Isbn: 9780253214799 - The Sounds of Early Cinema (early Cinema in Review) (28 results)

Softcover, 328 pages; very good condition except first 20 pages curled at lower right corner tip; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. 1st Edition. This is a clean, unmarked copy with minimal wear.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Softcover, 328 pages; very good condition; clean and crisp; owner's initials on first blank page; no other internal marks.

Condition: New.

Softcover. Condition: New. Edition Unstated. Text appears to be clean. This book is in NEW CONDITION! Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: History; ISBN: 0253214793. ISBN/EAN: 9780253214799. Pictures of this item not already displayed here available upon request. Inventory No: 1561034664.…

Paperback. Condition: New. The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.…

Condition: As New. Unread book in perfect condition.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780253214799.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780253214799.…

Paperback or Softback. Condition: New. The Sounds of Early Cinema. Book.

Condition: New. Deals with a crucial phenomenon: the ubiquitous presence of sound in early cinema. This title argues that in order to understand cinema's emergence, especially as a cultural practice at the turn of the last century, we have to recognise that the experience of sound and hearing was no less significant than that of images and seeing. Editor(s): Abel, Richard; Altman, Rick. Series: Early Cinema in Review: Proceedings of Domitor. Num Pages: 344 pages, 31 b&w photos, 1 index. BIC Classification: 3JJ; APF; HBT. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 21. Weight in Grams: 540. . 2001. Edition Unstated. Paperback. . . . .…

Condition: New. In English.

Soft cover. Condition: Very Good. xvi, 327pp., b/w illustrations, musical excerpts, appendices, contributors, index. Lightly rubbed covers. Slightly sunned spine and minor creasing to same. (BH) 2/24.

Condition: New.

Condition: New. Deals with a crucial phenomenon: the ubiquitous presence of sound in early cinema. This title argues that in order to understand cinema's emergence, especially as a cultural practice at the turn of the last century, we have to recognise that the experience of sound and hearing was no less significant than that of images and seeing. Editor(s): Abel, Richard; Altman, Rick. Series: Early Cinema in Review: Proceedings of Domitor. Num Pages: 344 pages, 31 b&w photos, 1 index. BIC Classification: 3JJ; APF; HBT. Category: (P) Professional & Vocational. Dimension: 234 x 155 x 21. Weight in Grams: 540. . 2001. Edition Unstated. Paperback. . . . . Books ship from the US and Ireland.…

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: Brand New. 327 pages. 9.00x6.00x1.00 inches. In Stock.

Soft cover. Condition: Very Good. Cover faded round spine - otherwise as new.

Kartoniert / Broschiert. Condition: New. Deals with a crucial phenomenon: the ubiquitous presence of sound in early cinema. This title argues that in order to understand cinema s emergence, especially as a cultural practice at the turn of the last century, we have to recognise that the experience .

Paperback. Condition: New. The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.…

Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condition: Brand New. 327 pages. 9.00x6.00x1.00 inches. In Stock. This item is printed on demand.

Condition: New. Print on Demand pp. 344.

Condition: New. Print on Demand pp. 344 Index.

Condition: New. PRINT ON DEMAND pp. 344.