Yacavone Kathrin (47 results)

Condition: New. In English.

Paperback. Condition: Brand New. 1st edition. 128 pages. 9.50x6.50x0.25 inches. In Stock.

Paperback. Condition: New. As part of the recent turn towards visual culture in French studies, photography has begun to receive increased attention from scholars in the field. This volume of eight orignial essays and an interview with the Director of one of France's leading photographic institutions (the Maison européenne de la photographie) provides a broad and inclusive account of the multiple manifestations of photography in contemporary French and francophone societies and cultures. Broad topics such as the cultural institutionalisation of photography, its connections to post-conceptual art, the tradtion of tableau, city photography, photography and cultural identity, and photobiography are considered. Reflecting a diverse array of  scholarly approaches and methodologies, the volume will appeal to visual culture specialists in French studies and cognate disciplines. It brings together art historical, socio-cultural, political, postcolonial and literary perspectives on the medium, spanning trends and developments from the 1970s to the present day.Key FeaturesA wide-ranging treatment of the multi-faceted reality of photography in French and francophone contextsAddresses individual photographers and writers (including Bruno Boudjelal, Stéphane Couturier, Raymond Depardon, Valerie Jouve and Roland Barthes, Sophie Calle, J.M.G. Le Clézio, Annie Ernaux, Hervé Guibert, Denis Roche)Includes an original interview iwht Jean-Luc Monterosso, Director of the Maison européenne de la photographie, ParisIncludes 15 colour and black/white illustrations.…

Condition: New. Offers an account of the multiple manifestations of photography in contemporary French and francophone societies and cultures. This book brings together literary, socio-cultural, art historical and postcolonial perspectives on the medium, spanning trends, methodologies and developments from the 1970s to the present day. Editor(s): Yacavone, Kathrin. Series: Nottingham French Studies. Num Pages: 128 pages, illustrations (black and white, and colour). BIC Classification: 1DDF; AJ; JFC. Category: (G) General (US: Trade). Dimension: 242 x 169 x 7. Weight in Grams: 278. . 2014. Paperback. . . . .…

Paperback. Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 3 working days.

Soft cover. Condition: Fine. No Jacket. A few black & white illustrations. All clean and firm inside and out. No creasing to spine.

Condition: New. Offers an account of the multiple manifestations of photography in contemporary French and francophone societies and cultures. This book brings together literary, socio-cultural, art historical and postcolonial perspectives on the medium, spanning trends, methodologies and developments from the 1970s to the present day. Editor(s): Yacavone, Kathrin. Series: Nottingham French Studies. Num Pages: 128 pages, illustrations (black and white, and colour). BIC Classification: 1DDF; AJ; JFC. Category: (G) General (US: Trade). Dimension: 242 x 169 x 7. Weight in Grams: 278. . 2014. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Condition: New. Benjamin, Barthes and the Singularity of Photography presents two of the most important intellectual figures of the twentieth century in a new comparative light. Pursuing hitherto unexplored aspects of Benjamin's and Barthes's engagement with photography, it provides new interpretations of familiar texts and analyzes material which has only recently become available. It argues that despite the different historical, philosophical and cultural contexts of their work, Benjamin and Barthes engage with similar issues and problems that photography uniquely poses, including the relationship between the photograph and its beholder as a confrontation between self and other, and the dynamic relation between time, subjectivity, memory and loss. Each writer emphasizes the singular event of the photograph's apprehension and its ethical and existential aspects rooted in the power and poignancy of photographic images. Mapping the complex relationship between photographic history and theory, cultural criticism and autobiography, this book will be of considerable interest not only to historians and theorists of photography but also to scholars working in literary and cultural studies.…

Couverture souple. Condition: Très bon. Dust Jacket Condition: Très bon.

Condition: New. In English.

Paperback. Condition: New.

