Authors Hand Printers Mind by Chartier Roger (37 results)

paperback. Condition: Good.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Condition: As New. Unread book in perfect condition.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780745656021.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author's or translator's manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author's hand cannot be separated from the printers' mind. This book is devoted to the process of publication of the works that framed their readers' representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes' Don Quixote or Shakespeare's plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.…

Condition: New. pp. 224.

Condition: New.

Condition: New. * This is a major new work from one of the world s leading historians of print culture and the book. * Chartier shows that, in the early history of the book, the roles played by the printer and the typesetter were just as important as the role played by the author: they were often invisible but they were crucial. Num Pages: 224 pages, black & white illustrations. BIC Classification: 1D; 3JB; DSBD; HBTB; KNTP. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 20. Weight in Grams: 392. . 2013. 1st Edition. Paperback. . . . .…

Condition: New. In English.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. pp. 224.

Condition: As New. Unread book in perfect condition.

Condition: New. * This is a major new work from one of the world s leading historians of print culture and the book. * Chartier shows that, in the early history of the book, the roles played by the printer and the typesetter were just as important as the role played by the author: they were often invisible but they were crucial. Num Pages: 224 pages, black & white illustrations. BIC Classification: 1D; 3JB; DSBD; HBTB; KNTP. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 20. Weight in Grams: 392. . 2013. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author's or translator's manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author's hand cannot be separated from the printers' mind. This book is devoted to the process of publication of the works that framed their readers' representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes' Don Quixote or Shakespeare's plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.…

Condition: new.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: new. Hardcover. In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the authors or translators manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The authors hand cannot be separated from the printers mind. This book is devoted to the process of publication of the works that framed their readers representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes Don Quixote or Shakespeares plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'. * This is a major new work from one of the world s leading historians of print culture and the book. * Chartier shows that, in the early history of the book, the roles played by the printer and the typesetter were just as important as the role played by the author: they were often invisible but they were crucial. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Taschenbuch. Condition: Neu. Neuware - In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author's or translator's manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author's hand cannot be separated from the printers' mind. This book is devoted to the process of publication of the works that framed their readers' representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes' Don Quixote or Shakespeare's plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.…

Condition: New. Brand new! Please provide a physical shipping address.

Condition: New. * This is a major new work from one of the world s leading historians of print culture and the book. * Chartier shows that, in the early history of the book, the roles played by the printer and the typesetter were just as important as the role played by the author: they were often invisible but they were crucial. Num Pages: 224 pages. BIC Classification: 1D; 3JB; DSBD; HBTB; KNTP. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 24. Weight in Grams: 502. . 2013. 1st Edition. Hardcover. . . . .…

Condition: New. In English.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Brand New. 1st edition. 224 pages. 9.50x6.50x0.75 inches. In Stock.