ISBN: 9780941548748 - Alejandro Cesarco – Song (22 results)

First Edition. First edition. Hardcover. Exhibition catalog for a show that ran November 18, 2017 through January 28, 2018. Features an introduction by Solveig Ostebo, essays by Julie Ault and Wayne Koestenbaum and with a conversation between Lynne Tillman and Cesarco. Includes numerous color illustrations and a checklist. A near fine copy in paper covered boards with a light bump to the fore edge of the rear board. No dust jacket as issued.…

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Hardback. Condition: New. Alejandro Cesarco: Song, published on the occasion of the exhibition of the same name at the Renaissance Society, brings together both new commissions and existing works. In the exhibition, Cesarco creates rhythm by incorporating silences and withholdings. The works form an installation drawing on the poetics of duration, refusal, repetition, and affective forms. This presentation, as in the artist's broader practice, represents a sustained investigation into time, memory, and how meaning is perceived. Centering on two related video works, the exhibition engaged deeply with histories of conceptual art. This catalog features an introduction by Solveig Øvstebø, a conversation between Alejandro Cesarco and Lynne Tillman, an essay by Julie Ault, and new short fiction by Wayne Koestenbaum in response to the exhibition.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Condition: New. pp. 112.

Condition: New. 2019. 1st Edition. Hardcover. . . . . .

Hardcover. Condition: new. Hardcover. Alejandro Cesarco: Song, published on the occasion of the exhibition of the same name at the Renaissance Society, brings together both new commissions and existing works. In the exhibition, Cesarco creates rhythm by incorporating silences and withholdings. The works form an installation drawing on the poetics of duration, refusal, repetition, and affective forms. This presentation, as in the artists broader practice, represents a sustained investigation into time, memory, and how meaning is perceived. Centering on two related video works, the exhibition engaged deeply with histories of conceptual art. This catalog features an introduction by Solveig Ovstebo, a conversation between Alejandro Cesarco and Lynne Tillman, an essay by Julie Ault, and new short fiction by Wayne Koestenbaum in response to the exhibition. Alejandro Cesarco Song, published on the occasion of the exhibition of the same name at the Renaissance Society, brings together both new commissions and existing works. In the exhibition, Cesarco creates rhythm by incorporating silences and withholdings. The works form an installation drawing on the poetics of duration, refusal, repetition, and affective forms. This presentation, as in the artists broader practice, represents a sustained investigation into time, memory, and how meaning is perceived. Centering on two related video works, the exhibition engaged deeply with histories of conceptual art. This catalog features an Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Brand New. 96 pages. 10.25x7.25x0.50 inches. In Stock.

Condition: New. 2019. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

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Condition: New. pp. 112.

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Buch. Condition: Neu. Neuware - Alejandro Cesarco: Song, published on the occasion of the exhibition of the same name at the Renaissance Society, brings together both new commissions and existing works. In the exhibition, Cesarco creates rhythm by incorporating silences and withholdings. The works form an installation drawing on the poetics of duration, refusal, repetition, and affective forms. This presentation, as in the artist's broader practice, represents a sustained investigation into time, memory, and how meaning is perceived. Centering on two related video works, the exhibition engaged deeply with histories of conceptual art. This catalog features an introduction by Solveig Øvstebø, a conversation between Alejandro Cesarco and Lynne Tillman, an essay by Julie Ault, and new short fiction by Wayne Koestenbaum in response to the exhibition.…

Gebunden. Condition: New. &Uumlber den AutorAlejandro Cesarco is an artist and director of Art Resources Transfer. KlappentextrnrnAlejandro Cesarco Song, published on the occasion of the exhibition of the same name at the Renaissan.

Hardcover. Condition: new. Hardcover. Alejandro Cesarco: Song, published on the occasion of the exhibition of the same name at the Renaissance Society, brings together both new commissions and existing works. In the exhibition, Cesarco creates rhythm by incorporating silences and withholdings. The works form an installation drawing on the poetics of duration, refusal, repetition, and affective forms. This presentation, as in the artists broader practice, represents a sustained investigation into time, memory, and how meaning is perceived. Centering on two related video works, the exhibition engaged deeply with histories of conceptual art. This catalog features an introduction by Solveig Ovstebo, a conversation between Alejandro Cesarco and Lynne Tillman, an essay by Julie Ault, and new short fiction by Wayne Koestenbaum in response to the exhibition. Alejandro Cesarco Song, published on the occasion of the exhibition of the same name at the Renaissance Society, brings together both new commissions and existing works. In the exhibition, Cesarco creates rhythm by incorporating silences and withholdings. The works form an installation drawing on the poetics of duration, refusal, repetition, and affective forms. This presentation, as in the artists broader practice, represents a sustained investigation into time, memory, and how meaning is perceived. Centering on two related video works, the exhibition engaged deeply with histories of conceptual art. This catalog features an Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New. Alejandro Cesarco: Song, published on the occasion of the exhibition of the same name at the Renaissance Society, brings together both new commissions and existing works. In the exhibition, Cesarco creates rhythm by incorporating silences and withholdings. The works form an installation drawing on the poetics of duration, refusal, repetition, and affective forms. This presentation, as in the artist's broader practice, represents a sustained investigation into time, memory, and how meaning is perceived. Centering on two related video works, the exhibition engaged deeply with histories of conceptual art. This catalog features an introduction by Solveig Øvstebø, a conversation between Alejandro Cesarco and Lynne Tillman, an essay by Julie Ault, and new short fiction by Wayne Koestenbaum in response to the exhibition.…