Tillman Joakim (16 results)

Häftad, tryckta omslag. Mycket gott skick. Med ett par prydliga biblioteks- och gallringsstämplar. Stockholm, Stockholms universitet, 1995. Diss. 8:o. [iv] + 408 s. Med käll- och litteraturförteckning, personregister samt Summary på engelska. Innehåller bl. a.: "Tolvtonstekniken i 50-talets svenska musik och musikliv", "Receptionen av Lidholms 50-talsverk" samt "'Andens fria forskning' - tolvtonstekniken och Lidholms estetik". (Stockholms universitet. Studier i musikvetenskap. Studies in Musicology 5.).…

244 s. Häftad. Gott skick.

139 s. + CD-skiva. Illustrerad. Häftad.

244 s. Häftad. Förlagsny.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New. Editor(s): Coleman, Lindsay; Tillman, Joakim. Num Pages: 262 pages, 16 black & white illustrations, biography. BIC Classification: APF; AVG. Category: (P) Professional & Vocational. Dimension: 210 x 148. . . 2017. Hardback. . . . .

Condition: As New. Unread book in perfect condition.

Condition: New. Editor(s): Coleman, Lindsay; Tillman, Joakim. Num Pages: 262 pages, 16 black & white illustrations, biography. BIC Classification: APF; AVG. Category: (P) Professional & Vocational. Dimension: 210 x 148. . . 2017. Hardback. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 272 pages. 8.50x6.00x1.00 inches. In Stock.

Condition: new. Questo è un articolo print on demand.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer's approach or style. These chapters are written by a fellow composer, musicologist, or film academic who specializes in that element of the composer's output. In the interview portions of this book, six major film composers discuss their work from the early 1980s to the present day: Carter Burwell, Mychael Danna, Dario Marianelli, Rachel Portman, Zbigniew Preisner, and A.R. Rahman. The focus is on the practical considerations of film composition, the relationship each composer has with the moving image, narrative, technical considerations, personal motivations in composing, the relationships composers have with their directors, and their own creative processes. Contemporary Film Music also explores the contemporary influence of electronic music, issues surrounding the mixing of soundtracks, music theory, and the evolution of each composer's musical voice. 288 pp. Englisch. …

Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Lindsay Coleman is an independent film academic, journalist and educator. He is the author of Transnational Cinematography Studies (2017) and Sex and Storytelling in Modern Cinema (2015). Coleman is working on a series of books on modern . …

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer's approach or style. These chapters are written by a fellow composer, musicologist, or film academic who specializes in that element of the composer's output. In the interview portions of this book, six major film composers discuss their work from the early 1980s to the present day: Carter Burwell, Mychael Danna, Dario Marianelli, Rachel Portman, Zbigniew Preisner, and A.R. Rahman. The focus is on the practical considerations of film composition, the relationship each composer has with the moving image, narrative, technical considerations, personal motivations in composing, the relationships composers have with their directors, and their own creative processes. Contemporary Film Music also explores the contemporary influence of electronic music, issues surrounding the mixing of soundtracks, music theory, and the evolution of each composer's musical voice.…

Buch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer¿s approach or style. These chapters are written by a fellow composer, musicologist, or film academic who specializes in that element of the composer¿s output. In the interview portions of this book, six major film composers discuss their work from the early 1980s to the present day: Carter Burwell, Mychael Danna, Dario Marianelli, Rachel Portman, Zbigniew Preisner, and A.R. Rahman. The focus is on the practical considerations of film composition, the relationship each composer has with the moving image, narrative, technical considerations, personal motivations in composing, the relationships composers have with their directors, and their own creative processes. Contemporary Film Music also explores the contemporary influence of electronic music, issues surrounding the mixing of soundtracks, music theory, and the evolution of each composer¿s musical voice.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 288 pp. Englisch.…