Isbn: 9780892368136 - Late Thoughts: Reflections on Artists and Composers at Work (issues & Debates): 14 (getty Publications – (yale)) (29 results)

Late Thoughts: Reflections on Artists and Composers at Work (Issues and Debates) [Mondrian -- De Kooning -- Rothko & Hesse -- Gehry -- Mozart -- Wagner -- Strauss -- Opera Reform in Weimar -- Mahler]
Karen Painter and Thomas Crow (eds.); Troy; Shiff; Reese; Deathridge; Gilliam; Rockwell; Cavell
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Trade Paperback Original. Condition: Very Good. First Printing. x, 235, [2] p., illustrated (some color) [otob: 2}.

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Paperback. Condition: VG+. Paperback in Very Good+ condition. Issues & Debates. 7 X 0.8 X 10 inches. 248 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Language: English
Published by Getty Trust Publications: Getty Research Institute for the History of Art and the Humanities, 2006
- Softcover
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Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Language: English
Published by Getty Trust Publications: Getty Research Institute for the History of Art and the Humanities July 2006, 2006
- Softcover
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- Softcover
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Paperback. Condition: New. "Today the West" chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. In part one, Nancy Troy considers the fate of Piet Mondrian's final canvases, Thomas Crow finds undiminished joy in abstraction in the last works of Mark Rothko and Eva Hesse, and Richard Schiff explores the eternal "change to stay the same" of Willem de Kooning's final productive decade. In part two, Karen Painter analyzes Wolfgang Amadeus Mozart's posthumous reputation, Bryan Gilliam examines Richard Strauss' unexpectedly enduring faith in German musical tradition, Stanley Cavell discusses the eternal irresolution of Gustav Mahler's last period, John Deathridge explicates Richard Wagner's ultimately debilitating relationship to symphonic form, and John Rockwell sees the Weimar Republic's demise prefigured in the struggle over state-sponsored opera in Berlin.Complementing these eight retrospective essays is Ernest Fleischmann's conversation with Frank Gehry, an architect whose most visible projects provide extraordinary spaces for art and music. This is a part of the "Getty Research Institute Issues and Debates" series.…

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- Softcover
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Condition: New. Chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. Editor(s): Painter, Karen; Crow, Thomas. Num Pages: 264 pages, 17 b&w and 40 colour illustrations. BIC Classification: AGB; AVH. Category: (G) General (US: Trade). Dimension: 254 x 178 x 19. Weight in Grams: 612. . 2006. Illustrated. Paperback. . . . . …

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Condition: New. pp. x + 235 85 Illus. (19 Col.).

- Softcover
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Language: English
Published by Getty Trust Publications, Santa Monica CA, 2006
- Softcover
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Paperback. Condition: new. Paperback. "Today the West" chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. In part one, Nancy Troy considers the fate of Piet Mondrian's final canvases, Thomas Crow finds undiminished joy in abstraction in the last works of Mark Rothko and Eva Hesse, and Richard Schiff explores the eternal "change to stay the same" of Willem de Kooning's final productive decade. In part two, Karen Painter analyzes Wolfgang Amadeus Mozart's posthumous reputation, Bryan Gilliam examines Richard Strauss' unexpectedly enduring faith in German musical tradition, Stanley Cavell discusses the eternal irresolution of Gustav Mahler's last period, John Deathridge explicates Richard Wagner's ultimately debilitating relationship to symphonic form, and John Rockwell sees the Weimar Republic's demise prefigured in the struggle over state-sponsored opera in Berlin.Complementing these eight retrospective essays is Ernest Fleischmann's conversation with Frank Gehry, an architect whose most visible projects provide extraordinary spaces for art and music. This is a part of the "Getty Research Institute Issues and Debates" series. Chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

- Softcover
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Condition: New. Chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. Editor(s): Painter, Karen; Crow, Thomas. Num Pages: 264 pages, 17 b&w and 40 colour illustrations. BIC Classification: AGB; AVH. Category: (G) General (US: Trade). Dimension: 254 x 178 x 19. Weight in Grams: 612. . 2006. Illustrated. Paperback. . . . . Books ship from the US and Ireland. …

- Softcover
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- Softcover
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Language: English
Published by Getty Trust Publications, Santa Monica CA, 2006
- Softcover
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Paperback. Condition: new. Paperback. "Today the West" chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. In part one, Nancy Troy considers the fate of Piet Mondrian's final canvases, Thomas Crow finds undiminished joy in abstraction in the last works of Mark Rothko and Eva Hesse, and Richard Schiff explores the eternal "change to stay the same" of Willem de Kooning's final productive decade. In part two, Karen Painter analyzes Wolfgang Amadeus Mozart's posthumous reputation, Bryan Gilliam examines Richard Strauss' unexpectedly enduring faith in German musical tradition, Stanley Cavell discusses the eternal irresolution of Gustav Mahler's last period, John Deathridge explicates Richard Wagner's ultimately debilitating relationship to symphonic form, and John Rockwell sees the Weimar Republic's demise prefigured in the struggle over state-sponsored opera in Berlin.Complementing these eight retrospective essays is Ernest Fleischmann's conversation with Frank Gehry, an architect whose most visible projects provide extraordinary spaces for art and music. This is a part of the "Getty Research Institute Issues and Debates" series. Chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

- Softcover
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Paperback. Condition: New. "Today the West" chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the non-representational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. In part one, Nancy Troy considers the fate of Piet Mondrian's final canvases, Thomas Crow finds undiminished joy in abstraction in the last works of Mark Rothko and Eva Hesse, and Richard Schiff explores the eternal "change to stay the same" of Willem de Kooning's final productive decade. In part two, Karen Painter analyzes Wolfgang Amadeus Mozart's posthumous reputation, Bryan Gilliam examines Richard Strauss' unexpectedly enduring faith in German musical tradition, Stanley Cavell discusses the eternal irresolution of Gustav Mahler's last period, John Deathridge explicates Richard Wagner's ultimately debilitating relationship to symphonic form, and John Rockwell sees the Weimar Republic's demise prefigured in the struggle over state-sponsored opera in Berlin.Complementing these eight retrospective essays is Ernest Fleischmann's conversation with Frank Gehry, an architect whose most visible projects provide extraordinary spaces for art and music. This is a part of the "Getty Research Institute Issues and Debates" series.…

- Softcover
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Paperback. Condition: New. Issues & Debates; Today the West chronically associates artistic maturity either with transcendence, degeneration, or irrelevance. This volume looks to the nonrepresentational arts of music, abstract painting and sculpture, and architecture for fresh insight into the juncture of aesthetics and mortality. In part one, Nancy J. Troy considers the fate of Piet Mondrian's final canvases, Thomas Crow finds undiminished joy in abstraction in the last works of Mark Rothko and Eva Hesse, and Richard Shiff explores the eternal "change to stay the same" of Willem de Kooning's final productive decade. In part two, Karen Painter analyzes Wolfgang Amadeus Mozart's posthumous reputation, Bryan Gilliam examines Richard Strauss's unexpectedly enduring faith in German musical tradition, Stanley Cavell discusses the eternal irresolution of Gustav Mahler's last period, John Deathridge explicates Richard Wagner's ultimately debilitating relationship to symphonic form, and John Rockwell sees the Weimar Republic's demise prefigured in the struggle over state-sponsored opera in Berlin. A conversation with architect Frank Gehry is also included.…