9781496802491 - Agnès Varda: Interviews (conversations with Filmmakers Series) by T. Jefferson Kline (editor) (30 results)
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Published by University Press of Mississippi, US, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Paperback. Condition: New. Over nearly sixty years, Agnès Varda (b. 1928) has given interviews that are revealing not only of her work, but of her remarkably ambiguous status. She has been called the ""Mother of the New Wave"" but suffered for many years for never having been completely accepted by the cinematic establishment in… France. Varda's first film, La Pointe Courte (1954), displayed many of the characteristics of the two later films that launched the New Wave, Truffaut's 400 Blows and Godard's Breathless. In a low-budget film, using (as yet) unknown actors and working entirely outside the prevailing studio system, Varda completely abandoned the ""tradition of quality"" that Truffaut was at that very time condemning in the pages of Cahiers du cinema. Her work, however, was not ""discovered"" until after Truffaut and Godard had broken onto the scene in 1959. Varda's next film, Cleo from 5 to 7, attracted considerably more attention and was selected as France's official entry for the Festival in Cannes. Ultimately, however, this film and her work for the next fifty years continued to be overshadowed by her more famous male friends, many of whom she mentored and advised.Her films have finally earned recognition as deeply probing and fundamental to the growing awareness in France of women's issues and the role of women in the cinema. ""I'm not philosophical,"" she says, ""not metaphysical. Feelings are the ground on which people can be led to think about things. I try to show everything that happens in such a way and ask questions so as to leave the viewers free to make their own judgments."" The panoply of interviews here emphasize her core belief that ""we never stop learning"" and reveal the wealth of ways to answer her questions.
Language: English
Published by University Press of Mississippi 2/10/2015, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Paperback or Softback. Condition: New. Agnes Varda: Interviews. Book.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Condition: New. Collected interviews with the French filmmaker who is sometimes called the "Mother of the New Wave" Editor(s): Kline, Professor T Jefferson (Boston University, USA). Series: Conversations with Filmmakers (Hardcover). Num Pages: 216 pages, black & white illustrations. BIC Classification: APB; APFB; BGF. Category:…(G) General (US: Trade). Dimension: 229 x 152 x 15. Weight in Grams: 381. . 2015. Reprint. Paperback. . . . .
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi 2015-01-08, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi 2015-01-08, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Condition: New. Collected interviews with the French filmmaker who is sometimes called the "Mother of the New Wave" Editor(s): Kline, Professor T Jefferson (Boston University, USA). Series: Conversations with Filmmakers (Hardcover). Num Pages: 216 pages, black & white illustrations. BIC Classification: APB; APFB; BGF. Category:…(G) General (US: Trade). Dimension: 229 x 152 x 15. Weight in Grams: 381. . 2015. Reprint. Paperback. . . . . Books ship from the US and Ireland.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by Univ Pr of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Paperback. Condition: Brand New. reprint edition. 216 pages. 9.00x6.00x0.75 inches. In Stock.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Published by University Press of Mississippi, Jackson, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Paperback. Condition: new. Paperback. Over nearly sixty years, Agnes Varda (b. 1928) has given interviews that are revealing not only of her work, but of her remarkably ambiguous status. She has been called the ""Mother of the New Wave"" but suffered for many years for never having been completely accepted by the cinematic estab…lishment in France. Varda's first film, La Pointe Courte (1954), displayed many of the characteristics of the two later films that launched the New Wave, Truffaut's 400 Blows and Godard's Breathless. In a low-budget film, using (as yet) unknown actors and working entirely outside the prevailing studio system, Varda completely abandoned the ""tradition of quality"" that Truffaut was at that very time condemning in the pages of Cahiers du cinema. Her work, however, was not ""discovered"" until after Truffaut and Godard had broken onto the scene in 1959. Varda's next film, Cleo from 5 to 7, attracted considerably more attention and was selected as France's official entry for the Festival in Cannes. Ultimately, however, this film and her work for the next fifty years continued to be overshadowed by her more famous male friends, many of whom she mentored and advised.Her films have finally earned recognition as deeply probing and fundamental to the growing awareness in France of women's issues and the role of women in the cinema. ""I'm not philosophical,"" she says, ""not metaphysical. Feelings are the ground on which people can be led to think about things. I try to show everything that happens in such a way and ask questions so as to leave the viewers free to make their own judgments."" The panoply of interviews here emphasize her core belief that ""we never stop learning"" and reveal the wealth of ways to answer her questions. Collected interviews with the French filmmaker who is sometimes called the "Mother of the New Wave" Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Language: English