Condition: New. Idioma/Language: Español. Walter Benjamin y Roland Barthes son, sin lugar a dudas, dos de las presencias intelectuales más relevantes del siglo XX, pero a pesar de que sus ideas han sido cruciales para entender la importancia cultural y artística de la fotografía tanto como medio, negocio o arte, raramente se ha planteado un estudio en el que se analizaran ambas figuras de manera comparativa y bajo una misma luz. En este ensayo, Kathrin Yacavone toma como punto de partida esa vinculación de Barthes y Benjamin con la fotografía y, a partir de la interpretación de material conocido y de nuevos documentos recientemente puestos a disposición de la comunidad intelectual, traza unas líneas de estudio que le ayudan a acercar posiciones entre ambos. A lo largo de su vida, Benjamin y Barthes mantuvieron preocupaciones similares: la paradoja que representa una fotografía la captura de una realidad, convertida en una ficción, y las relaciones dinámicas que presenta con cuestiones como el tiempo, la subjetividad, la memoria y la sensación de pérdida. Al trazar las líneas de conexión entre la fotografía en sí y sus interpretaciones históricas y teóricas, este libro se transforma de inmediato en una herramienta útil no sólo para quien desea abordar la fotografía como una cuestión crítica, sino para cualquier persona preocupada por saber cuáles son nuestras motivaciones para conservar, de manera artificial, nuestros más íntimos fragmentos de vida. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. …

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Taschenbuch. Condition: Neu. Neuware - A broad and inclusive account of the multiple manifestations of photography in contemporary French and francophone societies and culturesAs part of the recent turn towards visual culture in French studies, photography has begun to receive increased attention from scholars in the field. This volume of eight orignial essays and an interview with the Director of one of France's leading photographic institutions (the Maison européenne de la photographie).Key Features- A wide-ranging treatment of the multi-faceted reality of photography in French and francophone contexts- Addresses individual photographers and writers (including Bruno Boudjelal, Stéphane Couturier, Raymond Depardon, Valerie Jouve and Roland Barthes, Sophie Calle, J.M.G. Le Clézio, Annie Ernaux, Hervé Guibert, Denis Roche)- Includes an original interview iwht Jean-Luc Monterosso, Director of the Maison européenne de la photographie, Paris- Includes 15 colour and black/white illustrations.…

Paperback. Condition: Brand New. reprint edition. 247 pages. 8.75x6.00x0.75 inches. In Stock.

Condition: New. Offers an account of the multiple manifestations of photography in contemporary French and francophone societies and cultures. This book brings together literary, socio-cultural, art historical and postcolonial perspectives on the medium, spanning trends, m.

Kartoniert / Broschiert. Condition: New. A comparative study of Benjamin s and Barthes s writings on photography in the context of photographic history and twentieth-century critical and theoretical discourses.Benjamin, Barthes and the Singularity of Photography presents two of the most import.

Condition: New.

paperback. Condition: New. 1st.

Paperback. Condition: New. As part of the recent turn towards visual culture in French studies, photography has begun to receive increased attention from scholars in the field. This volume of eight orignial essays and an interview with the Director of one of France's leading photographic institutions (the Maison européenne de la photographie) provides a broad and inclusive account of the multiple manifestations of photography in contemporary French and francophone societies and cultures. Broad topics such as the cultural institutionalisation of photography, its connections to post-conceptual art, the tradtion of tableau, city photography, photography and cultural identity, and photobiography are considered. Reflecting a diverse array of  scholarly approaches and methodologies, the volume will appeal to visual culture specialists in French studies and cognate disciplines. It brings together art historical, socio-cultural, political, postcolonial and literary perspectives on the medium, spanning trends and developments from the 1970s to the present day.Key FeaturesA wide-ranging treatment of the multi-faceted reality of photography in French and francophone contextsAddresses individual photographers and writers (including Bruno Boudjelal, Stéphane Couturier, Raymond Depardon, Valerie Jouve and Roland Barthes, Sophie Calle, J.M.G. Le Clézio, Annie Ernaux, Hervé Guibert, Denis Roche)Includes an original interview iwht Jean-Luc Monterosso, Director of the Maison européenne de la photographie, ParisIncludes 15 colour and black/white illustrations.…

