Isbn: 9780500022597 - Tarkovsky: Films, Stills, Polaroids & Writings (27 results)

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  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

  • Language: English

    Published by Thames and Hudson Ltd, 2019

    0500022593 / 9780500022597

    • Hardcover

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    hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

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  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

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  • Language: English

    Published by Thames and Hudson Ltd, 2019

    0500022593 / 9780500022597

    • Hardcover

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  • Language: English

    Published by Thames & Hudson Ltd, London, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Hardcover. Condition: new. Hardcover. Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today. A monograph on Andrei Tarkovsky, Russian filmmaker, writer, film editor and film theorist of extraordinary influence and cinematic vision. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Language: English

    Published by Thames and Hudson Ltd, GB, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Hardback. Condition: New. Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

  • Language: English

    Published by Thames and Hudson Ltd, 2019

    0500022593 / 9780500022597

    • Hardcover

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  • Language: English

    Published by Thames and Hudson Ltd, 2019

    0500022593 / 9780500022597

    • Hardcover

    Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.

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    Condition: New. 2019. Hardcover. . . . . .

  • Language: English

    Published by Thames and Hudson Ltd, 2019

    0500022593 / 9780500022597

    • Hardcover

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    hardcover. Condition: New.

  • Language: English

    Published by Thames & Hudson, 2019

    0500022593 / 9780500022597

    • Hardcover

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  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

    • Hardcover

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  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Condition: New. In English.

  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Condition: As New. Unread book in perfect condition.

  • Language: English

    Published by Thames and Hudson Ltd, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Condition: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

  • Language: English

    Published by Thames and Hudson Ltd, 2019

    0500022593 / 9780500022597

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    Hardcover. Condition: Brand New. 288 pages. French language. 9.65x7.72x1.06 inches. In Stock.

  • Language: English

    Published by Thames & Hudson, 2019

    0500022593 / 9780500022597

    • Hardcover

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  • Language: English

    Published by Thames & Hudson, 2019

    0500022593 / 9780500022597

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  • Language: English

    Published by Thames & Hudson Ltd, London, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Hardcover. Condition: new. Hardcover. Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today. A monograph on Andrei Tarkovsky, Russian filmmaker, writer, film editor and film theorist of extraordinary influence and cinematic vision. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

    • Hardcover

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  • Language: English

    Published by THAMES HUDSON, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Condition: New. Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the worldâs most renowned cinematic geniuses. He directed the first five of his seven films â" Ivanâs Childhood, Andrei Rublev, Solaris, Mirror and Stalker â" in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovskyâs films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovskyâs work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was âthe greatest, the one who invented a new language.â Extracts from Tarkovskyâs own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as âsculpting in timeâ. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

  • Language: English

    Published by KNV Besorgung, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Condition: New. A monograph on Andrei Tarkovsky, Russian filmmaker, writer, film editor and film theorist of extraordinary influence and cinematic vision.Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the worlds most renowned .

  • Language: English

    Published by Thames & Hudson Ltd, London, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Hardcover. Condition: new. Hardcover. Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today. A monograph on Andrei Tarkovsky, Russian filmmaker, writer, film editor and film theorist of extraordinary influence and cinematic vision. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Language: English

    Published by Thames & Hudson Ltd Mär 2019, 2019

    0500022593 / 9780500022597

    • Hardcover
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    Buch. Condition: Neu. Neuware - Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the worlds most renowned cinematic geniuses. He directed the first five of his seven films Ivans Childhood, Andrei Rublev, Solaris, Mirror and Stalker in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovskys films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovskys work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was the greatest, the one who invented a new language. Extracts from Tarkovskys own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as sculpting in time. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

  • Language: English

    Published by Thames & Hudson Ltd, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Buch. Condition: Neu. Tarkovsky | Films, Stills, Polaroids & Writings | Andrey A. Tarkovsky (u. a.) | Buch | Gebunden | Englisch | 2019 | Thames & Hudson Ltd | EAN 9780500022597 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

  • Language: English

    Published by Thames and Hudson Ltd, GB, 2019

    0500022593 / 9780500022597

    • Hardcover

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    Hardback. Condition: New. Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films - Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker - in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel. This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.

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    Language: English

    Published by Thames and Hudson, London, United Kingdom, 2019

    0500022593 / 9780500022597

    • Softcover

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    Condition: Bueno. First. Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design.