Welsh Caroline M (54 results)

Paperback. Condition: new. Paperback. Early in his career, critics and collectors widely recognized that Harold Weston (1894-1972), was capturing and saying something unusual in his paintings. ""There is a young American painter,"" wrote Duncan Phillips, ""who stirs in me the hope for a re-birth on this new soil of something that was lost to the art of painting with the passing of Vincent van Gogh."" Along with 104 color and ten black-and-white plates of Weston's works compiled by his daughter, Nina Weston Foster, curator of the Harold Weston Foundation, the catalog includes essays that cover myriad aspects of Weston's life and art. The Adirondack Museum's chief curator Caroline M. Welsh explores nature and wilderness preservation as themes in twentieth-century art and places Weston in the context of his contemporaries who painted the Adirondacks. Theodore E. Stebbins, Jr., curator of American art at the Fogg Art Museum, provides a critical analysis of Weston as a twentieth-century American modernist painter. The biographical essay by Weston's art historian granddaughter, Rebecca Foster, follows the unfolding of a career in parallel to the unfolding of a life. Weston's rich technique is explored by Stephen B. Phillips, curator at the Phillips Collection, in an in-depth analysis of the painting. Early in his career, critics and collectors widely recognized that Harold Weston (1894-1972), was capturing and saying something unusual in his paintings. With 104 color and ten black-and-white plates of Weston's works, the catalog includes essays that cover Weston's life and art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: As New. Dust Jacket Condition: As New. Edited by Caroline Mastin Welsh, xxv (3) 212 pages, 90 illustrations, essays originally presented at the 1995 North American prints Conference, appendix, notes, bibliog., octavo (8vo), hardcover blue cloth gold text on spine, dust jacket. Very good condition, unsold inventory of a book store. Inventory #13463-4. …

Hardcover. Condition: new. Hardcover. Early in his career, critics and collectors widely recognized that Harold Weston (1894-1972), was capturing and saying something unusual in his paintings. ""There is a young American painter,"" wrote Duncan Phillips, ""who stirs in me the hope for a re-birth on this new soil of something that was lost to the art of painting with the passing of Vincent van Gogh."" Along with 104 color and ten black-and-white plates of Weston's works compiled by his daughter, Nina Weston Foster, curator of the Harold Weston Foundation, the catalog includes essays that cover myriad aspects of Weston's life and art. The Adirondack Museum's chief curator Caroline M. Welsh explores nature and wilderness preservation as themes in twentieth-century art and places Weston in the context of his contemporaries who painted the Adirondacks. Theodore E. Stebbins, Jr., curator of American art at the Fogg Art Museum, provides a critical analysis of Weston as a twentieth-century American modernist painter. The biographical essay by Weston's art historian granddaughter, Rebecca Foster, follows the unfolding of a career in parallel to the unfolding of a life. Weston's rich technique is explored by Stephen B.Phillips, curator at the Phillips Collection, in an in-depth analysis of the painting. Early in his career, critics and collectors widely recognized that Harold Weston (1894-1972), was capturing and saying something unusual in his paintings. With 104 color and ten black-and-white plates of Weston's works, the catalog includes essays that cover Weston's life and art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hard cover. First edition. Sewn binding. Cloth over boards. 240 p. Contains: Maps. Adirondack Museum Books. Audience: General/trade. clean and tight jacket has wrinkles on the front edge. not bad, probably from the publisher. Very good in very good dust jacket.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. 1st Edition. This 2005 soft cover first edition is in very good condition. It is un- marked and tight, but the edge of the front cover shows wear at the top right corner and along the edge near the bottom. This book was published in conjunction with a show of Weston's work at the Adirondack Museum. It includes numerous color reproductions of his work, photographs of Weston and his contemporaries along with essays, bibliography, chronology and index.…

Softcover. Color-illustrated wraps; white lettering on brown spine. 80 pp. with color and bw illustrations. Catalogue from the exhibition of the same name, held at The Adirondack Museum, of works by Rockwell Kent. Includes essays about the artist's life and work and a checklist of the show. VG. Clean and tight; unbroken spine and unmarked; very light shelf wear to covers. …

