9781584351221 - Under the Sign of Sic ? Sturtevant`s Volte?face Semiotext E / Active Agents by Hainley, Bruce; Kraus, Chris; Lotringer, Sylvère (23 results)

Condition: New.

Hardcover. Condition: new. Hardcover. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied- "I create vertigo." Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then "hot" artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself.Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.In Under the Sign of sic , Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: good. Hardcover Book.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Hardback. Condition: New.

Hardcover. Condition: New.

Condition: New. pp. 304 Semiotextted edition (17 January 2014).

Hardcover. Condition: New. Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: 'I create vertigo.' Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then 'hot' artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself. Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014. In 'Under the Sign of [sic],' Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her 'Gonzalez-Torres Untitled (Go-Go Dancing Platform)' from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit.

Condition: New. Series: Semiotext(e) / Active Agents. Num Pages: 304 pages, 80 b&w illus. BIC Classification: ACXJ8; AGB. Category: (P) Professional & Vocational. Dimension: 232 x 184 x 22. Weight in Grams: 886. . 2014. Hardcover. . . . .

Condition: Very Good +. Los Angeles: Semiotext(e), 2013. First Edition. Small quarto; publisher's limp pictorial orange cloth; 343pp.; illus. throughout. Slight spine lean, else Very Good or better. Rather free-form critical biography of the American artist Elaine Sturtevant, published a year before her death.

Condition: New. Series: Semiotext(e) / Active Agents. Num Pages: 304 pages, 80 b&w illus. BIC Classification: ACXJ8; AGB. Category: (P) Professional & Vocational. Dimension: 232 x 184 x 22. Weight in Grams: 886. . 2014. Hardcover. . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New. pp. 304.

Rilegato. Condition: ottimo. prima edizione. Copertina flessibile telata, 343 pagine, copia usata ma molto ben conservata.

Hardcover. Condition: Brand New. 304 pages. 9.25x7.25x1.00 inches. In Stock.

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied- "I create vertigo." Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then "hot" artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself.Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.In Under the Sign of sic , Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Kartoniert / Broschiert. Condition: New. Bruce Hainley is the author of Under the Sign of [sic]: Sturtevant s Volte-Face and Art &amp Culture,&#160both published by Semiotext(e). The editor of&#160Commie Pinko Guy, he wrote, with John Waters, Art&#8212A Sex Book. He.

Hardcover. Condition: new. Hardcover. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied- "I create vertigo." Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then "hot" artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself.Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.In Under the Sign of sic , Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit. The first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New.