ISBN: 9783936681413 - Screening (23 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New.

Hardback. Condition: New. Illustrated. Text in English and German. Photographs of a huge building site, taken by night, show a bewildering world of machines, boards, cables and scaffolding, seemingly in total chaos and with mud and puddles everywhere. The viewer's gaze enters dim underworlds that look like a modern equivalent of Piranesi's Carceri. Behind clearly structured, transparent façades we can see office workers, politicians, hotel guests and laboratory staff. We can see what they are doing and how they interact with one another. Both everyday work and private business are on public display. The figures' various social roles are revealed by their body language, clothing and attributes. In contrast to the kind of voyeuristic view through a window we see in Alfred Hitchcock's famous film Rear Window (1954), the glass façade freely reveals what the classic perforated façade hides. Like the propaganda images turned out by totalitarian systems, the vastness of advertising spaces turns our usual sense of proportions on its head. Monumentally large, usually female human figures dwarf houses and people. They look down on the city's inhabitants from above. No passerby can evade their gaze or their attractions. Taken together, the photographs in this book represent a visual commentary on our present day lifestyle. All the pictures were taken in the centre of Berlin -- but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1--3, which give the "ideal inhabitants" of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.…

Condition: New. pp. 96 50 Illus.

Hardcover. Condition: new. Hardcover. Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1-3, which give the>ideal inhabitants< of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media. Features photographs that represent a visual commentary on our present day lifestyle. In this title, all the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2010. Bilingual. Hardcover. Features photographs that represent a visual commentary on our present day lifestyle. In this title, all the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Num Pages: 96 pages, 50 photos. BIC Classification: AJC; AM. Category: (G) General (US: Trade). Dimension: 357 x 262 x 17. Weight in Grams: 1184. . . . . .…

Condition: New.

Condition: New. 2010. Bilingual. Hardcover. Features photographs that represent a visual commentary on our present day lifestyle. In this title, all the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Num Pages: 96 pages, 50 photos. BIC Classification: AJC; AM. Category: (G) General (US: Trade). Dimension: 357 x 262 x 17. Weight in Grams: 1184. . . . . . Books ship from the US and Ireland.…

Condition: New. pp. 96.

Condition: New. pp. 96.

Original-Pappband mit Schutzumschlag, Gr.-4°, 96 Seiten Guter Zustand.

Condition: Sehr gut. Auflage: 1. 96 Seiten Ungelesen. Einband berieben bzw. angestoßen. Schutzumschlag etwas beschädigt. Am Schnitt als Mängelexemplar gekennzeichnet. Rechnung mit ausgew. MwSt. W_kunst_mitte 9783936681413 Altersfreigabe FSK ab 0 Jahre . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Englisch Gewicht in Gramm: 1193 26,3 x 1,7 x 36,1 cm, Gebundene Ausgabe.…

Condition: New. Naechtliche Ansichten einer riesigen Baustelle zeigen eine unuebersichtliche Welt ausMaschinen, Leitungen und Geruesten, die uns wie eine moderne Entsprechung vonPiranesis Carceri vorkommen. Erst bei genauerem Hinsehen werden die zukuenftigenStrukturen erkennba.

