Ute Berns (33 results)

272 Seiten mit einigen Abbildungen. Kart. - = Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, Band 132. Gutes, ungelesenes Exemplar. Sprache: Englisch Gewicht in Gramm: 700.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780754660095. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780754660095. …

Condition: as new. Amsterdam & New York : Rodopi, 2010. Paperback. 272 pp. (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 132). Contents : Manfred Pfister: Foreword; Ute Berns: Solo Performances : an Introduction; Authoring and Authority; Ina Schabert: The Theatre in the Head: Performances of the Self for the Self by the Self; Andrew James Johnston: Subjectivity and the Ekphrastic Prerogative: Emilia's Soliloquy in The Two Noble Kinsmen; Richard Wilson: Our Good Will: Shakespeare's Cameo Performance; Werner von Koppenfels: Spiritual Self-Fashioning: John Lilburne at the Pillory; Self-Inventions and Pathologies; Jürgen Schlaeger: Auto-Dialogues: Performative Creation of Selves; Günter Walch: The Life and Strange and Surprising Adventures of Hamlet, of Denmark; Maria Del Sapio Garbero: A Spider in the Eye/I: The Hallucinatory Staging of the Self in Shakespeare s The Winter's Tale; Rui Carvalho Homem: Of Idiocy, Moroseness, and Vitriol: Soloists of Rage in Ben Jonson's Satire; Wolfgang G. Müller: The Poem as Performance: Self-Definition and Self-Exhibition in John Donne's Songs and Sonets; Margret Fetzer: Plays of Self: Theatrical Performativity in Donne; Fashioning Sovereignty; Roger Lüdeke / Andreas Mahler: Stating the Sovereign Self: Polity, Policy, and Politics on the Early Modern Stage; Jerzy Limon: The Monarch as the Solo Performer in Stuart Masque; Ralf Hertel: Turkish Brags and Winning Words: Solo Performances in Christopher Marlowe's Tamburlaine the Great; Notes on Contributors. Condition : as new copy. ISBN 9789042029521. Keywords : .…

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

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Condition: New.

Condition: Very Good.

Paperback. Condition: Brand New. 291 pages. 9.60x6.65x1.02 inches. In Stock.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Kartoniert / Broschiert. Condition: New. Dr Ute Berns is a Research Fellow at the Free University of Berlin, Germany. Professor Michael Bradshaw is Head of English and History at Edgehill U niversity, UK. Co-editor of Beddoes s Selected Poetry and has also published on John Keats and Mary Shelley.

Taschenbuch. Condition: Neu. Neuware.

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Condition: New. In English.

Condition: New. KlappentextIn this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England. Drawing on theories of performativity and performance, some contributors revisit mono.

Taschenbuch. Condition: Neu. Neuware - In this volume an international cast of scholars explores conceptions of the self in the literature and culture of the Early Modern England. Drawing on theories of performativity and performance, some contributors revisit monological speech and the soliloquy - that quintessential solo performance - on the stage of Marlowe, Shakespeare and Jonson. Other authors move beyond the theatre as they investigate solo performances in different cultural locations, from the public stage of the pillory to the mental stage of the writing self. All contributors analyse corporeality, speech, writing and even silence as interrelated modes of self-enactment, whether they read solo performances as a way of inventing, authorizing or even pathologizing the self, or as a mode of fashioning sovereignty. The contributions trace how the performers appropriate specific discourses, whether religious, medical or political, and how they negotiate hierarchies of gender, rank or cultural difference. The articles cut across a variety of genres including plays and masques, religious tracts, diaries and journals, poems and even signatures. The collection links research on the inward and self-reflexive dimension of solo-performances with studies foregrounding the public and interactive dimension of performative self-fashioning. The articles collected here offer new perspectives on Early Modern subjectivity and will be of interest to all scholars and students of the Early Modern period. …

Condition: New. pp. xviii + 273.

Hardcover. Condition: Brand New. 353 pages. 9.25x6.25x1.00 inches. In Stock.

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Condition: new. Questo è un articolo print on demand.

Paperback. Condition: Brand New. 272 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.

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Hardcover. Condition: new. Hardcover. This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoess poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeares plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students organisations, and from Byron, Baillie and Londons illegitimate theatre to Schillers and Tiecks highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoess major and defining work, Deaths Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Deaths Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of life and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoess writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of Buechner, Grabbe and a European theatre avant-garde. This innovative study of Beddoess work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vormaerz studies, and to students and scholars of drama and theatre as well as Queer studies. This study offers an incisive new reading of the romantic playwright Thomas Lovell (1803-1849) Beddoes's work as shaped by the contemporary discourses of radical politics, life science, and gender. Reappraising his opus magnum Death's Jest Book in a context powerfully defined . This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover. Condition: new. Hardcover. This study revaluates the work of the scientist and radical, poet and dramatist and English exile in Germany Thomas Lovell Beddoes (1803-1849). While his writing has elicited high praise from poets ranging from Robert Browning through Ezra Pound to John Ashbery, scholars have frequently neglected it on grounds of its purportedly morbid and opaque eccentricity. Countering this scholarly perception, this book deftly relocates Beddoess poetry, drama and prose at the centre of Anglo-German debates on aesthetics and life science, politics and theatre in an early nineteenth-century European context. Aided by his letters from Germany, the book re-creates the intercultural discursive universe in which Beddoes easily moves from Shakespeares plays or the aesthetic experiments of Shelley and his circle to Goethe and to topics debated among Heinrich Heine and the Jungdeutschen, from the most advanced contemporary scientific research to the post-Napoleonic politics of the German radical students organisations, and from Byron, Baillie and Londons illegitimate theatre to Schillers and Tiecks highly charged reflections on male-male friendship. The study combines historicist strategies with theories of performance, performativity, and visuality as it focuses, in particular, on Beddoess major and defining work, Deaths Jest-Book, first completed in 1829 and published posthumously after much revision in 1850. This study shows how Deaths Jest Book, as both drama and poetry, devises complex perspectives on scientifically inspired notions of life and history, how it forges a radical vision for post-Napoleonic Europe and how it links this vision to a daring conception of desiring, gendered selves. The book pays close attention to the dialogue Beddoess writing maintains with Early Modern literature, and it highlights the proto-modernist features that link his work to that of Buechner, Grabbe and a European theatre avant-garde. This innovative study of Beddoess work, cutting across current investigations into politics, gender, and science in intercultural Romantic Studies should be of interest to scholars and students of British Romantic and Victorian studies as well as of German Vormaerz studies, and to students and scholars of drama and theatre as well as Queer studies. This study offers an incisive new reading of the romantic playwright Thomas Lovell (1803-1849) Beddoes's work as shaped by the contemporary discourses of radical politics, life science, and gender. Reappraising his opus magnum Death's Jest Book in a context powerfully defined . This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorBy Ute BernsKlappentextThis study offers an incisive new reading of the romantic playwright Thomas Lovell (1803-1849) Beddoes s work as shaped by the contemporary discourses of radical polit.…