Will Adrián (63 results)

Hardcover. Condition: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

hardcover. Condition: Good. Bruise/tear to cover.

hardcover. Condition: Very Good. Used - Very Good.

hardcover. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condition: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. In English.

Paperback. Condition: Brand New. 207 pages. 8.43x5.85x0.73 inches. In Stock.

Condition: New. In English.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: VG. First Edition. Very good in original wrappers. The oversized edges have tiny tears and some chipping and wear at the spine extremities. Cover illustration is fine.

Condition: Good. Hardback. Oblong 12mo (13cm by 14cm), c. 50pp. Text illustrations. Original white boards. Light rubbing of the boards, else this book is in very good condition. Includes the CD in the front pocket.

Condition: New.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. Court Welfare Action: Practice and Theory This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condition: New. Maxim Jakubowski is a noted anthology editor based in London, just a mile or so away from where he was born. With over 70 volumes to his credit, including Invisible Blood, the 13 annual volumes of The Mammoth Book of Best British Mysteries, an.

Paperback. Condition: Brand New. 264 pages. 8.50x5.43x1.00 inches. In Stock.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. A fine UK first edition, first printing hardback - in a fine unclipped dustjacket - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY JEFF NOON, PAT CADIGAN, CHRIS BECKETT, RICK MCGRATH, MAXIM JAKUBOWSKI, TOBY LITT, SAMANTHA LEE HOWE, DAVID QUANTICK, ANDREW HOOK AND OTHERS' - Pictures available upon request. Signed by Author(s).…

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

HB, 290 x 220 mm, 176 p, 130 colour illustrations. English edition. *BRANDNEW ISBN 9781912520220. Belgium symbolist painter and graphic artist. Watercolourist, pastellist, painter (gouache), draughtsman. Portraits, genre scenes, still-lifes, landscapes, seascapes. From childhood he displayed an interest in art and drawing and was a prolific doodler, spending much time sketching scenes of ordinary life and the Belgium countryside. In 1889 he studied briefly at the Tekenacademie in Bruges. His early work, already Symbolist in style was informed by his readings of writers such as Friedrich Nietzsche and Maurice Maeterlinck. From February 1903 to January 1904 he worked for Edmond Deman in Brussels, a publisher of symbolist writers, whose work Spilliaert was to illustrate. In 1904 Spilliaert stayed in Paris, where he was on the fringe of Picasso's circle and discovered the work of Munch and Toulouse-Lautrec, whose influences he acknowledged. He continued to spend most winters in Paris to keep in touch with the city's cultural life. Although often associated with the key figures of Belgian Symbolism, Léon Spilliaert in fact demonstrated a peculiarly individual style. Born in Ostend, he worked there for most of his career. An introvert and insomniac who suffered from poor health as a young man, Spilliaert wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric depictions of its dark docks, beaches and promenades. Almost entirely self-taught, he drew influence from such painters as Odilon Redon and James Abbott McNeill Whistler, as well as the writers Edgar Allan Poe and Friedrich Nietzsche. This book brings together over a hundred works from international collections, including a series of haunting self-portraits that Spilliaert created in his twenties. Authoritative authors discuss the artist's singular approach and put his career in context alongside that of his more famous compatriot and contemporary James Ensor. 0 g.…