Language: English
Published by Taylor & Francis Group, 2012
ISBN 10: 1409438023 ISBN 13: 9781409438021
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller: WeBuyBooks, Rossendale, LANCS, United Kingdom
Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Paperback. Condition: new. New Copy. Customer Service Guaranteed.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Condition: New.
Language: English
Published by Ashgate Publishing Company, 2012
ISBN 10: 1409438023 ISBN 13: 9781409438021
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New. pp. 412 3 Illus.
Language: English
Published by Ashgate Publishing Company, 2012
ISBN 10: 1409438023 ISBN 13: 9781409438021
Seller: Books Puddle, New York, NY, U.S.A.
Condition: New. pp. 412 Indices.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: As New. Unread book in perfect condition.
Seller: Ria Christie Collections, Uxbridge, United Kingdom
£ 56.14
Quantity: Over 20 available
Add to basketCondition: New. In.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New.
Language: English
Published by Taylor & Francis Ltd, 2012
ISBN 10: 1409438023 ISBN 13: 9781409438021
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Taylor & Francis Ltd, 2012
ISBN 10: 1409438023 ISBN 13: 9781409438021
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2012. New edition. Paperback. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details. This title presents a study of recorded popular song, from the recordings of the 1920s onwards. Series Editor(s): Scott, Professor Derek B.; Hawkins, Professor Stan; Burns, Professor Lori. Series: Ashgate Popular and Folk Music Series. Num Pages: 434 pages, Includes 3 b&w illustrations and 94 music examples. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 232 x 156 x 26. Weight in Grams: 768. Series: Ashgate Popular and Folk Music Series. 434 pages, includes 94 music examples, 3 b&w figures & 7 tables. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details. This title presents a study of recorded popular song, from the recordings of the 1920s onwards. Cateogry: (G) General (US: Trade). BIC Classification: AVA. Dimension: 232 x 156 x 26. Weight: 766. . . . . .
paperback. Condition: Gut. 412 Seiten; 9781409438021.3 Gewicht in Gramm: 1.
Seller: Revaluation Books, Exeter, United Kingdom
Paperback. Condition: Brand New. new edition edition. 412 pages. 9.17x6.14x1.06 inches. In Stock.
Language: English
Published by Taylor & Francis Ltd, 2012
ISBN 10: 1409438023 ISBN 13: 9781409438021
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2012. New edition. Paperback. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details. This title presents a study of recorded popular song, from the recordings of the 1920s onwards. Series Editor(s): Scott, Professor Derek B.; Hawkins, Professor Stan; Burns, Professor Lori. Series: Ashgate Popular and Folk Music Series. Num Pages: 434 pages, Includes 3 b&w illustrations and 94 music examples. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 232 x 156 x 26. Weight in Grams: 768. Series: Ashgate Popular and Folk Music Series. 434 pages, includes 94 music examples, 3 b&w figures & 7 tables. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details. This title presents a study of recorded popular song, from the recordings of the 1920s onwards. Cateogry: (G) General (US: Trade). BIC Classification: AVA. Dimension: 232 x 156 x 26. Weight: 766. . . . . . Books ship from the US and Ireland.
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
£ 56.74
Quantity: Over 20 available
Add to basketPAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Language: English
Published by Ashgate Publishing Company, 2012
ISBN 10: 1409438023 ISBN 13: 9781409438021
Seller: Biblios, Frankfurt am main, HESSE, Germany
Condition: New. PRINT ON DEMAND pp. 412.
Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Allan F. Moore is Professor of Popular Music at the University of Surrey. Author of seven monographs and edited collections, he is series editor for Ashgate s Library of Essays in Popular Music, has been on the editorial board of Popular Music since 2000, a.
Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what What are the consequences of such theorization and analysis Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r.