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Published by Heinemann-Raintree, 2001
ISBN 10: 0739832425ISBN 13: 9780739832424
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Porter, Malcolm; Turvey, Raymond (illustrator). Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by The MIT Press, 2013
ISBN 10: 0262525119ISBN 13: 9780262525114
Seller: HPB-Red, Dallas, TX, U.S.A.
Book
paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
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Published by MIT Press Journals, 2005
ISBN 10: 0262752611ISBN 13: 9780262752619
Seller: HPB-Movies, Dallas, TX, U.S.A.
Book
single_issue_magazine. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Published by MIT Press Journals, 2007
ISBN 10: 0262752700ISBN 13: 9780262752701
Seller: austin books and more, New York, NY, U.S.A.
Magazine / Periodical
Single Issue Magazine. Condition: Very Good. (NB178 MAY3T7N) edge/point wear, light scuffing, no underlining or highlighting within.
Published by MIT Press Journals, 2005
ISBN 10: 0262752638ISBN 13: 9780262752633
Seller: austin books and more, New York, NY, U.S.A.
Magazine / Periodical
Single Issue Magazine. Condition: Very Good. (NB142 OCT30T8AL) edge/point wear, no underlining or highlighting within.
Published by Oxford University Press, 2008
ISBN 10: 0195320980ISBN 13: 9780195320985
Seller: Zoom Books Company, Lynden, WA, U.S.A.
Book
Condition: Good. Book is in good condition and may contain underlining or highlighting and minimal wear. The book can also include library labels. May not contain miscellaneous items (toys, dvds, etc). We offer 100% money back guarantee and fast customer support.
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Published by MIT Press Journals, 2003
ISBN 10: 0262752549ISBN 13: 9780262752541
Seller: Omaha Library Friends, Omaha, NE, U.S.A.
Book
paperback. Condition: Good. Binding is tight and square. Cover edges have shelf wear, and prior price stickers on the front of the cover. Contents are crisp, clean, complete and undamaged. Book was donated to Friends of Omaha Public Library.
Published by MIT Press Journals, 2006
ISBN 10: 0262752662ISBN 13: 9780262752664
Seller: austin books and more, New York, NY, U.S.A.
Magazine / Periodical
Single Issue Magazine. Condition: Very Good. (NB110 OCT30T8AL) edge/point wear, no underlining or highlighting within.
Published by MIT Press, 2011
Seller: austin books and more, New York, NY, U.S.A.
Magazine / Periodical
Single Issue Magazine. Condition: Very Good. (NB42 MAY1T7N) light edge/point wear, light scuffing, no underlining or highlighting within.
Published by MIT Press, 2011
Seller: austin books and more, New York, NY, U.S.A.
Magazine / Periodical
Single Issue Magazine. Condition: Very Good. (NB109 OCT30T8AL) edge/point wear, no underlining or highlighting within.
Published by Oxford University Press July 2008, 2008
ISBN 10: 0195320972ISBN 13: 9780195320978
Seller: Magus Books Seattle, Seattle, WA, U.S.A.
Book
Hardcover. Condition: VG. used hardcover copy, lacking a dust jacket (as issued). light shelfwear, corners perhaps slightly bumped. pages and binding are clean, straight, and tight. there are no marks to the text or other serious flaws.
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Published by MIT Press Journals, 2004
ISBN 10: 026275259XISBN 13: 9780262752596
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Published by Penguin Random House
ISBN 10: 0262044498ISBN 13: 9780262044493
Seller: INDOO, Avenel, NJ, U.S.A.
Book
Condition: As New. Unread copy in mint condition.
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Published by Columbia University Press, 2019
ISBN 10: 0231193033ISBN 13: 9780231193030
Seller: SecondSale, Montgomery, IL, U.S.A.
Book
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Published by Massachusetts Institute of Technology, 2013
ISBN 10: 0262525119ISBN 13: 9780262525114
Book First Edition
Paperback. Condition: As New. Series: October Books. xii 213p paperback, blue cover with yellow titles, like new condition, no significant wear, tight binding, pages clean and bright throughout, numerous photographs and stills, a very good copy Language: English Weight (g): 490.
Soft Cover. Condition: Very Good. No Jacket.
Published by Amsterdam University Press, 2003., 2003
Seller: City Basement Books, Melbourne, VIC, Australia
Paperback, 16x24cm, 294pp. Good condition. General light wear, creases and scuff marks. ISBN: 9053564942.
Published by MIT Press Journals, 1999
Seller: austin books and more, New York, NY, U.S.A.
Book
Paperback. Condition: Very Good. (NB75 OCT30T8AL) edge/point wear, no underlining or highlighting within.
Published by MIT Press Journals, Cambridge, MA, 2006
ISBN 10: 0262752662ISBN 13: 9780262752664
Book First Edition
Printed Wrappers. Condition: Very Good. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava and Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome example showing a slight dent to the lower foredge corner. Journal.
Published by MIT Press Journals, Cambridge, MA, 2003
ISBN 10: 0262752549ISBN 13: 9780262752541
Book First Edition
Printed Wrappers. Condition: Fine. First Edition. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. Journal.
Published by MIT Press Journals, Cambridge, MA, 2003
ISBN 10: 0262752530ISBN 13: 9780262752534
Book First Edition
Printed Wrappers. Condition: Near Fine. First Edition. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome example. Journal.
Published by MIT Press Journals, Cambridge, MA, 2010
ISBN 10: 0262752832ISBN 13: 9780262752831
Book First Edition
Printed Wrappers. Condition: Fine. First Edition. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. Journal.
Published by MIT Press Journals, Cambridge, MA, 2009
ISBN 10: 0262752778ISBN 13: 9780262752770
Book First Edition
Printed Wrappers. Condition: Fine. First Edition. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. Journal.
Published by MIT Press Journals, Cambridge, MA, 2005
ISBN 10: 026275262XISBN 13: 9780262752626
Book First Edition
Printed Wrappers. Condition: Very Good. First Edition. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. Journal.
Published by MIT Press Journals, Cambridge, MA, 2004
ISBN 10: 0262752581ISBN 13: 9780262752589
Book First Edition
Printed Wrappers. Condition: Near Fine. First Edition. 115pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On Two Paintings by Barnett Newman - Yve-Alain Bois; Barnett Newman's Stations and the Memory of the Holocaust - Mark Godfrey; Jean Fautrier's Jolies Juives - Rachel Perry; Of the Public Born: Raymond Hains and La France déchirée - Hannah Feldman; Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy - Anson Rabinbach; Stan Brakhage (1933-2003) - Annette Michelson. A handsome copy. Journal.
Published by MIT Press Journals, Cambridge, MA, 2004
ISBN 10: 026275259XISBN 13: 9780262752596
Book First Edition
Printed Wrappers. Condition: Fine. First Edition. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome example. Journal.
Published by MIT Press Journals, Cambridge, MA, 2005
ISBN 10: 0262752646ISBN 13: 9780262752640
Book First Edition
Printed Wrappers. Condition: Fine. First Edition. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. Journal.
Published by MIT Press Journals, Cambridge, MA, 2006
ISBN 10: 0262752670ISBN 13: 9780262752671
Book First Edition
Printed Wrappers. Condition: Fine. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. Journal.
Published by MIT Press Journals, Cambridge, MA, 2010
ISBN 10: 0262752816ISBN 13: 9780262752817
Book First Edition
Printed Wrappers. Condition: Fine. First Edition. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. Journal.
Published by MIT Press Journals, Cambridge, MA, 1998
First Edition
Printed Wrappers. Condition: Very Good. First Edition. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome example showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly. Journal.