Angus Fairhurst (58 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. Clean, tightly bound copy showing very light general wear. Square 4to. 111pp.

Soft cover. Condition: Very Good. Paperback.

Paperback. Condition: new. Paperback. Angus Fairhurst (1966-2008) was an artist whose wit, passion and integrity led him to become a key player in the contemporary British art scene of the last three decades. This monograph, the first of its kind, was planned with the artist. It includes an in-depth essay by critic Sacha Craddock, and a foreword by Sir Nicholas Serota. The thematic structure of the book is in line with the varied facets of Fairhurst's work. Beginning with his last exhibition at Sadie Coles HQ, 2008, there are sections on his bronze sculptures, collages, computer-generated paintings, and prints. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Paperback. Condition: New.

UNK. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 112 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9781854374967.

paperback. Condition: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condition: New. . paperback. . . . . .

Condition: New.

Condition: New.

Paperback. Condition: Very Good. A used book with minimal flaws or imperfections. Light rubbing and shelf wear. Binding square and tight. Clean text with no annotations. Book is oversized and/or heavy. Additional postage may be required for shipping. Thank you for supporting Last Word Books and independent bookstores.…

Softcover, 72 pages; in English and German; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New. . paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Fine. 1st. 111 pages, illustrations (some colour); 28 cm. Published on the occasion of the exhibition at Tate Britain, 3 March to 31 May 2004. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The name In-A-Gadda-Da-Vida is taken from the title track of an LP released in 1968 by the West Coast rock band, Iron Butterfly. The song was originally going to be called 'In the Garden of Eden'. Legend has it that the lead singer was so drunk when he first announced the song's title that one of the band members wrote down phonetically the slurred words 'In-A-Gadda-Da-Vida'. The title suggests an overt theme: broadly, the contemporary consequences of the original myth of falling from grace. But the exhibition also reveals the differing formal and material approaches of three artists and how they use metaphor in diverse ways. Lucas uses earthy subject matter and commonplace, throwaway items such as pizza-delivery flyers and cigarettes; Hirst constructs complex installations inside vitrines and makes paintings using butterflies and flies; and Fairhurst's material ranges from newspapers and billboards to bronze and resin." - Publisher. Size: 4to. Collectible.…

Paperback. Condition: Very Good. Qto., 72 pages, illustrated. A Very Good clean copy.

Softcover, 144 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. Condition: Very Good. First Paperback. 112pp, num col plates (including several folding). Crease to front cover. Published on the occasion of the exhibition Tate Britain held in March/April 2004. Reflects the originality and creativity of three of the most exciting British artists working today. Includes pages from their notebooks, working drawings, and original artists texts as well as essays on their work. Size: Large 4to.…

Soft cover. Condition: New. 1st Edition. Softcover, 62 pages. Dimensions: 210 mm x 150 mm. Angus Fairhurst accompanies his show at the SPRITMUSEUM. Angus Fairhurst moves freely between collage, photography, video work, sculpture, painting, drawing, graphics, music, installaiton and animation.

Condition: Fine.

Paperback. Condition: Very Good. First edition. 8vo. Folding card. One colour plate. A little thumbed.

Condition: New. 2004. Paperback. . . . . .

Softcover. Color-photographic card wraps with yellow spine and lettering. French flaps. 111 pp. with color images throughout; 1 folding plate. Catalogue from the exhibition at Tate Britain, March to May 2004. Includes two essays: It Must be a Camel (For Now) by Gregor Muir and In the Realm of the Senseless by Clarrie Wallis. With a list of works exhibited and a list of illustrations herein. "Far more than merely a record of a unique event, the book reflects the originality and creativity of three of the most exciting artists workig in Britain. Containing pages from their sketchbooks, working drawings and original artists' texts, as well as lucid essays on their work by the exhibition curators, it takes the reader behind the scenes, providing an insight into the creative process itself." VG- with light wear to bottom edge of front cover and small sticker on lower front cover; London gallery stamp on contents page.…

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