Ltd.
Contact seller5-star sellerAssociation member: IOBA
Condition: Used
£ 8.78
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FIRST EDITION, octavo hardcover (VG) some light-moderate mould staining to boards- no mould smell present; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more tha…n one book may reduce your overall postage costs.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
£ 22.46
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Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 36.41
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Hardcover. Condition: Brand New. 202 pages. 8.50x5.75x0.75 inches. In Stock.
- Hardcover
Seller: Dreadnought Books, Bristol, United KingdomDreadnought Books
Contact seller5-star sellerCondition: Used - Very good
£ 25.00
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Reprint. Size: 8vo 7 3/4 - 9 3/4". 202 pp. Internally clean. Binding firm, spine slightly cocked. Dust Jacket slightly creased with a couple of chips. Edges slightly browned and marked. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Desig…n; Modern; Politics & Government. ISBN/EAN: 9781784783501. Pictures of this item not already displayed here available upon request. Inventory No: 56489.
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
£ 21.15
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Paperback. Condition: New. In the early 20th century, art and its institutions came under critique from a new democratic and egalitarian spirit. In an age of secularism and materialism, artworks would be understood as merely things among other things. This meant an attack on the techniques of realism, and the traditional mission… of the museum, both designed shield a small class of objects from the entropic fate awaiting everything else-and the development of an approach that Boris Groys calls "direct realism": an art that would not produce objects, but practices that could enter the flow of time to live and die like the rest of us. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys, one of the world's leading art theorists, charts the paradoxes produced by this tension, which continues to structure the production and reception of new art. The internet, the latest medium through which artists have attempted to disavow this special status, inverts the most notorious consequence of early modernist developments. If the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
- Softcover
Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, ItalyLibro Co. Italia Srl
Contact seller4-star sellerCondition: New
£ 16.02
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Brossura. Condition: new. Traduzione di Biaggi G.Milano, 2018; br., pp. 172, cm 17x24. In questo importante ultimo libro, Groys mappa i paradossi che risultano da un'arte che non produrrebbe oggetti, ma pratiche (dall'arte della performance all'estetica relazionale) che non sono destinate a sopravvivere, ed esplora l'arte nell'e…ra di un medium etereo qual'è Internet. Groys sostiene che se le tecniche di riproduzione meccanica ci hanno dato oggetti senza aura, la produzione digitale genera aura senza oggetti, trasformando tutti i suoi materiali in marcatori temporanei di un presente transitorio. "In the Flow traccia il complesso dialogo, attraverso un secolo e più, tra arte e filosofia, la politica e i mass media, il lifestyle, i musei, e, infine, Internet." (Terry Smith). Libro.
More imagesLanguage: Italian
Published by Postmedia Books; Unabridged edizione (14 giugno 2020), 2020
- Softcover
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.Rarewaves USA
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£ 35.13
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Paperback. Condition: New.
More imagesLanguage: Italian
Published by Postmedia Books; Unabridged edizione (14 giugno 2020), 2020
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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£ 35.70
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Paperback. Condition: New.
Published by Postmedia Books, Milano, 2019
- Softcover
Seller: Libreria Tara, Roma, RM, ItalyLibreria Tara
Contact seller5-star sellerCondition: Used - Good
£ 9.76
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Condition: buono. Storia e Critica Studi generali Fine arts History and Criticism General studies trad. di Giada Biaggi bross. edit. ill., piccolo timbro di appartenenza.
- Hardcover
Seller: moluna, Greven, Germanymoluna
Contact seller5-star sellerCondition: New
£ 20.90
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Condition: New. The leading art theorist takes on art in the age of the internetThe leading art theorist takes on art in the age of the Internet In the early twentieth century, art and its institutions came under critique from a new democratic and egalitari.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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£ 27.06
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Paperback. Condition: Brand New. 180 pages. Italian language. 8.20x5.90x0.70 inches. In Stock.
Published by Verso, 2016
Seller: Librodifaccia, Alessandria, AL, ItalyLibrodifaccia
Contact seller5-star sellerCondition: Used - Good
£ 11.36
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Condition: Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
£ 20.67
£ 65.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Paperback. Condition: New. In the early 20th century, art and its institutions came under critique from a new democratic and egalitarian spirit. In an age of secularism and materialism, artworks would be understood as merely things among other things. This meant an attack on the techniques of realism, and the traditional mission… of the museum, both designed shield a small class of objects from the entropic fate awaiting everything else-and the development of an approach that Boris Groys calls "direct realism": an art that would not produce objects, but practices that could enter the flow of time to live and die like the rest of us. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art's distinction. In this major new work, Groys, one of the world's leading art theorists, charts the paradoxes produced by this tension, which continues to structure the production and reception of new art. The internet, the latest medium through which artists have attempted to disavow this special status, inverts the most notorious consequence of early modernist developments. If the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.
- Softcover
- Print on Demand
Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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£ 13.97
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Condition: New. PRINT ON DEMAND.
More imagesLanguage: Italian
Published by Postmedia Books; Unabridged edizione (14 giugno 2020), 2020
- Softcover
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.Rarewaves USA United
Contact seller5-star sellerCondition: New
£ 32.03
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Paperback. Condition: New.
More imagesLanguage: Italian
Published by Postmedia Books; Unabridged edizione (14 giugno 2020), 2020
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
£ 32.04
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Paperback. Condition: New.
