9781501345708 - Naná Vasconceloss Saudades (33 1/3 Brazil) by Daniel B. Sharp (19 results)
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Seller: The Compleat Scholar, Rochester, NY, U.S.A.The Compleat Scholar
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paperback. Condition: Very Good. No marks or highlighting in the book. Our copy is paperback showing shelf-wear. Bumped at lower corner causing creases in a few pages.
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Paperback. Condition: new. Paperback. The story of Afro-Brazilian percussionist Nana Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Nana played with musicians as varied as Egberto Gismonti, Don Cherry,… Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Nana's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Nana's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Nana made music as complex and contemporary as the ARP synthesizers in vogue at the time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Methen…y, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Naná's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Naná's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Naná made music as complex and contemporary as the ARP synthesizers in vogue at the time.
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. 2021. Paperback. . . . . .
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Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
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Paperback. Condition: Brand New. 128 pages. 7.75x5.00x0.75 inches. In Stock.
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Seller: Biblios, frankfurt am main, HESSE, GermanyBiblios
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Paperback. Condition: new. Paperback. The story of Afro-Brazilian percussionist Nana Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Nana played with musicians as varied as Egberto Gismonti, Don Cherry,… Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Nana's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Nana's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Nana made music as complex and contemporary as the ARP synthesizers in vogue at the time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Softcover
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
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Paperback. Condition: new. Paperback. The story of Afro-Brazilian percussionist Nana Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Nana played with musicians as varied as Egberto Gismonti, Don Cherry,… Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Nana's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Nana's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Nana made music as complex and contemporary as the ARP synthesizers in vogue at the time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
- Softcover
Seller: moluna, Greven, Germanymoluna
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Condition: New. Über den AutorDaniel B. Sharp is Associate Professor at Tulane University, USA, jointly appointed in music and Latin American studies. He is currently chair of the Tulane music department. He is the author of Between Nosta.
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Paperback. Condition: New. The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Methen…y, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Naná's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Naná's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Naná made music as complex and contemporary as the ARP synthesizers in vogue at the time.
