Vangad Rajesh (24 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Gill's black-and-white photographs, enriched by Vangad's mythical illustrations, vivify the Indian landscape through a prism of multiple truths and knowledge systemsA collaboration between Indian photographer Gauri Gill (born 1970) and Indigenous Warli artist Rajesh Vangad (born 1975), Fields of Sight features sparse black-and-white landscape photos of the Indian countryside from Gill, overlaid with swirling, tribally inspired illustrations by Vangad. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Taschenbuch. Condition: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.; Fields of Sight ging aus der einzigartigen Zusammenarbeit der Fotografin Gauri Gill mit dem bekannten Warli-Künstler Rajesh Vangad hervor. Begonnen wurde sie Anfang 2013 in Ganjad, Dahanu, einem Adivasi-Dorf in der Küstenregion des indischen Bundesstaats Maharashtra. Aus Gills ersten Erfahrungen mit der Landschaftsfotografie entwickelte sich in einer Art Symbiose eine neue visuelle Sprache. Bei der Durchsicht ihrer Kontaktbögen bemerkte sie, dass wichtige Aspekte fehlten, obwohl die Kamera die «chamäleonartige» Haut der Landschaft eingefangen hatte - Aspekte von etwas, was das Auge nicht wahrgenommen hatte, aber in den grossartigen mythologischen und experimentellen Geschichten, die ihr Vangad vorlas, sehr lebendig beschrieben war. Die mit Vangads Zeichnungen überschriebenen Fotografien Gills rekonfigurieren den fotografischen Ort sowohl formal wie konzeptuell, um neue Dokumente mit nicht nur einer Wahrheit und einem transaktiven Wissenssystem zu erhalten. Die Landschaften durch Vangads Augen zu sehen erweckte in Gill das Bedürfnis, unsere heutige Wahrnehmung von dem, was unsere Augen einfangen und was ihnen möglicherweise auch entgeht, zu hinterfragen. «Als würde man ein altes Haus fotografieren, aus dem im selben Moment ein:e Bewohner:in herauskommt und zu reden anfängt.» 372 pp. Englisch, Hindi.…

Taschenbuch. Condition: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.; Fields of Sight ging aus der einzigartigen Zusammenarbeit der Fotografin Gauri Gill mit dem bekannten Warli-Künstler Rajesh Vangad hervor. Begonnen wurde sie Anfang 2013 in Ganjad, Dahanu, einem Adivasi-Dorf in der Küstenregion des indischen Bundesstaats Maharashtra. Aus Gills ersten Erfahrungen mit der Landschaftsfotografie entwickelte sich in einer Art Symbiose eine neue visuelle Sprache. Bei der Durchsicht ihrer Kontaktbögen bemerkte sie, dass wichtige Aspekte fehlten, obwohl die Kamera die «chamäleonartige» Haut der Landschaft eingefangen hatte - Aspekte von etwas, was das Auge nicht wahrgenommen hatte, aber in den grossartigen mythologischen und experimentellen Geschichten, die ihr Vangad vorlas, sehr lebendig beschrieben war. Die mit Vangads Zeichnungen überschriebenen Fotografien Gills rekonfigurieren den fotografischen Ort sowohl formal wie konzeptuell, um neue Dokumente mit nicht nur einer Wahrheit und einem transaktiven Wissenssystem zu erhalten. Die Landschaften durch Vangads Augen zu sehen erweckte in Gill das Bedürfnis, unsere heutige Wahrnehmung von dem, was unsere Augen einfangen und was ihnen möglicherweise auch entgeht, zu hinterfragen. «Als würde man ein altes Haus fotografieren, aus dem im selben Moment ein:e Bewohner:in herauskommt und zu reden anfängt.» 372 pp. Englisch, Hindi.…

Paperback. Condition: Brand New. 372 pages. Hindu language. 6.50x1.06x9.13 inches. In Stock.

Hardback. Condition: New. Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'. In connection with Gauri Gill's ongoing exhibition at the Louisiana Museum, Humlebæk, Denmark, Gauril Gill will participate in two events in connection with her visit:On 29 March at 4 pm, the artist will join curator Tine Colstrup for a Walk and Talk in the exhibition, and on 30 March Gauri Gill will take part in a QandA session. For the QandA, Sonja Furu who is a Danish journalist based in New Dehli will talk to Gauri Gill about her books Acts of Appearance and Fields of Sight. Preceding their talk Sonja Furu will present a lecture at 7. 30 pm, on the topic of India today.…

Condition: New.