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Benjamin, Barthes and the Singularity of Photography presents two of the most important intellectual figures of the twentieth century in a new comparative light. Pursuing hitherto unexplored aspects of Benjamin's and Barthes's engagement with photography, it provides new interpretations of familiar texts and analyzes material which has only recently become available. It argues that despite the different historical, philosophical and cultural contexts of their work, Benjamin and Barthes engage with similar issues and problems that photography uniquely poses, including the relationship between the photograph and its beholder as a confrontation between self and other, and the dynamic relation between time, subjectivity, memory and loss. Each writer emphasizes the singular event of the photograph's apprehension and its ethical and existential aspects rooted in the power and poignancy of photographic images. Mapping the complex relationship between photographic history and theory, cultural criticism and autobiography, this book will be of considerable interest not only to historians and theorists of photography but also to scholars working in literary and cultural studies.…

Condition: New.

Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Taschenbuch. Condition: Neu. Neuware -Aktuell wird über die Etablierung eines Bundesinstituts für Fotografie diskutiert - welche Institutionen und Einrichtungen für Fotografie gab und gibt es aber bisher in Deutschland und wie arbeiten sie mit Fotografie, bzw. wie wurde Fotografie durch sie geprägt In diesem Band wird erstmals ein grundlegender institutionsgeschichtlicher und -theoretischer Überblick für die Zeit ab 1945 gegeben, als zuerst u.a. in Essen und München wichtige Fotosammlungen entstanden. Vielstimmig wird in Einzelbeiträgen, Gesprächen und über künstlerische Positionen dokumentiert, wie fotografische Bilder klassifiziert, gesammelt, ausgestellt, archiviert und vermarktet wurden und werden. Eine Zeitleiste liefert einen systematischen chronologischen Überblick zur Institutionalisierung der Fotografie. Themen aus dem Inhalt- Pioniere und Ausbildung- Wissenschaftliche Institutionalisierung- Industrie, Ausstellung, Kunst- Galerien und Kunstmarkt- Fotografie in Kunstmuseen- Bibliotheken, kommunale Archive, Historische Museen- Industrielle Archive- Dekolonialisierung und Neuklassifizierung- Digitale InfrastrukturenGespräche mitLaura Bielau und Thomas Weski;Jens Bove, Simone Fleischer und Agnes Matthias; Ute Eskildsen;Andrew Eskind; Peter Geimer und Bernd Stiegler; Lucia Halder; Maren Lübbke-Tidow und Rebecca Wilton;Ulrich Pohlmann; Markus Schaden 469 pp. Deutsch.…

Taschenbuch. Condition: Neu. Neuware -Aktuell wird über die Etablierung eines Bundesinstituts für Fotografie diskutiert - welche Institutionen und Einrichtungen für Fotografie gab und gibt es aber bisher in Deutschland und wie arbeiten sie mit Fotografie, bzw. wie wurde Fotografie durch sie geprägt In diesem Band wird erstmals ein grundlegender institutionsgeschichtlicher und -theoretischer Überblick für die Zeit ab 1945 gegeben, als zuerst u.a. in Essen und München wichtige Fotosammlungen entstanden. Vielstimmig wird in Einzelbeiträgen, Gesprächen und über künstlerische Positionen dokumentiert, wie fotografische Bilder klassifiziert, gesammelt, ausgestellt, archiviert und vermarktet wurden und werden. Eine Zeitleiste liefert einen systematischen chronologischen Überblick zur Institutionalisierung der Fotografie. Themen aus dem Inhalt- Pioniere und Ausbildung- Wissenschaftliche Institutionalisierung- Industrie, Ausstellung, Kunst- Galerien und Kunstmarkt- Fotografie in Kunstmuseen- Bibliotheken, kommunale Archive, Historische Museen- Industrielle Archive- Dekolonialisierung und Neuklassifizierung- Digitale InfrastrukturenGespräche mitLaura Bielau und Thomas Weski;Jens Bove, Simone Fleischer und Agnes Matthias; Ute Eskildsen;Andrew Eskind; Peter Geimer und Bernd Stiegler; Lucia Halder; Maren Lübbke-Tidow und Rebecca Wilton;Ulrich Pohlmann; Markus Schaden 469 pp. Deutsch.…