Whittington Ian (99 results)

Paperback. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Acceptable.

Condition: As New. Unread book in perfect condition.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Dubliners is James Joyce's collection of fifteen short stories that vividly depict middle-class life in early twentieth-century Dublin. Edited by Ian Whittington, the Norton Library edition features the text of the first (1914) edition, including corrections compiled separately by Joyce, a thorough introduction to the work's historical and literary contexts, and explanatory endnotes.…

Condition: New. Brand New.

Paperback. Condition: New. Dubliners is James Joyce's collection of fifteen short stories that vividly depict middle-class life in early twentieth-century Dublin. Edited by Ian Whittington, the Norton Library edition features the text of the first (1914) edition, including corrections compiled separately by Joyce, a thorough introduction to the work's historical and literary contexts, and explanatory endnotes.…

paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Dubliners is James Joyce's collection of fifteen short stories that vividly depict middle-class life in early twentieth-century Dublin. Edited by Ian Whittington, the Norton Library edition features the text of the first (1914) edition, including corrections compiled separately by Joyce, a thorough introduction to the work's historical and literary contexts, and explanatory endnotes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: new.

Paperback. Condition: Brand New. 7.75x5.00x0.50 inches. In Stock.

Condition: New.

Condition: New. 2024. Paperback. . . . . .

Condition: New.

Condition: New. In English.

Condition: New. 2024. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Wartime British writers took to the airwaves to reshape the nation and the EmpireWriting the Radio War positions the Second World War as a critical moment in the history of cultural mediation in Britain. Through chapters focusing on the middlebrow radicalism of J.B. Priestley, ground-breaking works by Louis MacNeice and James Hanley at the BBC Features Department, frontline reporting by Denis Johnston, and the emergence of a West Indian literary identity in the broadcasts of Una Marson, Writing the Radio War explores how these writers capitalised on the particularities of the sonic medium to communicate their visions of wartime and postwar Britain and its empire. By combining literary aesthetics with the acoustics of space, accent, and dialect, writers created aural communities that at times converged, and at times contended, with official wartime versions of Britain and Britishness. Key FeaturesMerges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcastingBrings substantial but underused archival material (from the BBC Written Archives Centre, the Harry Ransom Humanities Research Center, the British Library, and other archives) to bear on the cultural importance of radio during the warForegrounds the role of radio in bridging literary movements from the highbrow to the middlebrow, and from the regional to the imperialDraws on Listener Research Reports, listener correspondence, newspaper coverage, and surveys by Mass Observation and the Wartime Social Survey in order to capture listeners' responses to wartime broadcasting in general as well as specific programsFills a gap in accounts of literary radio broadcasting, between Todd Avery's Radio Modernism (which ends at 1939) and postwar accounts of the Third Programme (by Humphrey Carpenter and Kate Whitehead) and individual writer-broadcasters Writing the Radio War merges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcasting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Wartime British writers took to the airwaves to reshape the nation and the EmpireWriting the Radio War positions the Second World War as a critical moment in the history of cultural mediation in Britain. Through chapters focusing on the middlebrow radicalism of J.B. Priestley, ground-breaking works by Louis MacNeice and James Hanley at the BBC Features Department, frontline reporting by Denis Johnston, and the emergence of a West Indian literary identity in the broadcasts of Una Marson, Writing the Radio War explores how these writers capitalised on the particularities of the sonic medium to communicate their visions of wartime and postwar Britain and its empire. By combining literary aesthetics with the acoustics of space, accent, and dialect, writers created aural communities that at times converged, and at times contended, with official wartime versions of Britain and Britishness. Key FeaturesMerges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcastingBrings substantial but underused archival material (from the BBC Written Archives Centre, the Harry Ransom Humanities Research Center, the British Library, and other archives) to bear on the cultural importance of radio during the warForegrounds the role of radio in bridging literary movements from the highbrow to the middlebrow, and from the regional to the imperialDraws on Listener Research Reports, listener correspondence, newspaper coverage, and surveys by Mass Observation and the Wartime Social Survey in order to capture listeners' responses to wartime broadcasting in general as well as specific programsFills a gap in accounts of literary radio broadcasting, between Todd Avery's Radio Modernism (which ends at 1939) and postwar accounts of the Third Programme (by Humphrey Carpenter and Kate Whitehead) and individual writer-broadcasters. …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Paperback. Condition: New. Wartime British writers took to the airwaves to reshape the nation and the EmpireWriting the Radio War positions the Second World War as a critical moment in the history of cultural mediation in Britain. Through chapters focusing on the middlebrow radicalism of J.B. Priestley, ground-breaking works by Louis MacNeice and James Hanley at the BBC Features Department, frontline reporting by Denis Johnston, and the emergence of a West Indian literary identity in the broadcasts of Una Marson, Writing the Radio War explores how these writers capitalised on the particularities of the sonic medium to communicate their visions of wartime and postwar Britain and its empire. By combining literary aesthetics with the acoustics of space, accent, and dialect, writers created aural communities that at times converged, and at times contended, with official wartime versions of Britain and Britishness. Key FeaturesMerges the fields of sound studies, radio studies, and Second World War literary studies through considerations of both major and marginalized figures of wartime broadcastingBrings substantial but underused archival material (from the BBC Written Archives Centre, the Harry Ransom Humanities Research Center, the British Library, and other archives) to bear on the cultural importance of radio during the warForegrounds the role of radio in bridging literary movements from the highbrow to the middlebrow, and from the regional to the imperialDraws on Listener Research Reports, listener correspondence, newspaper coverage, and surveys by Mass Observation and the Wartime Social Survey in order to capture listeners' responses to wartime broadcasting in general as well as specific programsFills a gap in accounts of literary radio broadcasting, between Todd Avery's Radio Modernism (which ends at 1939) and postwar accounts of the Third Programme (by Humphrey Carpenter and Kate Whitehead) and individual writer-broadcasters. …

Condition: New. pp. 224.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.