Language: English
Published by Springer, The Hague, Netherlands, 1970
ISBN 10: 9024750113 ISBN 13: 9789024750115
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Trade Paperback. Condition: Very Good. signed by author on half-title page. text clean and unmarked. binding tight. covers have light wear. edges of pages have light wear and light toning. Signed by Author(s).
Language: English
Published by Martinus Nijhoff, The Hague, Netherlands, 1970
ISBN 10: 9024750113 ISBN 13: 9789024750115
Seller: Greenwood Books, Rochester, NY, U.S.A.
First Edition
Soft cover. Condition: Good. First Edition. Good+ wraps, clean and tight, no notes or underlining. 85pp with bibliography. "This essay is an attempt to resolve a number of philosophical problems surrounding certain facets of aesthetic experience and the descriptions that can be given of works of art, especially problems about the emotional character that can be seen in art and the use of the language of emotion to describe works of art." INSCRIBED BY THE AUTHOR: "With fond memories of 'philosophy' in Bucharest.".
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
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First Edition
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Language: English
Published by Taylor & Francis Ltd, 2026
ISBN 10: 1032487135 ISBN 13: 9781032487137
Seller: Revaluation Books, Exeter, United Kingdom
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hardcover. Condition: Fine.
Language: English
Published by Springer Netherlands, 1970
ISBN 10: 9024750113 ISBN 13: 9789024750115
Seller: moluna, Greven, Germany
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Seller: Antiquaria Bok & Bildantikvariat AB, Göteborg, Sweden
The Hauge: Martinus Nijhoff, 1970. xiii,85 pp. Sewn as issued. Publishers printed wrappers. Stained at upper corner of rear wrapper and into the upper margin of the last pages. 24 x 16 cm.[#\136931].
Condition: New. Derek Matravers is a Professor of Philosophy at The Open University and a Fellow of Churchill College, Cambridge, UK. He has written Art and Emotion (1998), Introducing Philosophy of Art: Eight Case Studies (2013) .
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - The philosophy of art, aesthetics, is here understood to be something distinct from both art appreciation and art criticism. The philosophy of art is never theless dependent upon the existence of appreciation and criticism because it is out of reflection upon these that the uniquely philosophical problems of art arise, problems that reflect puzzlement about what is involved in under standing, enjoying, describing, and evaluating works of art. Hence the philo sophy of art must presuppose at least some measure of understanding and appreciation of particular works of art and if such understanding and appre ciation are lacking the philosopher is in no position to supply them. It can not be a philosophical task to undertake a Defense of Poesie against either the philistine or the tyrant. The philosopher is not the one to convince us that art is a Good Thing, that paintings are worth looking at, poems worth reading, and music worth listening to, if for no other reason than that philo sophical theory and argument are no substitute for taste and sensibility. My position here is the now unexceptional one that philosophical problems are essentially conceptual problems and while the philosopher of art cannot produce aesthetic sensibility and appreciation where these do not exist, he can give us understanding of the concepts relevant to artistic appreciation and thereby help us to see our way through the conceptual confusions that have generated the philosophical puzzles surrounding art, its appreciation and criticism.
Language: English
Published by Taylor & Francis Ltd Mai 2026, 2026
ISBN 10: 1032487135 ISBN 13: 9781032487137
Seller: AHA-BUCH GmbH, Einbeck, Germany
Taschenbuch. Condition: Neu. Neuware - The visual arts have long been held to have an intimate link with emotions. Despite this, the topic remains underexplored; when the expression of emotion is discussed, it is usually in relation to music.This volume corrects this lacuna and presents a variety of perspectives on the expression of emotion in the visual arts with contributions from both established and early career academics. There are chapters on the empathy theory of beauty; enaction and artistic expression; emotion and experimental psychology; a 'persona' theory of visual expression; and self-expression in portraiture. There are also chapters discussing the contributions to the topic by Susanne Langer and Richard Wollheim as well as a chapter comparing the work of R.G. Collingwood and Maurice Merleau-Ponty.The Expression of Emotion in the Visual Arts will be of interest to students and researchers in the philosophy of art and aesthetics, as well as those interested in conceptual issues in the visual arts.
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