ISBN: 9780801484209 - Making the Fascist Self: The Political Culture of Interwar Italy (the Wilder House Series in Politics, History and Culture) (26 results)

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PAPERBACK. Condition: GOOD. FIRST EDITION. FIRST PRINTING (10 9 8 7 6 5 4 3 2 1)~AN EXTREMELY CLEAN AND BRIGHT UNMARKED COPY OF THIS BOOK~SMALL REMAINDER MARK ON THE BOTTOM INSIDE EDGE.

PAPERBACK. Condition: GOOD. FIRST PRINTING (10 9 8 7 6 5 4 3 2 1)~AN EXTREMELY CLEAN AND BRIGHT~SMALL VERTICAL REMAINDER MARK ON THE BOTTOM INSIDE EDGE UNMARKED COPY OF THIS BOOK.

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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condition: New. In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities. The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities. In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works.…

Soft cover. Condition: Fair. Pink and green picture soft cover, it is waved and soiled from water damage. The pages are soiled as well. The binding is tight. The inside is unmarked.

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Paperback. Condition: new. Paperback. In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities. The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities. In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood.Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condition: New. Series: The Wilder House Series in Politics, History & Culture. Num Pages: 296 pages, 25. BIC Classification: 1DST; HBJD; HBLW; JPFQ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 399. . 1997. 1st Edition. Paperback. . . . . …

Condition: New. pp. 296 25 Illus.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New. Series: The Wilder House Series in Politics, History & Culture. Num Pages: 296 pages, 25. BIC Classification: 1DST; HBJD; HBLW; JPFQ. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 17. Weight in Grams: 399. . 1997. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

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Paperback. Condition: Brand New. 296 pages. 9.00x6.25x0.75 inches. In Stock.

Condition: New. In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini s regime consciously constructed a nonliberal public sphere to support its political aims.&Uumlber den AutorMabel BerezinKlappe.

Taschenbuch. Condition: Neu. Neuware - In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims.

Paperback. Condition: new. Paperback. In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities. The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities. In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood.Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works. In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. In her examination of the culture of Italian fascism, Mabel Berezin focuses on how Mussolini's regime consciously constructed a nonliberal public sphere to support its political aims. Fascism stresses form over content, she believes, and the regime tried to build its political support through the careful construction and manipulation of public spectacles or rituals such as parades, commemoration ceremonies, and holiday festivities. The fascists believed they could rely on the motivating power of spectacle, and experiential symbols. In contrast with the liberal democratic notion of separable public and private selves, Italian fascism attempted to merge the public and private selves in political spectacles, creating communities of feeling in public piazzas. Such communities were only temporary, Berezin explains, and fascist identity was only formed to the extent that it could be articulated in a language of pre-existing cultural identities. In the Italian case, those identities meant the popular culture of Roman Catholicism and the cult of motherhood. Berezin hypothesizes that at particular historical moments certain social groups which perceive the division of public and private self as untenable on cultural grounds will gain political ascendance. Her hypothesis opens a new perspective on how fascism works.…

Paperback. Condition: Brand New. 296 pages. 9.00x6.25x0.75 inches. In Stock. This item is printed on demand.

Condition: New. Print on Demand pp. 296.

Condition: New. PRINT ON DEMAND pp. 296.