Dan Flavin Lights (64 results)

Paperback. Condition: Fine.

Hardcover. Condition: New. New copy.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Used-Very Good. 1st Edition. Cloth, dj. Minor shelf-wear.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: very good. Ostfildern : Hatje Cantz Verlag, 2012. Hardcover. Dustjacket. 260 pp. ca 200 Illustrationen. German text. - Farbe in Licht zu verwandeln, ist eines der großen Themen der Malerei. Dan Flavin (1933-1996) verwendete Licht als Farbe und Material. Unter Verwendung gewöhnlicher Neonlichtröhren entwickelte er eine radikal neue Kunstform, die das Bild von seinem Rahmen befreite und es zu einem leuchtenden, raumgreifenden Farbobjekt machte. Die Erweiterung der Wandmalerei um eine Lichtinstallation entsprach der Befreiung des Lichts von seiner traditionell spirituellen Bedeutung. Flavins Arbeiten erinnern an Leuchtreklamen aus dem urbanen Nachtleben oder alltägliche Wohnzimmerlampen. Der Betrachter taucht in ein prachtvolles Licht- und Farbspiel ein, das die körperliche Erfahrung von uneingeschränkter Kunst ermöglicht. Diese Publikation verdeutlicht die Entwicklung von Flavins Schaffen von den visuellen Objekten, den sogenannten Icons, bis hin zu den Rauminstallationen mit Neonröhren und erläutert deren Entstehung anhand von Zeichnungen und Druckgrafiken, einer eigenständigen Werkgruppe, die von der visuellen Sensibilität des Künstlers zeugt . Condition : very good copy. ISBN 9783775735223. Keywords : ART, minimal art.

Condition: New.

Hardcover. Condition: new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Condition: New.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich. 245 pp. Englisch.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich. 245 pp. Englisch.

227pp. Prof. illus. 4to. Cloth. D.j.

Condition: New.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.

Koln, Walther Konig. DAN FLAVIN: Dedications in Lights. 256 pages, including 150 color plates. 4to, cloth. Koln, Walther Konig, 2024. This catalog looks at Flavin's oeuvre in a less familiar setting: the indoor and outdoor spaces of the Kunstmuseum Basel.

Hardcover Nov 29, 2012. Condition: gebraucht; wie neu. minimalste Standspuren, wie ungelesen, Grossformat.

4°, gebundene Ausgabe. 227 und [32] Seiten; Das Buch ist in einem sehr guten Zustand. 9783775735223 Sprache: Englisch Gewicht in Gramm: 1705.

Hardcover. Condition: Brand New. 256 pages. 11.25x8.75x11.46 inches. In Stock.

Hardcover. Condition: new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New. Klappentextan Flavin began work with fluorescent light tubes from the early 1960s on arranged in so-called situations , he would then further develop them into series and large-scale installations. The colours and dimensions of the mat.

Large 4to, cloth, dj, illustrated, 227 p. In fine condition. K13.

Hardcover. Condition: new. Hardcover. This catalogue dedicated to the pioneer of Minimal Art accompanies the exhibition at the Kunstmuseum Basel.Dan Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works; the space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting.Dan Flavin: Dedications in Lights is a lavishly illustrated catalogue, in which longer research essays are complemented by more focused introductions to selected core loans and topics. It places emphasis on looking at Flavin's oeuvre in a less familiar setting; his pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work 'untitled'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Buch. Condition: Neu. Neuware -an Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called 'situations', he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated colour from the two-dimensionality of painting. The catalogue places emphasis on looking at Flavin's oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists - as in the work untitled.Text: Text: Aden Kumler, Simon Baier, Elena Degen, Jules Pelta Feldman, Josef Helfenstein, Aden Kumler, Daniel Kurjakovic, Arthur Fink, Olga Osadtschy, Mechtild Widrich.König, Walther, Dieselstraße 2, 50996 Köln 245 pp. Englisch.