Zmijewski Artur (55 results)

Hardcover. Condition: Very Good.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: As New. Unread book in perfect condition.

Condition: new.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. A cooperative reflection on how to teach art. How should art be taught? What kind of knowledge should artists absorb? How might an ordinary person become a creature addicted to the creative process? In other words, how can a non-artist become an artist? Such programmatic questions articulated by acclaimed Polish artist Artur Zmijewski were at the heart of the workshop How to Teach Art? Zmijewski invited a group of graduate and doctoral students from three Zurich universitiesthe Swiss Federal Institute of Technology, the University of Zurich, and the Zurich University of the Artsto collectively reflect on their artistic practices. Over the course of four months, the group met several times a week for hourlong sessions, following individual and collective exercises induced by Zmijewski himself. This book retraces the workshop and its process by showing inconclusive, fragmentary results between theory and practice. How to Teach Art? presents drawings, videos, photographs, 16mm films, and accompanying reflections on the central premise, How to teach art? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2022. Paperback. . . . . .

Softcover, 208 pages, in English and German, very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. Condition: New. A cooperative reflection on how to teach art. How should art be taught? What kind of knowledge should artists absorb? How might an ordinary person become a creature addicted to the creative process? In other words, how can a non-artist become an artist? Such programmatic questions articulated by acclaimed Polish artist Artur Zmijewski were at the heart of the workshop "How to Teach Art?" Zmijewski invited a group of graduate and doctoral students from three Zurich universities-the Swiss Federal Institute of Technology, the University of Zurich, and the Zurich University of the Arts-to collectively reflect on their artistic practices. Over the course of four months, the group met several times a week for hourlong sessions, following individual and collective exercises induced by Zmijewski himself.   This book retraces the workshop and its process by showing inconclusive, fragmentary results between theory and practice. How to Teach Art? presents drawings, videos, photographs, 16mm films, and accompanying reflections on the central premise, "How to teach art?".…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Condition: New.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Neuf.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Broschiert. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesen, vollständig, sehr guter Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Im Rahmen einer Kunstaktion auf der 7. Berlin Biennale erlaubten vier Ärzte Einblicke ins Körperinnere. Der Katalog ermöglicht die Berührungsflächen zwischen Medizin und visueller Kunst in den Blick zu nehmen. ¿Ein Tumor ist Chaos¿, erklärt der Wiener Gastroenterologe Michael Häfner, während er im Maleranzug mit einem Pinsel hantiert und in roter, blauer und schwarzer Acrylfarbe, die er in Schichten auf eine mehrere Quadratmeter große Papierwand aufträgt, Schleimhautgeschwülste im menschlichen Dickdarm malt. Normalerweise verwendet er als Arbeitsinstrument ein Endoskop, eine kleine Kamera, die in den menschlichen Körper eingeführt wird, um Erkrankungen im Magen- und Darmtrakt darzustellen und zu behandeln. Er ist einer von vier Ärzten, die eingeladen waren, im Juni 2012 an einer künstlerischen Versuchsanordnung mitzuwirken. Während der im Rahmen vom polnischen Videokünstler Artur Zmijewski kuratierten 7. Berlin Biennale beschäftigten sich die Mediziner mit Fragen, wie etwa eine Person gegenwärtig zum Patienten oder zur Patientin wird, welche Rolle die Zeichnung in der klinischen Arbeit spielt oder wie im Operationssaal eine Situation hergestellt wird, die es dem Operateur oder der Operateurin ermöglicht, in einen lebenden Körper zu schneiden. Im Vorfeld der Veranstaltung vorbereitete und zudem extra dafür hergestellte Videomaterialien von Operationen, Chirurgielehrfilme und Aufnahmen vom Körperinneren erzeugten ¿ mit Hilfe von Mitteln des Theaters und des Films ¿ eine absorbierende Stimmung. Das Augenscheinliche wurde am eigenen Leib spürbar. 309 pp. Deutsch, Englisch.…

Paperback. Condition: Brand New. 192 pages. 11.50x8.25x0.75 inches. In Stock.

Cartonato. Condition: new. Milano, Padiglione d'Arte Contemporanea, 29 marzo - 12 giugno 2022. A cura di Sileo D. Testo Italiano e Inglese. Cinisello Balsamo, 2023; cartonato, pp. 192, 100 ill. col., cm 23x28. Artur ?mijewski è una delle figure radicali più importanti sulla scena artistica polacca. La sua opera riflette la preoccupazione per i problemi socio-politici della nostra contemporaneità, esaminando i meccanismi del potere e dell'oppressione all'interno dell'ordine sociale esistente - così come i conflitti di vario tipo che rasentano la violenza - e mettendo in evidenza la relazione tra le emozioni estreme e le loro espressioni fisiche, compresi l'impatto sulla memoria e il trauma collettivo, senza mai perdere interesse per il tema classico della scultura: la rappresentazione del corpo umano. Una menzione particolare merita il tema della paura, centrale nella vita umana e troppo spesso veicolata come sistema di controllo sociale, e a cui fa esplicito riferimento il titolo del progetto, omaggio all'omonimo film del 1974 di Rainer Werner Fassbinder. Il volume, dal taglio monografico, presenta un'ampia selezione di lavori storici, recenti e inediti dell'artista, e accoglie i testi di Diego Sileo, Juli Carson, Galit Eilat, Adam Mazur e Adam Szymczyk. Libro. …

Condition: New.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 16 x 23 cm, 280 pages, 28 color & 23 b/w illustrations. - Museums of contemporary artas they have been defined, activated, and understood over the past thirty yearsare in need of a reassessment to re-think the traditional notion of the "museum." With its traditional core tasks of collection and conservation, this historic category stands in contrast to the term "contemporary." This volume takes a variety of complementary perspectives on today's museology as it reflects upon the paradoxes underlying the very concept of the museum of contemporary art. Composed of three chapters"Now," "Tomorrow," and "Flux"and gathering together original essays, extensive conversations, as well as canonical texts, this anthology addresses questions regarding the roles and tasks of the contemporary art museum. It discusses its double character as a site of both production and conservation, and emphasizes its relation to different public spheres. It also explores ways of dealing with the standards, norms, and regulations that emerge from the practices of collecting, organizing, and educating.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 336 pages. 11.00x9.00x11.00 inches. In Stock.