hardcover. Condition: Fine.
Condition: New.
Hardback or Cased Book. Condition: New. More Human Than Human. Book.
Condition: New.
Hardback. Condition: New.
Condition: As New. Unread book in perfect condition.
Hardback. Condition: New.
Hardcover. Condition: Brand New. 128 pages. 6.00x0.50x9.00 inches. In Stock.
Condition: New.
Condition: As New. Unread book in perfect condition.
Hardback. Condition: New.
Hardback. Condition: New.
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an "electronic music studio" at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. Print on Demand.
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. Print on Demand.
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
£ 22.66
Quantity: Over 20 available
Add to basketHRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
£ 21.96
Quantity: Over 20 available
Add to basketCondition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an "electronic music studio" at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Seller: CitiRetail, Stevenage, United Kingdom
Hardcover. Condition: new. Hardcover. I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an "electronic music studio" at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - I was a musician before I was anything else. That's how I first used technology-not through code or commerce, but through sound. In the late 1980s, I stood in an 'electronic music studio' at Bennington College in Vermont, staring at a new keyboard called The Synclavier. I didn't know how it worked, but I could feel what sounds it wanted to make. It wasn't just a machine-it was a co-conspirator. It could emulate, sample, sequence, and distort. I could pull emotion out of circuitry. At the time, it felt like the future. Not the kind with flying cars, but the kind where machines could jam with you, if you knew how to ask. What struck me then still rings true now: the best machines don't replace creativity. They provoke it.Foreword by Stephen M. Kosslyn, Ph.D. Cognitive Neuroscientist, Dean of Social Science, Harvard UniversityWe are living in a time when the boundary between mind and machine is no longer theoretical-it is experiential. Every day, millions of people interact with systems that predict, persuade, and create. Yet, as artificial intelligence (AI) becomes more powerful, the most urgent question may not be what machines can do, but what they reveal about us in the process.
Seller: preigu, Osnabrück, Germany
Buch. Condition: Neu. More Human Than Human | Michael-Patrick Moroney | Buch | Englisch | 2026 | E&R | EAN 9781966155195 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.