Hardcover. Condition: new. Hardcover. Since the late eighteenth century, the Adirondacks--first characterized as a "Dismal Wilderness" and then a "Sportsman's Paradise"--has challenged cartographers, scientists, sportsmen, travelers, and artists. In a volume that covers nearly three hundred years of artistic achievement, Adirondack Museum curator Caroline M. Welsh includes essays that were originally presented at the 1995 North American Print Conference at the Adirondack Museum. Comprehensive in scope and lavishly illustrated, the book embodies the artistic spectrum from the documentary to the aesthetic. Paintings of Adirondack scenery were frequently reproduced as prints. Lithographs after original paintings disseminated affordable fine art to a broad middle class, exemplifying a pervasive nineteenth-century faith that art. By 1850, this northern expanse became a sanctuary for artists. Inspired by the drama of the landscape, the purity of the light, and the grandeur of its rugged wilderness, artists flocked to the region. From Winslow Homer, Dr. Arpad Gerster, and the French naturalist Jacques Gerard Milbert to Canadian artist David Milne, Adirondack Prints and Printmakers underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks. This volume presents essays which explore the influence of the Adirondack region on artists and printmakers. Including essays originally presented at the 1995 North American Print Conference, the text embodies the artistic spectrum from the documentary to the aesthetic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Small, square 4to. Blue cloth. 212pp. Profusely illustrated in b&w.

Softcover. Condition: VG. Color illus. wraps, 96 pp., color & BW illus. Issued in conjunction with an exhibition featuring paintings of the Adirondack region by American artist William Trost Richards (1833-1905). Very visual. Fans of the Hudson River School can move their sights north to include this similarly spectacular work. "'In search of a national landscape: William Trost Richards and the artists' Adirondacks, 1850-1870' accompanies the first exhibition devoted to William T. Richards's paintings of the Adirondacks, a little-known body of beautiful and important landscapes. Essays by Linda S. Ferber and Caroline M. Welsh chronicle Richards's discovery and interpretation of the region from the detailed wilderness landscapes of midcentury to his painterly impressions of Whiteface and Lack Placid in the late plein-air oil sketches. These essays set Richards's work in the context of his colleagues who joined him in a quest for a national landscape. Generously illustrated, this volume will be of interest to art and social historians as well as collectors and those who appreciate American art"--Back cover.…

paperback. Condition: Very Good. Unread. No markings in book. Binding is fine. 136pp.

paperback. Condition: Good. Book shows minor shelf & handling wear. Pages are clean but slightly tanning, text and pictures are intact and unmarred. Good reading copy.

Hardcover. Condition: As New. Like new with no marks. Minimal use if any. With DJ.

Hardcover. Condition: New. Dust Jacket Condition: New. This volume presents essays which explore the influence of the Adirondack region on artists and printmakers. Includes essays originally presented at the 1995 North American Print Conference. "Prints and Printmakers of the Adirondacks" underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks. Profusely illustrated. Bibliography. Notes. Index. 212 pp. Brand new hardcover in a new, mylar covered, dust jacket. The photos on the listing page are of the actual book for ale. Always carefully packaged and shipped quickly. …

Hardcover. Condition: New. Dust Jacket Condition: New. This volume presents essays which explore the influence of the Adirondack region on artists and printmakers. Includes essays originally presented at the 1995 North American Print Conference. "Prints and Printmakers of the Adirondacks" underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks. Profusely illustrated. Bibliography. Notes. Index. 212 pp. Brand new hardcover in a new, mylar covered, dust jacket. The photos on the listing page are of the actual book for ale. Always carefully packaged and shipped quickly. …

Soft cover. Condition: As New. No Jacket. first printing. xvii, 136pp, illustrations throughout, 25cm tall, quarto. Author Caroline Welsh's personalized inscription on title page. Exhibition catalogue. Signed by Author(s).

Paperback. Condition: Brand New. 136 pages. 10.25x8.75x0.50 inches. In Stock.

Condition: New.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Square 8vo. Cloth boards with very light bumping to spine ends, else fine in a fine dust jacket.

Hardcover. Condition: Brand New. 136 pages. 10.50x9.25x0.75 inches. In Stock.

Hardcover. Condition: Fine. Adirondack Prints and Printmakers: The Call of the Wild, Welsh, Caroline Mastin (ed.) Published by The Adirondack Museum/Syracuse University Press, Syracuse, NY, 1998. Square 4to - over 9¾" - 12" tall; 212pp., illustrated in black and white. In fine, unread condition. For three centuries, the rugged north woods of the Adirondacks has drawn artists, scientists, cartographers, travelers, and sports enthusiasts. With eight other contributors, Welsh, Chief Curator of the Adirondack Museum, presents commentary on the cultural significance of the sylvan landscape as captured in this collection of nearly 100 regionally-inspired b&w prints. Winslow Homer is the best- known of the represented artists.…

Condition: New.

Hardcover. Condition: Brand New. 212 pages. 9.25x8.00x0.50 inches. In Stock.

paperback. Condition: Very Good. First Edition. Unread. No markings in book. Binding is fine. 96pp.

Soft cover. Condition: As New. 96 pages. Softcover in pristine condition with some very light shelf wear to cover. Inside clean and binding tight.

Condition: New. 2018. Illustrated. hardcover. . . . . .