Isbn: 9781107442849 - Music and Riddle Culture in the Renaissance (23 results)

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  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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    paperback. Condition: Very Good. Very Good. Gently used with no markings in text. Binding is tight.

  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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  • Language: English

    Published by Cambridge University Press 12/14/2017, 2017

    1107442842 / 9781107442849

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    Paperback or Softback. Condition: New. Music and Riddle Culture in the Renaissance. Book.

  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

    • Softcover

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  • Language: English

    Published by Cambridge University Press, GB, 2017

    1107442842 / 9781107442849

    • Softcover

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    Paperback. Condition: New. Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450-1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.…

  • Language: English

    Published by Cambridge University Press 2017-12-14, 2017

    1107442842 / 9781107442849

    • Softcover

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  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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  • Language: English

    Published by Cambridge University Press, 2017

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    Condition: New. In English.

  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

    • Softcover

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    Condition: New. pp. 548 Reprint edition NO-PA16APR2015-KAP.

  • Language: English

    Published by Cambridge Univ Pr, 2017

    1107442842 / 9781107442849

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    Paperback. Condition: Brand New. reprint edition. 513 pages. 9.50x6.75x1.25 inches. In Stock.

  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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    Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450-1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas. …

  • Language: English

    Published by Cambridge University Press, GB, 2017

    1107442842 / 9781107442849

    • Softcover

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    Paperback. Condition: New. Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450-1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.…

  • Language: English

    Published by Cambridge University Press, Cambridge, 2017

    1107442842 / 9781107442849

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    Paperback. Condition: new. Paperback. Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.14501620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas. This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance. Highly illustrated and including a catalogue of enigmatic inscriptions, it will be of interest not only to musicologists, but also to scholars of literature, art history, theology and the history of ideas. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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    Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

  • Language: English

    Published by Cambridge University Press, 2017

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    Condition: New. Print on Demand pp. 548.

  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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    Condition: New. PRINT ON DEMAND pp. 548.

  • Language: English

    Published by Cambridge University Press, Cambridge, 2017

    1107442842 / 9781107442849

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    Paperback. Condition: new. Paperback. Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.14501620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas. This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance. Highly illustrated and including a catalogue of enigmatic inscriptions, it will be of interest not only to musicologists, but also to scholars of literature, art history, theology and the history of ideas. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

  • Language: English

    Published by Cambridge University Press, 2017

    1107442842 / 9781107442849

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    Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance. Highly illustrated and including a catalogue of enigmatic inscriptions, it will be of interest not only to musicologists, but also to scholars of .…

  • Language: English

    Published by Cambridge University Press, Cambridge, 2017

    1107442842 / 9781107442849

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    Paperback. Condition: new. Paperback. Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.14501620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas. This is the first book on the theory, practice and cultural context of musical riddles during the Renaissance. Highly illustrated and including a catalogue of enigmatic inscriptions, it will be of interest not only to musicologists, but also to scholars of literature, art history, theology and the history of ideas. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…