Published by University Press of Mississippi, US, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
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Paperback. Condition: New. Over nearly sixty years, Agnès Varda (b. 1928) has given interviews that are revealing not only of her work, but of her remarkably ambiguous status. She has been called the ""Mother of the New Wave"" but suffered for many years for never having been completely accepted by the cinematic establishment in… France. Varda's first film, La Pointe Courte (1954), displayed many of the characteristics of the two later films that launched the New Wave, Truffaut's 400 Blows and Godard's Breathless. In a low-budget film, using (as yet) unknown actors and working entirely outside the prevailing studio system, Varda completely abandoned the ""tradition of quality"" that Truffaut was at that very time condemning in the pages of Cahiers du cinema. Her work, however, was not ""discovered"" until after Truffaut and Godard had broken onto the scene in 1959. Varda's next film, Cleo from 5 to 7, attracted considerably more attention and was selected as France's official entry for the Festival in Cannes. Ultimately, however, this film and her work for the next fifty years continued to be overshadowed by her more famous male friends, many of whom she mentored and advised.Her films have finally earned recognition as deeply probing and fundamental to the growing awareness in France of women's issues and the role of women in the cinema. ""I'm not philosophical,"" she says, ""not metaphysical. Feelings are the ground on which people can be led to think about things. I try to show everything that happens in such a way and ask questions so as to leave the viewers free to make their own judgments."" The panoply of interviews here emphasize her core belief that ""we never stop learning"" and reveal the wealth of ways to answer her questions.
Language: English
Published by University Press of Mississippi, Jackson, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
- Print on Demand
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Paperback. Condition: new. Paperback. Over nearly sixty years, Agnes Varda (b. 1928) has given interviews that are revealing not only of her work, but of her remarkably ambiguous status. She has been called the ""Mother of the New Wave"" but suffered for many years for never having been completely accepted by the cinematic estab…lishment in France. Varda's first film, La Pointe Courte (1954), displayed many of the characteristics of the two later films that launched the New Wave, Truffaut's 400 Blows and Godard's Breathless. In a low-budget film, using (as yet) unknown actors and working entirely outside the prevailing studio system, Varda completely abandoned the ""tradition of quality"" that Truffaut was at that very time condemning in the pages of Cahiers du cinema. Her work, however, was not ""discovered"" until after Truffaut and Godard had broken onto the scene in 1959. Varda's next film, Cleo from 5 to 7, attracted considerably more attention and was selected as France's official entry for the Festival in Cannes. Ultimately, however, this film and her work for the next fifty years continued to be overshadowed by her more famous male friends, many of whom she mentored and advised.Her films have finally earned recognition as deeply probing and fundamental to the growing awareness in France of women's issues and the role of women in the cinema. ""I'm not philosophical,"" she says, ""not metaphysical. Feelings are the ground on which people can be led to think about things. I try to show everything that happens in such a way and ask questions so as to leave the viewers free to make their own judgments."" The panoply of interviews here emphasize her core belief that ""we never stop learning"" and reveal the wealth of ways to answer her questions. Collected interviews with the French filmmaker who is sometimes called the "Mother of the New Wave" This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Univ Pr of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
- Print on Demand
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Paperback. Condition: Brand New. reprint edition. 216 pages. 9.00x6.00x0.75 inches. In Stock. This item is printed on demand.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
- Print on Demand
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Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 390.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
- Print on Demand
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Condition: New. PRINT ON DEMAND 258.
