Thomas Janina (151 results)

Condition: As New. Unread book in perfect condition.

Hardback. Condition: Very Good. Munch?s pictorial worlds ? the initial impetus for modernism Edvard Munch?s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds.…

Hardcover. Condition: Fine. Dust Jacket Condition: Published Without Dust Jacket. 272 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. Note: Book is still in original publisher shrink wrap.

Hardback. Condition: Very Good. Munch?s pictorial worlds ? the initial impetus for modernism Edvard Munch?s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds.…

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Broschüre. Condition: New. 1.

Hardcover. Condition: Gut bis sehr gut. Dust Jacket Condition: Gut bis sehr gut. Der Katalog entstand für die Ausstellung in der Berlinischen Galerie. Nach einer Einleitung folgt ein Prolog mit Photos und Plakaten zu "der Kaiser hat abgedankt" Berlin 1918/19.In dem 1. Abschnitt NG 1918-1922 werdend unter dem Titel "Befreiungsenergien der neuen Kunst" Werke gezeigt und beschrieben.In den Abschnitten NG 1922-1928 und NG 1928-1935 werden weitere Werke und die Arbeitder NG abgebildet und beschrieben.Am Ende folgen in 166 Punkten Kurzerläuterungen ,einige NG-Werke und Dokumente, sowie eine Auflistung der ausgestellten Werke. Der Katalog hat 272 Seiten.…

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: As New. Unread book in perfect condition.

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Condition: As New. Unread book in perfect condition.

Hardback or Cased Book. Condition: New. Edvard Munch: Magic of the North. Book.

Gebunden. Condition: Neu. Neu -Ferdinand Hodlers ausdrucksstarke Figurenbilder, Berglandschaften und Porträts sind Ikonen der Moderne. Bereits zu Lebzeiten fand das Werk des Schweizer Malers (1853-1918), der den Symbolismus mitgeprägt hat, international große Beachtung. Zeitgenossinnen und -genossen sahen in Hodler vor allem den Menschendarsteller, »der durch den Körper die Seele zu gestalten weiß«, so der Künstler Paul Klee 1911. Was heute kaum bekannt ist: Hodlers Weg zum Ruhm führte auch über Berlin. Neben Paris, Wien und München hatte sich die Reichshauptstadt zu Beginn des 20. Jahrhunderts zu einer der wichtigsten europäischen Kunstmetropolen entwickelt. Diese Städte boten Hodler die Chance, sein Werk über die Schweizer Landesgrenzen hinaus bekannt zu machen. Mit rund 50 Gemälden Hodlers und Werken von u.a. Lovis Corinth und Hans Thoma, die mit Hodler in Berlin ausstellten, wird erstmals seine Erfolgsgeschichte an der Spree erzählt. 240 pp. Englisch.…

Condition: New.

Paperback. Condition: New.

Condition: New.

Paperback. Condition: Brand New. German language. 6.30x4.41x0.32 inches. In Stock.

Condition: New.

Hardcover. Condition: Fine. 1st. Pictorial boards, 272 pages, illustrations (some colour), facsimiles, photographs, portraits; 29 cm. Text in English, translated from the German. Published on the occasion of the exhibition held 9 November 2018 to 11 March 2019, Berlinische Galerie, Museum fur Moderne Kunst, Berlin, Germany. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "In the wake of World War I and the German Revolution of November 1918, a group of German artists, architects, composers, and writers banded together to work toward a democratic society that would reflect the values of the Weimar constitution. Some of the most celebrated artists of the period were members or participated in their numerous exhibitions, including Otto Dix, Max Ernst, Walter Gropius, George Grosz, Ludwig Mies van der Rohe, Laszlo Moholy-Nagy, Hannah Hoech, and Piet Mondrian. In an effort to reflect the liberal values of Germany's newly established socialist government, the group was open to all styles, from Cubism, Futurism, and Expressionism to Dada, Abstraction, and New Objectivity. Until their dissolution in 1935, when they were banned by the Nazi regime, they exhibited nearly 3,000 works throughout the country. This book focuses on three distinct periods over the course of the group's history. Each section features essays and a series of elegantly reproduced illustrations. Presenting over one hundred works, this compilation offers new perspectives on the avant-garde art of Weimar Germany, its socio-utopian ideals, and its attempts to build bridges inside the artistic community as well as between the artists and their fellow citizens." - Publisher. *** CONTENTS: "The kaiser has abdicated!" Berlin, 1918-19, by Ralf Burmeister and Janina Nentwig; Paving the way for free modernism. The Novembergruppe's role in shaping art policy during the Weimar Republic, by Kristina Kratz-Kessemeier; "Liberating energies of the new art". The early Novembergruppe years from 1918 to 1920, by Janina Nentwig; Incompatibly radical. Dada and the Novembergruppe, by Ralf Burmeister; Constructivity and objectivity. Stylistic pluralism in the Novembergruppe, by Ralf Burmeister; "A strong will for new architecture". The Novembergruppe and the art of building, by Janina Nentwig; The Novembergruppe writes absolute film history, by Isabel Wu nsche; A moderate revolt. The Novembergruppe on air in 1925 with "Young writers and composers", by Andreas Zeising and Sara Beimdieke; Music for a new republic. The Novembergruppe evening experiment, by Nils Grosch; A belated revolution and an enforced ending. the Novembergruppe from 1928 to 1937, by Janina Nentwig; "We brook neither dogma nor doctrine". A chronicle of the Novembergruppe, by Janina Nentwig. Size: 4to. Collectible.…

Paperback. Condition: New.

Condition: New.

Condition: New.

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condition: new. Hardcover. Munch's pictorial worlds - the initial impetus for modernism Edvard Munch's radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863-1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the "Magic of the North" (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch's psychologically concentrated pictorial worlds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New. Munch's pictorial worlds - the initial impetus for modernism Edvard Munch's radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863-1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the "Magic of the North" (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch's psychologically concentrated pictorial worlds.…

Hardcover. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.