ISBN: 9780199242597 - Coleridge, Wordsworth, and the Language of Allusion (oxford English Monographs) (26 results)

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780199242597.…

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780199242597. …

Trade Paperback. Condition: VG-. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. minor light brown staining to the top of the page block.

Soft cover. Condition: Fine. From publisher's library. Faint shelfwear on paperback covers. Library marking on the jacket. Bookplate on inside cover and library stamp. Otherwise, book is new and unread. Pages clean and crisp, spine unbroken. 1025B.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. In this study of two creative minds, Lucy Newlyn offers a version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences. Num Pages: 274 pages, black & white illustrations. BIC Classification: 2AB; DSBF; DSC. Category: (P) Professional & Vocational. Dimension: 217 x 139 x 16. Weight in Grams: 378. . 2001. Revised ed. paperback. . . . .…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In this study of two creative minds, Lucy Newlyn offers a version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences. Num Pages: 274 pages, black & white illustrations. BIC Classification: 2AB; DSBF; DSC. Category: (P) Professional & Vocational. Dimension: 217 x 139 x 16. Weight in Grams: 378. . 2001. Revised ed. paperback. . . . . Books ship from the US and Ireland.…

Condition: new. Questo è un articolo print on demand.

PF. Condition: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: new. Paperback. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Rejecting all those accounts (including the poets' own) which have sought to construe difference as compatibility, Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences, of a theoretical and imaginative kind, which led tomisunderstanding. It is the central argument of Coleridge, Wordsworth, and the Language of Allusion that such 'misunderstanding' was creative and, for both poets, a means of self-definition. The key tothis interpretation is in the poets' private language: they were not only 'men speaking to men', but poets speaking to poets, and it is in their use of literary allusion that their tacit opposition emerges. Indeed, by examining the range of strategies open to any writer using private allusion, Newlyn's study reveals this mode to be potentially the most aggressive of literary forms. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. It is only on the surface, she argues, that each poet appears the other's ideal audience. Below the surface, radical differences led to misunderstanding. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condition: new. Paperback. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Rejecting all those accounts (including the poets' own) which have sought to construe difference as compatibility, Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences, of a theoretical and imaginative kind, which led tomisunderstanding. It is the central argument of Coleridge, Wordsworth, and the Language of Allusion that such 'misunderstanding' was creative and, for both poets, a means of self-definition. The key tothis interpretation is in the poets' private language: they were not only 'men speaking to men', but poets speaking to poets, and it is in their use of literary allusion that their tacit opposition emerges. Indeed, by examining the range of strategies open to any writer using private allusion, Newlyn's study reveals this mode to be potentially the most aggressive of literary forms. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. It is only on the surface, she argues, that each poet appears the other's ideal audience. Below the surface, radical differences led to misunderstanding. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: new. Paperback. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Rejecting all those accounts (including the poets' own) which have sought to construe difference as compatibility, Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences, of a theoretical and imaginative kind, which led tomisunderstanding. It is the central argument of Coleridge, Wordsworth, and the Language of Allusion that such 'misunderstanding' was creative and, for both poets, a means of self-definition. The key tothis interpretation is in the poets' private language: they were not only 'men speaking to men', but poets speaking to poets, and it is in their use of literary allusion that their tacit opposition emerges. Indeed, by examining the range of strategies open to any writer using private allusion, Newlyn's study reveals this mode to be potentially the most aggressive of literary forms. In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. It is only on the surface, she argues, that each poet appears the other's ideal audience. Below the surface, radical differences led to misunderstanding. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: New. Print on Demand pp. 276 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. In this study of two creative minds, Lucy Newlyn offers a version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Newlyn argues that it is only on the surface that each poet appears the other s ideal audience. Below the sur.…

Condition: New. Print on Demand pp. 276.

Condition: New. PRINT ON DEMAND pp. 276.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In this study of two creative minds, Lucy Newlyn offers a new version of the Coleridge-Wordsworth interaction during its most crucial years: 1797-1807. Rejecting all those accounts (including the poets' own) which have sought to construe difference as compatibility, Newlyn argues that it is only on the surface that each poet appears the other's ideal audience. Below the surface, there were radical differences, of a theoretical and imaginative kind, which led to misunderstanding. It is the central argument of Coleridge, Wordsworth, and the Language of Allusion that such 'misunderstanding' was creative and, for both poets, a means of self-definition. The key to this interpretation is in the poets' private language: they were not only 'men speaking to men', but poets speaking to poets, and it is in their use of literary allusion that their tacit opposition emerges. Indeed, by examining the range of strategies open to any writer using private allusion, Newlyn's study reveals this mode to be potentially the most aggressive of literary forms. …

Taschenbuch. Condition: Neu. Coleridge, Wordsworth and the Language of Allusion | Lucy Newlyn | Taschenbuch | Kartoniert / Broschiert | Englisch | 2001 | OUP Oxford | EAN 9780199242597 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…