Hardcover. Condition: new. Hardcover. Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1-3, which give the>ideal inhabitants< of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media. Features photographs that represent a visual commentary on our present day lifestyle. In this title, all the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. Neuware - Photographs of a huge building site, taken by night, show a bewildering world of machines, boards, cables and scaffolding, seemingly in total chaos and with mud and puddles everywhere. The viewer's gaze enters dim underworlds that look like a modern equivalent of Piranesis Carceri. Behind clearly structured, transparent façades we can see office workers, politicians, hotel guests and laboratory staff. We can see what they are doing and how they interact with one another. Both everyday work and private business are on public display. The figures various social roles are revealed by their body language, clothing and attributes. In contrast to the kind of voyeuristic view through a window we see in Alfred Hitchcock's famous film Rear Window (1954), the glass façade freely reveals what the classic perforated façade hides. Like the propaganda images turned out by totalitarian systems, the vastness of advertising spaces turns our usual sense of proportions on its head. Monumentally large, usually female human figures dwarf houses and people. They look down on the city's inhabitants from above. No passerby can evade their gaze or their attractions. Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamms photographs are ac-companied by selected monologues from Roland Schimmelpfennigs drama Push Up 13, which give the 'ideal inhabitants' of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.; Nächtliche Ansichten einer riesigen Baustelle zeigen eine unübersichtliche Welt ausMaschinen, Leitungen und Gerüsten, die uns wie eine moderne Entsprechung vonPiranesis Carceri vorkommen. Erst bei genauerem Hinsehen werden die zukünftigenStrukturen erkennbar.Hinter den Rastern transparenter Fassaden sehen wir Büroangestellte, Politiker undHotelgäste. Arbeit und Freizeit finden auf offener Bühne statt. Nichts bleibt den Blickender Passanten verborgen.Wie die Propagandabilder totalitärer Systeme stellen riesige Werbeflächen die gewohntenMaßstäbe auf den Kopf. Monumentale, meist weibliche Körper lassen die Häuser und dieMenschen klein erscheinen. Von oben herab nehmen sie Blickkontakt mit den Passantenauf.Die Fotografien dieses Buchs sind ein visueller Kommentar zu unserem urbanen Lebensstil.Entstanden sind sie in Berlin - ähnliche Bilder lassen sich jedoch überall finden: DieGebäude sind ebenso austauschbar wie die monumentalen Bilder von Sex und Konsum, dieweltweit die Städte dominieren.Monologe aus Roland Schimmelpfennigs Theaterstück Push Up 1- 3 ergänzen die Fotogra-fien von Stefan Koppelkamm. Hier kommen die Bewohner dieser Welt zu Wort: Menschen,die sich den Leitbildern von Erfolg und Schönheit bedingungslos unterworfen haben.…

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Screening | Dtsch.-Engl. | Roland Schimmelpfennig | Buch | 96 S. | Deutsch | 2010 | Edition Axel Menges | EAN 9783936681413 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.

Hardback. Condition: New. Illustrated. Text in English and German. Photographs of a huge building site, taken by night, show a bewildering world of machines, boards, cables and scaffolding, seemingly in total chaos and with mud and puddles everywhere. The viewer's gaze enters dim underworlds that look like a modern equivalent of Piranesi's Carceri. Behind clearly structured, transparent façades we can see office workers, politicians, hotel guests and laboratory staff. We can see what they are doing and how they interact with one another. Both everyday work and private business are on public display. The figures' various social roles are revealed by their body language, clothing and attributes. In contrast to the kind of voyeuristic view through a window we see in Alfred Hitchcock's famous film Rear Window (1954), the glass façade freely reveals what the classic perforated façade hides. Like the propaganda images turned out by totalitarian systems, the vastness of advertising spaces turns our usual sense of proportions on its head. Monumentally large, usually female human figures dwarf houses and people. They look down on the city's inhabitants from above. No passerby can evade their gaze or their attractions. Taken together, the photographs in this book represent a visual commentary on our present day lifestyle. All the pictures were taken in the centre of Berlin -- but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1--3, which give the "ideal inhabitants" of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.…

Gr.-4°, Ppbd. m. SU. 96 S., mit 40 teils farb. Abb. Neuwertiges Ex. / Fine Copy // Nächtliche Ansichten einer riesigen Baustelle zeigen eine unübersichtliche Welt aus Maschinen, Leitungen und Gerüsten, die uns wie eine moderne Entsprechung von Piranesis Carceri vorkommen. Erst bei genauerem Hinsehen werden die zukünftigen Strukturen erkennbar. Hinter den Rastern transparenter Fassaden sehen wir Büroangestellte, Politiker und Hotelgäste. Arbeit und Freizeit finden auf offener Bühne statt. Nichts bleibt den Blicken der Passanten verborgen. Wie die Propagandabilder totalitärer Systeme stellen riesige Werbeflächen die gewohnten Maßstäbe auf den Kopf. Monumentale, meist weibliche Körper lassen die Häuser und die Menschen klein erscheinen. Von oben herab nehmen sie Blickkontakt mit den Passanten auf. Die Fotografien dieses Buchs sind ein visueller Kommentar zu unserem urbanen Lebensstil. Entstanden sind sie in Berlin ähnliche Bilder lassen sich jedoch überall finden : Die Gebäude sind ebenso austauschbar wie die monumentalen Bilder von Sex und Konsum, die weltweit die Städte dominieren. Monologe aus Roland Schimmelpfennigs Theaterstück Push Up 1 3 ergänzen die Fotogra- fien von Stefan Koppelkamm. Hier kommen die Bewohner dieser Welt zu Wort: Menschen, die sich den Leitbildern von Erfolg und Schönheit bedingungslos unterworfen haben. ISBN: 9783936681413 Sprache: Deutsch Gewicht in Gramm: 1194.…

Hardback. Condition: New. New Book, Direct from Publisher.