The berimbau, a one-stringed musical instrument that looks like a bow from a bow-and-arrow, is customarily strung with the wire found within a car tire. When Afro-Brazilian percussionist Naná Vasconcelos set out to build his own, however, he strung it instead with a single Steinway piano string, signaling his desire to take the instrument beyond its traditional settings. Naná grew up in Northeast Brazil, surrounded by the resourceful improvisation born of necessity that the car tire wire solution symbolizes. As his long career progressed, he lived his dream to play concert halls throughout the world with his single Steinway string. Naná painted with sound, reimagining percussion and voice to create evocative, cinematic soundscapes. This book revolves around Naná's 1980 album Saudades, released on ECM records. It traces his early work between 1969-1979 as he lived in New York, Europe and Brazil, as he developed his approach to music-making that culminated in Saudades.
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Daniel Sharp is Associate Professor at Tulane University, USA, jointly appointed in music and Latin American studies. He is currently chair of the Tulane music department. He is the author of Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil (2014)
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Seller: The Compleat Scholar, Rochester, NY, U.S.A.
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Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. The story of Afro-Brazilian percussionist Naná Vasconcelos stitches together histories of 1960s-1980s jazz, psychedelia, world music, experimentalism and post-punk. Based in Recife, Rio de Janeiro, New York City and Paris, Naná played with musicians as varied as Egberto Gismonti, Don Cherry, Pat Metheny, Ralph Towner, Arto Lindsay, Talking Heads, Laurie Anderson, Paul Simon, Jon Hassell, Brian Eno, Os Mutantes, and Milton Nascimento.This book traces the 15 years (1964-1979) leading up to Naná's Saudades (1979, ECM), an album evoking his sonic memories of Brazil that he recorded while in Germany. Saudades features berimbau, a one-stringed instrument that looks like a bow and arrow, alongside onomatopoetic vocals and the strings of the Radio Symphony Stuttgart. Daniel B. Sharp hears Naná's playing as a counterargument against dishonest notions of the primitive just as world music emerged as a genre. With a gourd, a stick, a wire, a wicker basket, and a stone, Naná made music as complex and contemporary as the ARP synthesizers in vogue at the time. Seller Inventory # LU-9781501345708
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