Language: English
Published by University Press of Mississippi, Jackson, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
- Print on Demand
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Paperback. Condition: new. Paperback. Over nearly sixty years, Agnes Varda (b. 1928) has given interviews that are revealing not only of her work, but of her remarkably ambiguous status. She has been called the ""Mother of the New Wave"" but suffered for many years for never having been completely accepted by the cinematic estab…lishment in France. Varda's first film, La Pointe Courte (1954), displayed many of the characteristics of the two later films that launched the New Wave, Truffaut's 400 Blows and Godard's Breathless. In a low-budget film, using (as yet) unknown actors and working entirely outside the prevailing studio system, Varda completely abandoned the ""tradition of quality"" that Truffaut was at that very time condemning in the pages of Cahiers du cinema. Her work, however, was not ""discovered"" until after Truffaut and Godard had broken onto the scene in 1959. Varda's next film, Cleo from 5 to 7, attracted considerably more attention and was selected as France's official entry for the Festival in Cannes. Ultimately, however, this film and her work for the next fifty years continued to be overshadowed by her more famous male friends, many of whom she mentored and advised.Her films have finally earned recognition as deeply probing and fundamental to the growing awareness in France of women's issues and the role of women in the cinema. ""I'm not philosophical,"" she says, ""not metaphysical. Feelings are the ground on which people can be led to think about things. I try to show everything that happens in such a way and ask questions so as to leave the viewers free to make their own judgments."" The panoply of interviews here emphasize her core belief that ""we never stop learning"" and reveal the wealth of ways to answer her questions. Collected interviews with the French filmmaker who is sometimes called the "Mother of the New Wave" This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by University Press Of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
- Print on Demand
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Over nearly sixty years, Agnès Varda (b. 1928) has given interviews that are revealing not only of her work, but of her remarkably ambiguous status. She has been called the ''Mother of the New Wave'' but suffered for many years for never… having been completely accepted by the cinematic establishment in France. Varda's first film, La Pointe Courte (1954), displayed many of the characteristics of the two later films that launched the New Wave, Truffaut's 400 Blows and Godard's Breathless. In a low-budget film, using (as yet) unknown actors and working entirely outside the prevailing studio system, Varda completely abandoned the ''tradition of quality'' that Truffaut was at that very time condemning in the pages of Cahiers du cinema. Her work, however, was not ''discovered'' until after Truffaut and Godard had broken onto the scene in 1959. Varda's next film, Cleo from 5 to 7, attracted considerably more attention and was selected as France's official entry for the Festival in Cannes. Ultimately, however, this film and her work for the next fifty years continued to be overshadowed by her more famous male friends, many of whom she mentored and advised.Her films have finally earned recognition as deeply probing and fundamental to the growing awareness in France of women's issues and the role of women in the cinema. ''I'm not philosophical,'' she says, ''not metaphysical. Feelings are the ground on which people can be led to think about things. I try to show everything that happens in such a way and ask questions so as to leave the viewers free to make their own judgments.'' The panoply of interviews here emphasize her core belief that ''we never stop learning'' and reveal the wealth of ways to answer her questions.
Language: English
Published by University Press of Mississippi, 2015
Series: Conversations with Filmmakers, Book 77 of 126. Book 77 of 126 - Conversations with Filmmakers
- Softcover
- Print on Demand
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Taschenbuch. Condition: Neu. Agnès Varda | Interviews | T. Jefferson Kline | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2015 | University Press of Mississippi | EAN 9781496802491 | Verantwortliche Person für die EU: Easy Access System Europe, Mustamäe Tee 50, 10621 TALLINN, ESTLAND, gpsr[dot]requests[at]easproject[dot…]com | Anbieter: preigu Print on Demand.