Taschenbuch. Condition: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.…

Condition: New.

Taschenbuch. Condition: Neu. Neuware - Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.; Fields of Sight ging aus der einzigartigen Zusammenarbeit der Fotografin Gauri Gill mit dem bekannten Warli-Künstler Rajesh Vangad hervor. Begonnen wurde sie Anfang 2013 in Ganjad, Dahanu, einem Adivasi-Dorf in der Küstenregion des indischen Bundesstaats Maharashtra. Aus Gills ersten Erfahrungen mit der Landschaftsfotografie entwickelte sich in einer Art Symbiose eine neue visuelle Sprache. Bei der Durchsicht ihrer Kontaktbögen bemerkte sie, dass wichtige Aspekte fehlten, obwohl die Kamera die «chamäleonartige» Haut der Landschaft eingefangen hatte - Aspekte von etwas, was das Auge nicht wahrgenommen hatte, aber in den grossartigen mythologischen und experimentellen Geschichten, die ihr Vangad vorlas, sehr lebendig beschrieben war. Die mit Vangads Zeichnungen überschriebenen Fotografien Gills rekonfigurieren den fotografischen Ort sowohl formal wie konzeptuell, um neue Dokumente mit nicht nur einer Wahrheit und einem transaktiven Wissenssystem zu erhalten. Die Landschaften durch Vangads Augen zu sehen erweckte in Gill das Bedürfnis, unsere heutige Wahrnehmung von dem, was unsere Augen einfangen und was ihnen möglicherweise auch entgeht, zu hinterfragen. «Als würde man ein altes Haus fotografieren, aus dem im selben Moment ein:e Bewohner:in herauskommt und zu reden anfängt.».…

Condition: New.

Hardback. Condition: Near fine. First Edition. 22 x 30cm 366pp near fine hardback. Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'. With English text plus black and white reproductions. A heavy item, may need extra postage.…

Condition: New.

Taschenbuch. Condition: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'.GVA Gemeinsame Verlagsauslieferung Göttingen, Postfach 2021, 37010 Göttingen 372 pp. Englisch, Hindi.…

Hardback. Condition: New. Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'. In connection with Gauri Gill's ongoing exhibition at the Louisiana Museum, Humlebæk, Denmark, Gauril Gill will participate in two events in connection with her visit:On 29 March at 4 pm, the artist will join curator Tine Colstrup for a Walk and Talk in the exhibition, and on 30 March Gauri Gill will take part in a QandA session. For the QandA, Sonja Furu who is a Danish journalist based in New Dehli will talk to Gauri Gill about her books Acts of Appearance and Fields of Sight. Preceding their talk Sonja Furu will present a lecture at 7. 30 pm, on the topic of India today.…

Taschenbuch. Condition: Neu. Fields of Sight | (New Format) | Rajesh Chaitya/Gill, Gauri Vangad | Taschenbuch | 372 S. | Englisch | 2025 | Edition Patrick Frey | EAN 9783907236895 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen, Carsten Schliecker, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | Anbieter: preigu. …

hardcover. Condition: Sehr gut. 340 Seiten; 9783907236475.2 Gewicht in Gramm: 2.

Hardcover. Condition: Brand New. bilingual edition. 365 pages. 11.25x8.25x1.25 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware -Fields of Sight is a unique collaboration between photographer Gauri Gill and renowned Warli artist Rajesh Vangad. The series began in early 2013 in Ganjad, Dahanu, an Adivasi village in coastal Maharashtra, India. A new visual language emerged symbiotically from Gill's initial experiences of photographing the landscape. Looking at her contact sheets, she perceived that although the camera was capturing the distinct 'chameleon-like' skin of the landscape, it was missing vital aspects of what was not apparent to the eye, yet was vividly relayed in the great mythical and experiential stories narrated to her by Vangad. The photographs by Gill, inscribed by drawings by Vangad, reconfigure the photographic site both formally as well as conceptually, to arrive at new documents of multiple truths and knowledge systems. In the act of viewing the landscape through the eyes of Vangad, Gill rekindles the need to challenge the way we see things today, what our eyes capture and what may elude them. 'As though one were photographing an old home, and the resident of the house came out, and began to speak'. 372 pp. Englisch, Hindi.…

Condition: gut. 2023. Fields of Sight (Frey, 347) In deutscher Sprache. pages.