Valinsky David David Valinsky (33 results)

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Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. FIRST PAGE HAS A NAME BLOTCHED OUT WITH MARKER. Paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

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Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. Picture Shown is For Illustration Purposes Only, CONDITION ? LIKE NEW ? HARDBACK : dent to corner/edges of boards, shipped from the UK.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New.

Condition: New.

Hardback. Condition: New. Edward Schröder Prior (1852-1932) is not easily labelled. His reputation as an Arts and Crafts architect is well-earned but his output is much broader and more complex, offering a fascinating window into the debates surrounding English architectural and design culture around the turn of the 20th century. This book brings together the various strands of his work to present a far more complex, holistic understanding of his particularly rich and insightful thinking and his creative approaches.A contemporary and close friend of C.F.A. Voysey and W.R. Lethaby, as well as C.R. Ashbee and Ernest Gimson, Prior was perhaps most famous in his lifetime for his writings, including his books and articles on English medieval art, and as Slade Professor of Art at Cambridge University, where he set up the first architecture course. In subsequent decades, his writings have been upstaged by his original, innovative and varied architecture, with his best-known building, St Andrew's, Roker (Sunderland), dubbed the 'cathedral' of the Arts and Crafts movement.When taken together, Prior's writings and architecture demonstrate the complexities and contradictions inherent in his work, as well as contemporary and visual cultures. The topics which were at the heart of his work - the conflicts between architecture as a creative process, a profession and a business; the translation of design intentions through a project; the challenge of representing architecture to clients and the public; the position and treatment of architecture students in practices; the nature of work in 'historic' buildings - make fascinating reading for anyone with an interest in architectural and visual culture, then and now.…

Hardcover. Condition: new. Hardcover. Edward Schroeder Prior (1852-1932) is not easily labelled. His reputation as an Arts and Crafts architect is well-earned but his output is much broader and more complex, offering a fascinating window into the debates surrounding English architectural and design culture around the turn of the 20th century. This book brings together the various strands of his work to present a far more complex, holistic understanding of his particularly rich and insightful thinking and his creative approaches.A contemporary and close friend of C.F.A. Voysey and W.R. Lethaby, as well as C.R. Ashbee and Ernest Gimson, Prior was perhaps most famous in his lifetime for his writings, including his books and articles on English medieval art, and as Slade Professor of Art at Cambridge University, where he set up the first architecture course. In subsequent decades, his writings have been upstaged by his original, innovative and varied architecture, with his best-known building, St Andrews, Roker (Sunderland), dubbed the cathedral of the Arts and Crafts movement.When taken together, Priors writings and architecture demonstrate the complexities and contradictions inherent in his work, as well as contemporary and visual cultures. The topics which were at the heart of his work the conflicts between architecture as a creative process, a profession and a business; the translation of design intentions through a project; the challenge of representing architecture to clients and the public; the position and treatment of architecture students in practices; the nature of work in historic buildings make fascinating reading for anyone with an interest in architectural and visual culture, then and now. Exquisitely illustrated with new photography, providing comprehensive coverage of Prior's architectural work, as well as with Priors previously unpublished drawings, this book reveals the full range of his work and considers the continued relevance of his thinking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New. Edward Schröder Prior (1852-1932) is not easily labelled. His reputation as an Arts and Crafts architect is well-earned but his output is much broader and more complex, offering a fascinating window into the debates surrounding English architectural and design culture around the turn of the 20th century. This book brings together the various strands of his work to present a far more complex, holistic understanding of his particularly rich and insightful thinking and his creative approaches.A contemporary and close friend of C.F.A. Voysey and W.R. Lethaby, as well as C.R. Ashbee and Ernest Gimson, Prior was perhaps most famous in his lifetime for his writings, including his books and articles on English medieval art, and as Slade Professor of Art at Cambridge University, where he set up the first architecture course. In subsequent decades, his writings have been upstaged by his original, innovative and varied architecture, with his best-known building, St Andrew's, Roker (Sunderland), dubbed the 'cathedral' of the Arts and Crafts movement.When taken together, Prior's writings and architecture demonstrate the complexities and contradictions inherent in his work, as well as contemporary and visual cultures. The topics which were at the heart of his work - the conflicts between architecture as a creative process, a profession and a business; the translation of design intentions through a project; the challenge of representing architecture to clients and the public; the position and treatment of architecture students in practices; the nature of work in 'historic' buildings - make fascinating reading for anyone with an interest in architectural and visual culture, then and now.…

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 272 pages. 8.43x0.60x10.39 inches. In Stock.

Condition: Very Good. Limited Edition [196/500]. VG : in very good condition without dust jacket as issued. 240mm x 220mm (9" x 9"). 255pp. Colour and b/w photographic illustrations. Signed by David Valinsky on the half title. Illustrated laminated card cover.

Soft cover. Condition: As New. 1st Edition. Number 124 of an edition of 500. Signed by Valinsky. Covers are card folded inside.

Condition: New.

Condition: New.

paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: NEW.

Hardback. Condition: New. Edward Schröder Prior (1852-1932) is not easily labelled. His reputation as an Arts and Crafts architect is well-earned but his output is much broader and more complex, offering a fascinating window into the debates surrounding English architectural and design culture around the turn of the 20th century. This book brings together the various strands of his work to present a far more complex, holistic understanding of his particularly rich and insightful thinking and his creative approaches.A contemporary and close friend of C.F.A. Voysey and W.R. Lethaby, as well as C.R. Ashbee and Ernest Gimson, Prior was perhaps most famous in his lifetime for his writings, including his books and articles on English medieval art, and as Slade Professor of Art at Cambridge University, where he set up the first architecture course. In subsequent decades, his writings have been upstaged by his original, innovative and varied architecture, with his best-known building, St Andrew's, Roker (Sunderland), dubbed the 'cathedral' of the Arts and Crafts movement.When taken together, Prior's writings and architecture demonstrate the complexities and contradictions inherent in his work, as well as contemporary and visual cultures. The topics which were at the heart of his work - the conflicts between architecture as a creative process, a profession and a business; the translation of design intentions through a project; the challenge of representing architecture to clients and the public; the position and treatment of architecture students in practices; the nature of work in 'historic' buildings - make fascinating reading for anyone with an interest in architectural and visual culture, then and now.…

Buch. Condition: Neu. Neuware - Edward Schröder Prior (1852-1932) is not easily labelled. His reputation as an Arts and Crafts architect is well-earned but his output is much broader and more complex, offering a fascinating window into the debates surrounding English architectural and design culture around the turn of the 20th century. This book brings together the various strands of his work to present a far more complex, holistic understanding of his particularly rich and insightful thinking and his creative approaches.A contemporary and close friend of C.F.A. Voysey and W.R. Lethaby, as well as C.R. Ashbee and Ernest Gimson, Prior was perhaps most famous in his lifetime for his writings, including his books and articles on English medieval art, and as Slade Professor of Art at Cambridge University, where he set up the first architecture course. In subsequent decades, his writings have been upstaged by his original, innovative and varied architecture, with his best-known building, St Andrew's, Roker (Sunderland), dubbed the 'cathedral' of the Arts and Crafts movement.When taken together, Prior's writings and architecture demonstrate the complexities and contradictions inherent in his work, as well as contemporary and visual cultures. The topics which were at the heart of his work - the conflicts between architecture as a creative process, a profession and a business; the translation of design intentions through a project; the challenge of representing architecture to clients and the public; the position and treatment of architecture students in practices; the nature of work in 'historic' buildings - make fascinating reading for anyone with an interest in architectural and visual culture, then and now.…